Briefly, Two Epics

Cover of Briefly, Two Epics
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Adelaide Festival Centre
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
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1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Review Adelaide Installations Adelaide Festival of Art South Australia Various locations February - March 1994

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The Green and the Wild
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Anne MacDonald and David Stephenson
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Dial Up for Rewards
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Whitechapel Meets Eastenders
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Museums and larger arts spaces are increasingly looking at ways to improve access to their exhibitions for a wider range of people. Contemporary art spaces face a more difficult battle than museums in trying to become more relevant to their diverse communities.

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Shedding the Bark
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Bark painters of Arnhem Land are experimenting with a new medium - canvas- and in so doing both increasing their output and responding to market forces.

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Sophistication in the Country
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Shire of Eltham on the outskirts of Melbourne Victoria and its commitment to the arts.

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Bonanza for Creators in Ipswich
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Ipswich City Council in Queensland is recruiting artists and designers from their large regional base and assisting them to create their own incomes through the work they are already trained to do.

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Multiples for Sale
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Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.

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Looking at the Billboard
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Critical Mass/ City Art/ Artists' Initiatives
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A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.

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Festival Breakthrough: Adelaide Festival
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Surviving the Recession
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How do artists survive when they are not able to sell work in galleries -- sales are at a record low and many galleries have folded-- or get commissions through State agencies -- because these are few and far between?

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Powerful Alternatives - Sydney
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They may not have been characterised as 'artist run initiatives' but exhibition spaces run by artists have been around, in one form, or another for a long time.

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