Non-Metro Spaces

Cover of Non-Metro Spaces
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
UTS
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Artlink Promo
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.

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More from this Issue Full Issue Contents

Showing Art On Your Terms
Feature
Ewa

Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.

Published June 1994
Brisbane Offers Plenty of Space
Feature
Christine Morrow

Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.

Published June 1994
Migrant Artists and the Mysteries of Australian Culture
Feature
Elizabeth Gertsakis

The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.

Published June 1994
Designs on Shopping
Review
Sean Kelly

Exhibition review 4 Seasons - Objects that Contain
Plimsoll Gallery
University of Tasmania Centre for the Arts
March 4 - 27 1994

Published June 1994
The End of an Era? Artists' Week 1994 Adelaide Festival
Feature
Melissa Cater

Artists were left out in the cold at the 1994 Festival of Arts. Examines issues facing organisers of events such as Artist's week in the context of the Adelaide Festival of Arts.

Published June 1994
Thinking Wholesale
Feature
Cath Kenneally

At the Jam Factory in Adelaide, Rolf Bartz, David Archer and Lorry Wedding-Marchiaro are three of the SA designer makers who have entered into a marketing agreement which may be the way of the future for many more.

Published June 1994
Artists Pave the Way
Feature
Ian Hamilton

One outcome of the recent spate of local urban design projects and processes has been employment for artists.

Published June 1994
Strategies for Debunking the Myth of Artist as Wanker
Feature
Malcolm McKinnon

or what I learned at school... the artist Malcolm McKinnon examines his training through the art school in Melbourne in the 1980s.

Published June 1994
Festival of Perth: Visual Arts a Shadow of Their Former Selves
Review
Dorothy Erickson

Review A sad thing has happened to the once vibrant visual arts component of the Festival of Perth - the oldest arts festival in Australia. It has become tired if not downright tiresome. The whole event needs a good shake - up.

Published June 1994
Showing and Working Together in WA
Feature
Robyn Taylor

To survive financially and professionally a large number of artists in WA have formed themselves into co-operatives.

Published June 1994
Bonanza for Creators in Ipswich
Feature
Stephanie Britton

Ipswich City Council in Queensland is recruiting artists and designers from their large regional base and assisting them to create their own incomes through the work they are already trained to do.

Published June 1994
Things I've Seen a Little Different Along the Way - Stories from Up North
Feature
Steve Fox

"If you are real lucky you got CDEP or your are making it selling your art and then you got a good art centre too, maybe. If you are real lucky just when you turn up with a couple of week's art production, maybe yours, maybe the families, the centre's got cash, no one's a bastard, everyone's happy, the store has even got some decent food, even new bikes, toy guns, tape decks and a few tins of Log Cabin. Shit, life's good - sometimes anyway." A personal view of art making in indigenous communities.

Published June 1994
 
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