Self-Starting Sculpture

Cover of Self-Starting Sculpture
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Joondalup
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
PICA
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

The artist describes her attempts to sell her sculpture and the need to take other work. How has this impacted on her artistic approach?

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More from this Issue Full Issue Contents

Artists as Soul Agents in WA
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Robyn Taylor

During the 1990s a number of initiatives have been undertaken in Western Australia which aim to improve the lot of the State's artists. The article examines three particular initiatives.

Published June 1994
Dial Up for Rewards
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Sue Harris

Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.

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Liverpool Links: Industry and Art
Feature
Stephanie Britton

The Cultural Services Unit of the Liverpool City Council has increased substantially over the last 2 years as has the number of artists employed by them.

Published June 1994
Living Off Your Art: New Figures on Artists' Income
Feature
David Throsby

Artists are particularly vulnerable to economic downturn for two main reasons...the business cycle and the role of other jobs in a tight employment market.

Published June 1994
Multiples for Sale
Feature
Susan Fereday

Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.

Published June 1994
Whitechapel Meets Eastenders
Feature
Kevin Wilson

Museums and larger arts spaces are increasingly looking at ways to improve access to their exhibitions for a wider range of people. Contemporary art spaces face a more difficult battle than museums in trying to become more relevant to their diverse communities.

Published June 1994
Surviving the Recession
Feature
Stephanie Britton

How do artists survive when they are not able to sell work in galleries -- sales are at a record low and many galleries have folded-- or get commissions through State agencies -- because these are few and far between?

Published June 1994
Roads, Rates and Renaissance
Feature
Stephanie Britton

Looks at the Melbourne inner city initiatives commissioned by the local governments to enhance public works.

Published June 1994
Brisbane Offers Plenty of Space
Feature
Christine Morrow

Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.

Published June 1994
Thinking Wholesale
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Cath Kenneally

At the Jam Factory in Adelaide, Rolf Bartz, David Archer and Lorry Wedding-Marchiaro are three of the SA designer makers who have entered into a marketing agreement which may be the way of the future for many more.

Published June 1994
Sophistication in the Country
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Stephanie Britton

Shire of Eltham on the outskirts of Melbourne Victoria and its commitment to the arts.

Published June 1994
Income, Outcome? Hard Times for Artists + Industry
Feature
Bruce Filley

As an organisation, Arts + Industry is fundamentally concerned with economics and income generation. Assisting artists and designers to either find employment with industry or create opportunities as self-employed designer/makers is integral to their goals.

Published June 1994
 
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