Philanthropy, Sponsorship, or Dinner?
On July 29 2005 the Prime Minister, John Howard, was guest of honour at the annual Australian Business Foundation for the Arts (AbaF) Awards Dinner. Joanna Mendelssohn reports on the event.
More from this Issue
Public Interrogations
Architecturally-trained artist Richard Goodwin regards built and urban spaces as his performative stage. He has sought out parks, passageways, plazas, under and overpasses and other connective, forgotten and in-between spaces to insert an often absurdist mark of his presence.
Gleaning Relational Aesthetics
The term Relational Aesthetics was first coined by Nicolas Bourriard, French curator and, since 1999, co-director with Jerome Sans of the Contemporary art centre Palais de Tokyo in Paris. Relational art doesn't produce a product but focuses on relations between audience members, events and ideas.
Depravity-in-Wharfedale
Founded as recently as 1888 the West Riding Pauper Lunatic Asylum in Wharfedale was by reputation the biggest madhouse in Western Europe, and Brooks small village lay huddled beside it. Brook tells the story of living in sin, celebacy and the wall that proposed a division between madness and sanity.
Barney and Tibby Ellaga
New paintings from SE Arnhem Land at Raft Artspace, Darwin, 1- 23 April, 2005
Pantjiti Mary McLean: A Big Story
Pantjiti Mary McLean: A Big Story, Paintings and drawings 1992 - 2005 Tandanya National Aboriginal Cultural Institute Inc., Adelaide 7 May 7 August 2005
Qin Ga: 'Miniature Long March'
The Long March A Walking Visual Display is an international collaboration involving over 250 Chinese and international artists taking place along 20 sites of the historical Long March. Each site was chosen for its symbolic import; the Long March was tatooed onto Qin Ga's back transforming his body into both an artwork and a Long March object.
Give Wings to the Arts
This article outlines a radical new model for arts funding in Australia which will seek to adequately address many of the economic and creative necessities of young and established artists. Hall clearly sets out the proposal for the model, pointing out the four wings which would come into place to assist various sectors of the creative industries including Visual Arts, Literature, Crafts and Composition and Choreography and would replace both existing Fellowships and New Works Grants.
22nd Telstra NATSI Art Award
Museum and Art Gallery of the Northern Territory (MAGNT) 13 August - 23 October 2005
Intimate Transactions 3:2005
QUT Creative Industries Precinct, Brisbane The Australian Centre for the Moving Image, Melbourne 25 - 30 April 2005