Artists Pave the Way

Cover of Artists Pave the Way
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The five phases of Aboriginal art in Australia
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
Darwin Aboriginal Art Fair
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
NAVA
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

One outcome of the recent spate of local urban design projects and processes has been employment for artists.

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More from this Issue Full Issue Contents

(L)earning Curves on the Streets of Melbourne
Feature
Philippa Burne

The transforming role of local government. More enlightened attitudes towards art making are coming from all levels of government and from property developers and others - often at the urging of those various levels of government.

Published June 1994
Artists' Park Blooms Again
Feature
Stephanie Britton

Box Hill known in the art world for its connection to the Heidelberg School of Painting has maintained its commitment to the arts.

Published June 1994
Good Spot for a Pot Shot
Feature
Stephanie Britton

The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.

Published June 1994
The Green and the Wild
Review
Jonathan Holmes

Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994

Published June 1994
Showing Art On Your Terms
Feature
Ewa

Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.

Published June 1994
No Vacancy: The Art of 400 Artists
Feature
Maggie McCormick

Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.

Published June 1994
Pav Offers Sweet Success
Feature
Stephanie Britton

Bondi Pavilion Community Cultural Centre is situated right on Bondi Beach in the heart of one of Sydney's most ethnically diverse areas.

Published June 1994
Bonanza for Creators in Ipswich
Feature
Stephanie Britton

Ipswich City Council in Queensland is recruiting artists and designers from their large regional base and assisting them to create their own incomes through the work they are already trained to do.

Published June 1994
Tickling the Senses in Brunswick St
Feature
Stephanie Britton

Located in Melbourne Victoria, the City of Fitzroy was given $1m by the federal government in 1992 for capital works. One project funded was the commissioning of 16 pieces of public art from 11 artists to build on that heart of cafe culture Brunswick St.

Published June 1994
Easy Access Hardware
Feature
Rose Lang

The Raw Material Curatorial Development Program was designed to provide training opportunities for curators without experience, but with plenty of potential. Based at Gertrude Street Victoria. Featured artwork by Marie Sierra-Hughes.

Published June 1994
Strategies for Debunking the Myth of Artist as Wanker
Feature
Malcolm McKinnon

or what I learned at school... the artist Malcolm McKinnon examines his training through the art school in Melbourne in the 1980s.

Published June 1994
The Jeweller's Apprentice
Feature
Alice Whish

"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."

Published June 1994
 
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