Memoir Series: Elnathan Mews

Cover of Memoir Series: Elnathan Mews
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
The Torch
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
Darwin Aboriginal Art Fair
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020
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Knowledge positions in Aotearoa and Turtle Island art museums
Feature
Léuli Eshraghi

Interview with First Nations curators Kathleen Ash-Milby (Portland Art Museum), Maia Nuku (Metropolitan Museum of Art) and Nigel Borell (Auckland Art Gallery Toi o Tāmaki).
 

Published 01 June 2020

A further instalment in the memoirs of Australia's most revered art theorist Donald Brook. Yes, he is still alive.

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More from this Issue Full Issue Contents

World Summit on Arts & Culture
Feature
Tamara Winikoff

Executive Director of NAVA Tamara Winikoff missed the voices of artists at the October 2011 World Summit on Arts & Culture in Melbourne.

Published December 2011
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We Are Here: the International Symposium for Artist Run Initiatives
Feature
Amy Griffiths

This year marks the 41st anniversary of the development of ARIs in Australia, and as both a celebration of and an indication of how far national and international ARIs have come, a four-day symposium organised by NAVA and Firstdraft was held in Sydney in September 2011.

Published December 2011
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Radical Ethology: Jussi Parikka's Insect Media
Feature
Jacob Gaboury

In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.

Published December 2011
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Chromophobes, Xenophones and Lots of Textas
Feature
Kirsten Farrell

Kirsten Farrell muses on colourphobia through her life, her Phd and her reading of the book Colourphobia (2000) by David Batchelor

Published December 2011
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The Swamp
Feature
Andrew Harper

142 Liverpool St, Hobart
26 August 2011 and ongoing

Published December 2011
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The Mad Square: modernity in German art 1910 - 37
Feature
Joanna Mendelssohn

Curator: Jacqueline Strecker
Art Gallery of New South Wales
6 August - 6 November 2011

National Gallery of Victoria
25 November 2011 - 4 March 2012

Published December 2011
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Kate Shaw: Amping up the Magic Hour
Feature
Stephen Haley

In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink.
Shaw talks about the way she uses colour, her techniques and goals from garnering attention to depicting an ambivalent relationship to the natural world.

Published December 2011
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Editorial: Vibrating, buzzing, swarming
Editorial
Stephanie Britton

Published December 2011
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Flight of the Cicada: Susan Purdy's insect photograms
Feature
Carolyn Leach-Paholski

The inaugural Watermark Literary Fellow Carolyn Leach-Paholski describes the black and white photograms of Susan Purdy which were made in the course of a long wet winter.

Published December 2011
Impending Encounter
Feature
Sarah Scott

Published December 2011
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Sara Hughes: Colour coded to quicken the heart
Feature
Sarah Hughes

New Zealand-based Sara Hughes considers colour has been degraded throughout Western history. She uses coloured vinyl applied to architecture to "articulate social meaning".

Published December 2011
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Bridging the brains of humans, bees and flies: Fiona Hall at the QBI
Feature
Denise Cullen

'Out of mind' the work by Fiona Hall at the Queensland Brain Institute at the University of Queensland draws together scientific research with art research to demonstrate that both approach the world with wonder and intrigue.
"Hall’s work ... is apt for neuroscientists are indebted to the neural architecture of animals. The brains of insects like fruit flies or honeybees are much smaller and simpler than ours, yet because similar molecular mechanisms underlie their operation, these creatures may very well hold the keys to unlocking the mysteries of autism, schizophrenia, depression and a range of other human disorders."

Published December 2011
 
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