Published 01 December 2019
One outcome of the recent spate of local urban design projects and processes has been employment for artists.
To survive financially and professionally a large number of artists in WA have formed themselves into co-operatives.
Published June 1994
Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.
Written with Lee Salomone exploring the utilisation of prominent billboards on the tram track in Adelaide for the term of one year at no cost for them to be used as public art spaces.
Review Adelaide Installations
South Australia Various locations
25 February - 13 March 1994
They may not have been characterised as 'artist run initiatives' but exhibition spaces run by artists have been around, in one form, or another for a long time.
Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994
The Premier of Victoria may claim that his government has opened Victoria for business, but it is the important role of local government and the Federal Government in developing arts training and facilities that is really making the running. Artists are no longer in their garrets but in front of pcs in their offices.
Bondi Pavilion Community Cultural Centre is situated right on Bondi Beach in the heart of one of Sydney's most ethnically diverse areas.
The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.
Located in Melbourne Victoria, the City of Fitzroy was given $1m by the federal government in 1992 for capital works. One project funded was the commissioning of 16 pieces of public art from 11 artists to build on that heart of cafe culture Brunswick St.
Artists were left out in the cold at the 1994 Festival of Arts. Examines issues facing organisers of events such as Artist's week in the context of the Adelaide Festival of Arts.
Museums and larger arts spaces are increasingly looking at ways to improve access to their exhibitions for a wider range of people. Contemporary art spaces face a more difficult battle than museums in trying to become more relevant to their diverse communities.