Briefly, Two Epics

Cover of Briefly, Two Epics
1.126
Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
1.088
Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
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Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
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A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
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Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
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Fair Share Fare: Recipe for Disaster
Feature
Jen Rae

Published 01 December 2019
NAVA
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Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
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Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

Review Adelaide Installations Adelaide Festival of Art South Australia Various locations February - March 1994

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More from this Issue Full Issue Contents

Brisbane Offers Plenty of Space
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Christine Morrow

Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.

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Roads, Rates and Renaissance
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Stephanie Britton

Looks at the Melbourne inner city initiatives commissioned by the local governments to enhance public works.

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Good Spot for a Pot Shot
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Stephanie Britton

The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.

Published June 1994
Tickling the Senses in Brunswick St
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Stephanie Britton

Located in Melbourne Victoria, the City of Fitzroy was given $1m by the federal government in 1992 for capital works. One project funded was the commissioning of 16 pieces of public art from 11 artists to build on that heart of cafe culture Brunswick St.

Published June 1994
Pav Offers Sweet Success
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Stephanie Britton

Bondi Pavilion Community Cultural Centre is situated right on Bondi Beach in the heart of one of Sydney's most ethnically diverse areas.

Published June 1994
Income, Outcome? Hard Times for Artists + Industry
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Bruce Filley

As an organisation, Arts + Industry is fundamentally concerned with economics and income generation. Assisting artists and designers to either find employment with industry or create opportunities as self-employed designer/makers is integral to their goals.

Published June 1994
Furniture, Ceramics: What the Hell, Let's Do It
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Stephanie Britton

Examines the Centre for Furniture Design, the Centre for the Arts in Tasmania and the Atlantis Studio in Townsville Queensland.

Published June 1994
Non-Metro Spaces
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Stephanie Britton

Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.

Published June 1994
Critical Mass/ City Art/ Artists' Initiatives
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Stephanie Radok

A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.

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Migrant Artists and the Mysteries of Australian Culture
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Elizabeth Gertsakis

The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.

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Artists -- From Garret to Office
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Kevin Wilson

The Premier of Victoria may claim that his government has opened Victoria for business, but it is the important role of local government and the Federal Government in developing arts training and facilities that is really making the running. Artists are no longer in their garrets but in front of pcs in their offices.

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No Vacancy: The Art of 400 Artists
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Maggie McCormick

Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.

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