Artrave
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More from this Issue
Fremantle Print Award 30 Years Later and Still Standing
One of the many pleasures of running an annual award for excellence in printmedia is the thrill of unpacking the entries and encountering a work that takes your breath away. That thrill can evaporate when the judging panel dismisses the favoured work, or simply die away amongst the endless piles of entries waiting to be processed before you.
New Museum Creates Cafe Society in Shenzhen
At the end of January 2005 in the He Xingning Art Museum in Shenzhen, a conference was held to coincide with the opening of the first dedicated Contemporary Art Museum in China named OCTA Contemporary Art Centre. The conference was essentially looking at the major issues confronting contemporary art in China as it goes through yet another dramatic evolution.
Intimate Transactions 3:2005
QUT Creative Industries Precinct, Brisbane The Australian Centre for the Moving Image, Melbourne 25 - 30 April 2005
Sculpture by the Sea
Artists and the public converge on Cottesloe Beach, Perth for the WA incarnation of the famous Bondi Beach event, 17 - 28 March 2005
Gleaning Relational Aesthetics
The term Relational Aesthetics was first coined by Nicolas Bourriard, French curator and, since 1999, co-director with Jerome Sans of the Contemporary art centre Palais de Tokyo in Paris. Relational art doesn't produce a product but focuses on relations between audience members, events and ideas.
Give Wings to the Arts
This article outlines a radical new model for arts funding in Australia which will seek to adequately address many of the economic and creative necessities of young and established artists. Hall clearly sets out the proposal for the model, pointing out the four wings which would come into place to assist various sectors of the creative industries including Visual Arts, Literature, Crafts and Composition and Choreography and would replace both existing Fellowships and New Works Grants.
An Inauspicious Occasion
In May 2005 Brisbane lost a landmark. Wendy Mills water sculpture On this auspicious occasion, commissioned in November 1998 as part of a major refurbishment of Brisbanes Queen Street Mall and a broader attempt to achieve a more culturally sophisticated city, came down in the dead of the night.