Living Off Your Art: New Figures on Artists' Income

Cover of Living Off Your Art: New Figures on Artists' Income
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Promo
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Adelaide Festival Centre
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Artists are particularly vulnerable to economic downturn for two main reasons...the business cycle and the role of other jobs in a tight employment market.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Shedding the Bark
Feature
Susan Cochrane

Bark painters of Arnhem Land are experimenting with a new medium - canvas- and in so doing both increasing their output and responding to market forces.

Published June 1994
Designs on Shopping
Review
Sean Kelly

Exhibition review 4 Seasons - Objects that Contain
Plimsoll Gallery
University of Tasmania Centre for the Arts
March 4 - 27 1994

Published June 1994
Powerful Alternatives - Sydney
Feature
Virginia Ross

They may not have been characterised as 'artist run initiatives' but exhibition spaces run by artists have been around, in one form, or another for a long time.

Published June 1994
Furniture, Ceramics: What the Hell, Let's Do It
Feature
Stephanie Britton

Examines the Centre for Furniture Design, the Centre for the Arts in Tasmania and the Atlantis Studio in Townsville Queensland.

Published June 1994
Multiples for Sale
Feature
Susan Fereday

Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.

Published June 1994
Artists' Park Blooms Again
Feature
Stephanie Britton

Box Hill known in the art world for its connection to the Heidelberg School of Painting has maintained its commitment to the arts.

Published June 1994
Easy Access Hardware
Feature
Rose Lang

The Raw Material Curatorial Development Program was designed to provide training opportunities for curators without experience, but with plenty of potential. Based at Gertrude Street Victoria. Featured artwork by Marie Sierra-Hughes.

Published June 1994
Festival of Perth: Visual Arts a Shadow of Their Former Selves
Review
Dorothy Erickson

Review A sad thing has happened to the once vibrant visual arts component of the Festival of Perth - the oldest arts festival in Australia. It has become tired if not downright tiresome. The whole event needs a good shake - up.

Published June 1994
The End of an Era? Artists' Week 1994 Adelaide Festival
Feature
Melissa Cater

Artists were left out in the cold at the 1994 Festival of Arts. Examines issues facing organisers of events such as Artist's week in the context of the Adelaide Festival of Arts.

Published June 1994
Missing in Action
Book Review
Sarah Miller

Book review Body and self: Performance Art in Australia 1969 -1992
By Anne Marsh
Oxford University Press Australia 1993

Published June 1994
Drawing Wages
Feature
Stephanie Britton

Looks at the Studio School of Painting and Drawing in South Australia. It is essentially a working artist's studio which has admitted students.

Published June 1994
Migrant Artists and the Mysteries of Australian Culture
Feature
Elizabeth Gertsakis

The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.

Published June 1994
 
Riddoch
Artlink Subs Promo
Desert Mob
NAVA