Briefly, Two Epics

Cover of Briefly, Two Epics
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
AFF
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Crown Resorts
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Review Adelaide Installations Adelaide Festival of Art South Australia Various locations February - March 1994

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More from this Issue Full Issue Contents

Good Spot for a Pot Shot
Feature
Stephanie Britton

The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.

Published June 1994
Sophistication in the Country
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Stephanie Britton

Shire of Eltham on the outskirts of Melbourne Victoria and its commitment to the arts.

Published June 1994
The End of an Era? Artists' Week 1994 Adelaide Festival
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Melissa Cater

Artists were left out in the cold at the 1994 Festival of Arts. Examines issues facing organisers of events such as Artist's week in the context of the Adelaide Festival of Arts.

Published June 1994
Living Off Your Art: New Figures on Artists' Income
Feature
David Throsby

Artists are particularly vulnerable to economic downturn for two main reasons...the business cycle and the role of other jobs in a tight employment market.

Published June 1994
Festival of Perth: Visual Arts a Shadow of Their Former Selves
Review
Dorothy Erickson

Review A sad thing has happened to the once vibrant visual arts component of the Festival of Perth - the oldest arts festival in Australia. It has become tired if not downright tiresome. The whole event needs a good shake - up.

Published June 1994
Noarlunga: Backwater No Longer
Feature
Stephanie Britton

The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.

Published June 1994
The Spirit of Collectivism: A Brief Guide to Melbourne's Artist-run Galleries
Feature
Merran Ricketson

A brief guide to Melbourne's artist run galleries: Ether Ohnetitel, The Women's Gallery, Gallery Gecko, The COOP, A For Art Space, Making Sense Contemporary Art Space, The Basement Project, Argyle Street Studios, West Space, Arts Post, RedPlanet, Another Planet Posters, Red Letter Community Workshop, A.R.T. (artaroundtown), First Floor, Store 5, Room 4, ROAR Studio, Temple 29 and 41 Gold Street.

Published June 1994
Artists Pave the Way
Feature
Ian Hamilton

One outcome of the recent spate of local urban design projects and processes has been employment for artists.

Published June 1994
Aboriginal Art Exhibitions in Western Australia
Review
Noel Sheridan

Review The Festival of Perth presented two major exhibitions of Western Australian Aboriginal art Bush Women at the Fremantle Arts Centre and This is my country at the exciting new exhibition venue 'Artplace' in Claremont.

Published June 1994
Artists -- From Garret to Office
Feature
Kevin Wilson

The Premier of Victoria may claim that his government has opened Victoria for business, but it is the important role of local government and the Federal Government in developing arts training and facilities that is really making the running. Artists are no longer in their garrets but in front of pcs in their offices.

Published June 1994
Critical Mass/ City Art/ Artists' Initiatives
Feature
Stephanie Radok

A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.

Published June 1994
Strategies for Debunking the Myth of Artist as Wanker
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Malcolm McKinnon

or what I learned at school... the artist Malcolm McKinnon examines his training through the art school in Melbourne in the 1980s.

Published June 1994
 
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