Self-Starting Sculpture

Cover of Self-Starting Sculpture
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
AFF
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Axolotl
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

The artist describes her attempts to sell her sculpture and the need to take other work. How has this impacted on her artistic approach?

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More from this Issue Full Issue Contents

Pity the Poor Director: Priorities Askew in Low Budget Film and Video
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Chaz Underwood

Operating both as an industry training ground and as a space for creative experimentation, low budget film and video production must be thought of as an economic and a cultural investment.

Published June 1994
Missing in Action
Book Review
Sarah Miller

Book review Body and self: Performance Art in Australia 1969 -1992
By Anne Marsh
Oxford University Press Australia 1993

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Arts Employment Through Small Business
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Helen Millicer

...So in effect, what we have in Australia is a separation of public and commercial by governments arts departments that unfortunately does not take into account the fact that the arts industry operates on a continuum...

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Sophistication in the Country
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Stephanie Britton

Shire of Eltham on the outskirts of Melbourne Victoria and its commitment to the arts.

Published June 1994
Migrant Artists and the Mysteries of Australian Culture
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Elizabeth Gertsakis

The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.

Published June 1994
Powerful Alternatives - Sydney
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Virginia Ross

They may not have been characterised as 'artist run initiatives' but exhibition spaces run by artists have been around, in one form, or another for a long time.

Published June 1994
Non-Metro Spaces
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Stephanie Britton

Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.

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Briefly, Two Epics
Feature
Ian North

Review Adelaide Installations
Adelaide Festival of Art
South Australia Various locations
February - March 1994

Published June 1994
Whitechapel Meets Eastenders
Feature
Kevin Wilson

Museums and larger arts spaces are increasingly looking at ways to improve access to their exhibitions for a wider range of people. Contemporary art spaces face a more difficult battle than museums in trying to become more relevant to their diverse communities.

Published June 1994
Multiples for Sale
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Susan Fereday

Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.

Published June 1994
Critical Mass/ City Art/ Artists' Initiatives
Feature
Stephanie Radok

A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.

Published June 1994
Futurama: Art and Technology Expo
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James Harley

Article written with collaborator Shiralee Saul. Discusses the planned Futurama which was slated to start in 1996 as a 4-5 day event in Melbourne Victoria - organised by Installation Publication a partnership of 2 artist administrators.

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