Non-Metro Spaces

Cover of Non-Metro Spaces
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Riddoch
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
NAVA
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.

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More from this Issue Full Issue Contents

Strategies for Debunking the Myth of Artist as Wanker
Feature
Malcolm McKinnon

or what I learned at school... the artist Malcolm McKinnon examines his training through the art school in Melbourne in the 1980s.

Published June 1994
Aboriginal Art Exhibitions in Western Australia
Review
Noel Sheridan

Review The Festival of Perth presented two major exhibitions of Western Australian Aboriginal art Bush Women at the Fremantle Arts Centre and This is my country at the exciting new exhibition venue 'Artplace' in Claremont.

Published June 1994
Noarlunga: Backwater No Longer
Feature
Stephanie Britton

The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.

Published June 1994
The Case of the Cigarette and the Egg
Review
Yumi Lee

Review Women and sexuality in Asian-Pacific Cinema
Media Resource Centre
Adelaide South Australia
February 26 - March 11 1994

Published June 1994
Shedding the Bark
Feature
Susan Cochrane

Bark painters of Arnhem Land are experimenting with a new medium - canvas- and in so doing both increasing their output and responding to market forces.

Published June 1994
Showing and Working Together in WA
Feature
Robyn Taylor

To survive financially and professionally a large number of artists in WA have formed themselves into co-operatives.

Published June 1994
Pav Offers Sweet Success
Feature
Stephanie Britton

Bondi Pavilion Community Cultural Centre is situated right on Bondi Beach in the heart of one of Sydney's most ethnically diverse areas.

Published June 1994
Roads, Rates and Renaissance
Feature
Stephanie Britton

Looks at the Melbourne inner city initiatives commissioned by the local governments to enhance public works.

Published June 1994
Thinking Wholesale
Feature
Cath Kenneally

At the Jam Factory in Adelaide, Rolf Bartz, David Archer and Lorry Wedding-Marchiaro are three of the SA designer makers who have entered into a marketing agreement which may be the way of the future for many more.

Published June 1994
Festival of Perth: Visual Arts a Shadow of Their Former Selves
Review
Dorothy Erickson

Review A sad thing has happened to the once vibrant visual arts component of the Festival of Perth - the oldest arts festival in Australia. It has become tired if not downright tiresome. The whole event needs a good shake - up.

Published June 1994
Migrant Artists and the Mysteries of Australian Culture
Feature
Elizabeth Gertsakis

The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.

Published June 1994
Artists' Park Blooms Again
Feature
Stephanie Britton

Box Hill known in the art world for its connection to the Heidelberg School of Painting has maintained its commitment to the arts.

Published June 1994
 
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