Published 25 August 2021
The artist describes her attempts to sell her sculpture and the need to take other work. How has this impacted on her artistic approach?
The Cultural Services Unit of the Liverpool City Council has increased substantially over the last 2 years as has the number of artists employed by them.
Published June 1994
They may not have been characterised as 'artist run initiatives' but exhibition spaces run by artists have been around, in one form, or another for a long time.
Examines the Centre for Furniture Design, the Centre for the Arts in Tasmania and the Atlantis Studio in Townsville Queensland.
One outcome of the recent spate of local urban design projects and processes has been employment for artists.
To survive financially and professionally a large number of artists in WA have formed themselves into co-operatives.
Review Adelaide Installations Adelaide Festival South Australia Various locations 25 February - 13 March 1994
Published 01 June 1994
Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.
Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.
Book review Contemporary Sculpture in Australian Gardens
By Ken Scarlett
Craftsman House 1993
At the Jam Factory in Adelaide, Rolf Bartz, David Archer and Lorry Wedding-Marchiaro are three of the SA designer makers who have entered into a marketing agreement which may be the way of the future for many more.
Exhibition review Dark Nature
Anne MacDonald and David Stephenson
Dick Bett Gallery Hobart, Tasmania
3 - 22 March 1994