The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.
Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.
Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.
"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."
As an organisation, Arts + Industry is fundamentally concerned with economics and income generation. Assisting artists and designers to either find employment with industry or create opportunities as self-employed designer/makers is integral to their goals.
Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.
Review A sad thing has happened to the once vibrant visual arts component of the Festival of Perth - the oldest arts festival in Australia. It has become tired if not downright tiresome. The whole event needs a good shake - up.