Kathy Acker & McKenzie Wark
Published December 2015
Judy Annear (ed)
Len Lye with Roger Horrocks
Seva Frangos
Justin Heazlewood
Sasha Grishin
John Summers, Chris Lehmann, Thomas Frank (eds)
Published September 2015
Helen Johnson
Book review Contemporary Sculpture in Australian Gardens By Ken Scarlett Craftsman House 1993
Artists were left out in the cold at the 1994 Festival of Arts. Examines issues facing organisers of events such as Artist's week in the context of the Adelaide Festival of Arts.
Published June 1994
Exhibition review 4 Seasons - Objects that Contain Plimsoll Gallery University of Tasmania Centre for the Arts March 4 - 27 1994
Exhibition review Jemmy Mehmet Adil, Craige Andrae, Johnnie Dadie, Simryn Gill, Richard Grayson, Linda Marie Walker, Paul Hewson, Shaun Kirby, David O'Halloran, Bronia Iwanczak, Andrew Petrusevics, Bronwyn Platten, George Popperwell, Jyanni Steffensen, Steve Wigg Curated by Alan Cruikshank Ebenezer Studios Basement February 18 - March 13 1994
Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.
Ipswich City Council in Queensland is recruiting artists and designers from their large regional base and assisting them to create their own incomes through the work they are already trained to do.
The Raw Material Curatorial Development Program was designed to provide training opportunities for curators without experience, but with plenty of potential. Based at Gertrude Street Victoria. Featured artwork by Marie Sierra-Hughes.
Museums and larger arts spaces are increasingly looking at ways to improve access to their exhibitions for a wider range of people. Contemporary art spaces face a more difficult battle than museums in trying to become more relevant to their diverse communities.
Artists are particularly vulnerable to economic downturn for two main reasons...the business cycle and the role of other jobs in a tight employment market.
Examines the Centre for Furniture Design, the Centre for the Arts in Tasmania and the Atlantis Studio in Townsville Queensland.
Operating both as an industry training ground and as a space for creative experimentation, low budget film and video production must be thought of as an economic and a cultural investment.
Bark painters of Arnhem Land are experimenting with a new medium - canvas- and in so doing both increasing their output and responding to market forces.
Exhibition review Dark Nature Anne MacDonald and David Stephenson Dick Bett Gallery Hobart, Tasmania 3 - 22 March 1994
