Self-Starting Sculpture

Cover of Self-Starting Sculpture
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Dan McCabe
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Axolotl
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

The artist describes her attempts to sell her sculpture and the need to take other work. How has this impacted on her artistic approach?

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More from this Issue Full Issue Contents

Futurama: Art and Technology Expo
Feature
James Harley

Article written with collaborator Shiralee Saul. Discusses the planned Futurama which was slated to start in 1996 as a 4-5 day event in Melbourne Victoria - organised by Installation Publication a partnership of 2 artist administrators.

Published June 1994
Things I've Seen a Little Different Along the Way - Stories from Up North
Feature
Steve Fox

"If you are real lucky you got CDEP or your are making it selling your art and then you got a good art centre too, maybe. If you are real lucky just when you turn up with a couple of week's art production, maybe yours, maybe the families, the centre's got cash, no one's a bastard, everyone's happy, the store has even got some decent food, even new bikes, toy guns, tape decks and a few tins of Log Cabin. Shit, life's good - sometimes anyway." A personal view of art making in indigenous communities.

Published June 1994
Living Off Your Art: New Figures on Artists' Income
Feature
David Throsby

Artists are particularly vulnerable to economic downturn for two main reasons...the business cycle and the role of other jobs in a tight employment market.

Published June 1994
The Green and the Wild
Review
Jonathan Holmes

Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994

Published June 1994
Showing and Working Together in WA
Feature
Robyn Taylor

To survive financially and professionally a large number of artists in WA have formed themselves into co-operatives.

Published June 1994
Drawing Wages
Feature
Stephanie Britton

Looks at the Studio School of Painting and Drawing in South Australia. It is essentially a working artist's studio which has admitted students.

Published June 1994
No Vacancy: The Art of 400 Artists
Feature
Maggie McCormick

Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.

Published June 1994
Noarlunga: Backwater No Longer
Feature
Stephanie Britton

The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.

Published June 1994
Roads, Rates and Renaissance
Feature
Stephanie Britton

Looks at the Melbourne inner city initiatives commissioned by the local governments to enhance public works.

Published June 1994
Arts Employment Through Small Business
Feature
Helen Millicer

...So in effect, what we have in Australia is a separation of public and commercial by governments arts departments that unfortunately does not take into account the fact that the arts industry operates on a continuum...

Published June 1994
Artists as Soul Agents in WA
Feature
Robyn Taylor

During the 1990s a number of initiatives have been undertaken in Western Australia which aim to improve the lot of the State's artists. The article examines three particular initiatives.

Published June 1994
Whitechapel Meets Eastenders
Feature
Kevin Wilson

Museums and larger arts spaces are increasingly looking at ways to improve access to their exhibitions for a wider range of people. Contemporary art spaces face a more difficult battle than museums in trying to become more relevant to their diverse communities.

Published June 1994
 
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