An Inauspicious Occasion

In May 2005 Brisbane lost a landmark. Wendy Mills water sculpture On this auspicious occasion, commissioned in November 1998 as part of a major refurbishment of Brisbanes Queen Street Mall and a broader attempt to achieve a more culturally sophisticated city, came down in the dead of the night.

Published 01 September 2005

Biennials of the World: Myths, Facts and Questions

In recent years, in the rarefied world of high art, in the places where international curators meet and work, amongst critics, commentators, artists, sponsors and collectors there has been no subject more widely discussed than that of the international recurrent exhibition. While Stephanie Britton recognises that the more closely it is examined the larger and more complex the subject becomes she has set out to tackle some of the essential ideas and questions surrounding these exhibitions. Includes two double fold out charts exclusive to Artlink: 1) a map of the world showing all the current biennales and triennials plus a new analysis of the 112 most frequently invited artists; 2) a star chart titled Artlink's Intergalactic Guide to the Curators of International Biennials and Triennials which lists the most frequently employed curators on these events and which events they have worked on.

Published 01 September 2005

Depravity-in-Wharfedale

Founded as recently as 1888 the West Riding Pauper Lunatic Asylum in Wharfedale was by reputation the biggest madhouse in Western Europe, and Brooks small village lay huddled beside it. Brook tells the story of living in sin, celebacy and the wall that proposed a division between madness and sanity.

Published 01 December 2005

Fremantle Print Award 30 Years Later and Still Standing

One of the many pleasures of running an annual award for excellence in printmedia is the thrill of unpacking the entries and encountering a work that takes your breath away. That thrill can evaporate when the judging panel dismisses the favoured work, or simply die away amongst the endless piles of entries waiting to be processed before you.

Published 01 June 2005

Give Wings to the Arts

This article outlines a radical new model for arts funding in Australia which will seek to adequately address many of the economic and creative necessities of young and established artists. Hall clearly sets out the proposal for the model, pointing out the four wings which would come into place to assist various sectors of the creative industries including Visual Arts, Literature, Crafts and Composition and Choreography and would replace both existing Fellowships and New Works Grants.

Published 01 September 2005

Gleaning Relational Aesthetics

The term Relational Aesthetics was first coined by Nicolas Bourriard, French curator and, since 1999, co-director with Jerome Sans of the Contemporary art centre Palais de Tokyo in Paris. Relational art doesn't produce a product but focuses on relations between audience members, events and ideas.

Published 01 December 2005

Here Come the Jets

Current trends in image reproduction, addressed through the introduction of giclee technology and industry. Neylon deals with issues of prints authenticity and some of the controversial debates surfacing within Australias art community.

Published 01 September 2005

New Museum Creates Cafe Society in Shenzhen

At the end of January 2005 in the He Xingning Art Museum in Shenzhen, a conference was held to coincide with the opening of the first dedicated Contemporary Art Museum in China named OCTA Contemporary Art Centre. The conference was essentially looking at the major issues confronting contemporary art in China as it goes through yet another dramatic evolution.

Published 01 September 2005

Philanthropy, Sponsorship, or Dinner?

On July 29 2005 the Prime Minister, John Howard, was guest of honour at the annual Australian Business Foundation for the Arts (AbaF) Awards Dinner. Joanna Mendelssohn reports on the event.

Published 01 September 2005

Public Interrogations

Architecturally-trained artist Richard Goodwin regards built and urban spaces as his performative stage. He has sought out parks, passageways, plazas, under and overpasses and other connective, forgotten and in-between spaces to insert an often absurdist mark of his presence.

Published 01 September 2005

Qin Ga: 'Miniature Long March'

The Long March A Walking Visual Display is an international collaboration involving over 250 Chinese and international artists taking place along 20 sites of the historical Long March. Each site was chosen for its symbolic import; the Long March was tatooed onto Qin Ga's back transforming his body into both an artwork and a Long March object.

Published 01 September 2005

The five phases of Aboriginal art

Published 01 September 2005

The Sheila's Biennale

Venice 2005

Published 01 September 2005

White face: Blak mask

Published 01 September 2005