Non-Metro Spaces

Cover of Non-Metro Spaces
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Subs Promo
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
NAVA
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.

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More from this Issue Full Issue Contents

The Green and the Wild
Review
Jonathan Holmes

Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994

Published June 1994
Brisbane Offers Plenty of Space
Feature
Christine Morrow

Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.

Published June 1994
The Jeweller's Apprentice
Feature
Alice Whish

"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."

Published June 1994
Looking at the Billboard
Feature
Gavin Malone

Written with Lee Salomone exploring the utilisation of prominent billboards on the tram track in Adelaide for the term of one year at no cost for them to be used as public art spaces.

Published June 1994
The Spirit of Collectivism: A Brief Guide to Melbourne's Artist-run Galleries
Feature
Merran Ricketson

A brief guide to Melbourne's artist run galleries: Ether Ohnetitel, The Women's Gallery, Gallery Gecko, The COOP, A For Art Space, Making Sense Contemporary Art Space, The Basement Project, Argyle Street Studios, West Space, Arts Post, RedPlanet, Another Planet Posters, Red Letter Community Workshop, A.R.T. (artaroundtown), First Floor, Store 5, Room 4, ROAR Studio, Temple 29 and 41 Gold Street.

Published June 1994
The End of an Era? Artists' Week 1994 Adelaide Festival
Feature
Melissa Cater

Artists were left out in the cold at the 1994 Festival of Arts. Examines issues facing organisers of events such as Artist's week in the context of the Adelaide Festival of Arts.

Published June 1994
Sophistication in the Country
Feature
Stephanie Britton

Shire of Eltham on the outskirts of Melbourne Victoria and its commitment to the arts.

Published June 1994
Migrant Artists and the Mysteries of Australian Culture
Feature
Elizabeth Gertsakis

The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.

Published June 1994
A View of the Perennials
Book Review
Lorraine Jenyns

Book review Contemporary Sculpture in Australian Gardens
By Ken Scarlett
Craftsman House 1993

Published June 1994
Briefly, Two Epics
Feature
Ian North

Review Adelaide Installations
Adelaide Festival of Art
South Australia Various locations
February - March 1994

Published June 1994
Futurama: Art and Technology Expo
Feature
James Harley

Article written with collaborator Shiralee Saul. Discusses the planned Futurama which was slated to start in 1996 as a 4-5 day event in Melbourne Victoria - organised by Installation Publication a partnership of 2 artist administrators.

Published June 1994
Surviving the Recession
Feature
Stephanie Britton

How do artists survive when they are not able to sell work in galleries -- sales are at a record low and many galleries have folded-- or get commissions through State agencies -- because these are few and far between?

Published June 1994
 
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