A View of the Perennials

Cover of A View of the Perennials
1.45375
I'm Very Into You: Correspondence 1995-1996

Kathy Acker & McKenzie Wark

Book Review
Ken Bolton

Published December 2015
1.21875
The Photograph and Australia

Judy Annear (ed)

Book Review
Joanna Mendelssohn

Published December 2015
1.34
Zizz! The Life and Art of Len Lye In His Own Words

Len Lye with Roger Horrocks

Book Review
Eve Sullivan

Published December 2015
ACE Open
1.29659643436
Timothy Cook: Dancing with the Moon

Seva Frangos

Book Review
Una Rey

Published December 2015
1.571709233792
Funemployed

Justin Heazlewood

Book Review
Kelli Rowe

Published December 2015
1.10125
John Wolseley: Landmarks III

Sasha Grishin

Book Review
Stephanie Radok

Published December 2015
NAVA
1.4575
No Future for You: Salvos from The Baffler

John Summers, Chris Lehmann, Thomas Frank (eds)

Book Review
Andrew Varano

Published September 2015
1.5
Painting is a Critical Form

Helen Johnson

Book Review
Mary-Jean Richardson

Published September 2015

Book review Contemporary Sculpture in Australian Gardens By Ken Scarlett Craftsman House 1993

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More from this Issue Full Issue Contents

Good Spot for a Pot Shot
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Stephanie Britton

The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.

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Drawing Wages
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Stephanie Britton

Looks at the Studio School of Painting and Drawing in South Australia. It is essentially a working artist's studio which has admitted students.

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Thinking Wholesale
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Cath Kenneally

At the Jam Factory in Adelaide, Rolf Bartz, David Archer and Lorry Wedding-Marchiaro are three of the SA designer makers who have entered into a marketing agreement which may be the way of the future for many more.

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Furniture, Ceramics: What the Hell, Let's Do It
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Stephanie Britton

Examines the Centre for Furniture Design, the Centre for the Arts in Tasmania and the Atlantis Studio in Townsville Queensland.

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Tickling the Senses in Brunswick St
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Stephanie Britton

Located in Melbourne Victoria, the City of Fitzroy was given $1m by the federal government in 1992 for capital works. One project funded was the commissioning of 16 pieces of public art from 11 artists to build on that heart of cafe culture Brunswick St.

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Briefly, Two Epics
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Ian North

Review Adelaide Installations
Adelaide Festival of Art
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February - March 1994

Published June 1994
Surviving the Recession
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Stephanie Britton

How do artists survive when they are not able to sell work in galleries -- sales are at a record low and many galleries have folded-- or get commissions through State agencies -- because these are few and far between?

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Living Off Your Art: New Figures on Artists' Income
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David Throsby

Artists are particularly vulnerable to economic downturn for two main reasons...the business cycle and the role of other jobs in a tight employment market.

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Showing Art On Your Terms
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Ewa

Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.

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Festival Breakthrough: Adelaide Festival
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Julie Ewington

Review Adelaide Installations
Adelaide Festival
South Australia Various locations
25 February - 13 March 1994

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Brisbane Offers Plenty of Space
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Christine Morrow

Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.

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Artists -- From Garret to Office
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Kevin Wilson

The Premier of Victoria may claim that his government has opened Victoria for business, but it is the important role of local government and the Federal Government in developing arts training and facilities that is really making the running. Artists are no longer in their garrets but in front of pcs in their offices.

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