Looking at the Billboard
Written with Lee Salomone exploring the utilisation of prominent billboards on the tram track in Adelaide for the term of one year at no cost for them to be used as public art spaces.
More from this Issue
Sophistication in the Country
Shire of Eltham on the outskirts of Melbourne Victoria and its commitment to the arts.
Migrant Artists and the Mysteries of Australian Culture
The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.
Shedding the Bark
Bark painters of Arnhem Land are experimenting with a new medium - canvas- and in so doing both increasing their output and responding to market forces.
Dial Up for Rewards
Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.
Briefly, Two Epics
Review Adelaide Installations
Adelaide Festival of Art
South Australia Various locations
February - March 1994
Income, Outcome? Hard Times for Artists + Industry
As an organisation, Arts + Industry is fundamentally concerned with economics and income generation. Assisting artists and designers to either find employment with industry or create opportunities as self-employed designer/makers is integral to their goals.
Strategies for Debunking the Myth of Artist as Wanker
or what I learned at school... the artist Malcolm McKinnon examines his training through the art school in Melbourne in the 1980s.
Noarlunga: Backwater No Longer
The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.
The Green and the Wild
Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994
Easy Access Hardware
The Raw Material Curatorial Development Program was designed to provide training opportunities for curators without experience, but with plenty of potential. Based at Gertrude Street Victoria. Featured artwork by Marie Sierra-Hughes.
The Jeweller's Apprentice
"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."