Self-Starting Sculpture

Cover of Self-Starting Sculpture
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
NAVA
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Artlink Promo
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

The artist describes her attempts to sell her sculpture and the need to take other work. How has this impacted on her artistic approach?

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More from this Issue Full Issue Contents

Brisbane Offers Plenty of Space
Feature
Christine Morrow

Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.

Published June 1994
Good Spot for a Pot Shot
Feature
Stephanie Britton

The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.

Published June 1994
Festival of Perth: Visual Arts a Shadow of Their Former Selves
Review
Dorothy Erickson

Review A sad thing has happened to the once vibrant visual arts component of the Festival of Perth - the oldest arts festival in Australia. It has become tired if not downright tiresome. The whole event needs a good shake - up.

Published June 1994
Aboriginal Art Exhibitions in Western Australia
Review
Noel Sheridan

Review The Festival of Perth presented two major exhibitions of Western Australian Aboriginal art Bush Women at the Fremantle Arts Centre and This is my country at the exciting new exhibition venue 'Artplace' in Claremont.

Published June 1994
Non-Metro Spaces
Feature
Stephanie Britton

Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.

Published June 1994
Noarlunga: Backwater No Longer
Feature
Stephanie Britton

The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.

Published June 1994
No Vacancy: The Art of 400 Artists
Feature
Maggie McCormick

Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.

Published June 1994
Bonanza for Creators in Ipswich
Feature
Stephanie Britton

Ipswich City Council in Queensland is recruiting artists and designers from their large regional base and assisting them to create their own incomes through the work they are already trained to do.

Published June 1994
The Jeweller's Apprentice
Feature
Alice Whish

"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."

Published June 1994
Critical Mass/ City Art/ Artists' Initiatives
Feature
Stephanie Radok

A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.

Published June 1994
Multiples for Sale
Feature
Susan Fereday

Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.

Published June 1994
Pity the Poor Director: Priorities Askew in Low Budget Film and Video
Feature
Chaz Underwood

Operating both as an industry training ground and as a space for creative experimentation, low budget film and video production must be thought of as an economic and a cultural investment.

Published June 1994