Caterpillar Country
Alice Springs-based writer Kieran Finnane describes the caterpillar dreaming in the Alice Springs area. She draws attention to changing attitudes over the years towards traditional custodians and the places they care for.
More from this Issue
World Summit on Arts & Culture
Executive Director of NAVA Tamara Winikoff missed the voices of artists at the October 2011 World Summit on Arts & Culture in Melbourne.
Good enough to eat: Katherine Hattam's paintings
Crikey.com blogger and book designer W.H. Chong describes the paintings of Katherine Hattam that "zing and crackle with edible hues."
Chromophobes, Xenophones and Lots of Textas
Kirsten Farrell muses on colourphobia through her life, her Phd and her reading of the book Colourphobia (2000) by David Batchelor
Sympathy for the Devil: the creatures of Julia Robinson
South Australian artist Julia Robinson's striking sculpture draws on the darkness in human culture that has often been represented by goats. Made from fibreglass and snugly covered in fabric they assume strange forms and positions that give them a "reverberating energy".
Reflections of the Soul - Chinese Contemporary Ink Wash Painting
Geelong Art Gallery 15 July - 9 September 2011
The Torres Strait Islands: A Celebration
Land, Sea and Sky: Contemporary Art of the Torres Strait, GOMA Strait Home, State Library of Queensland Awakening: Stories from the Torres Strait, Queensland Museum Belong, Bangarra Dance Theatre, Queensland Performing Arts Centre Mabo Oration 2011, Follow the Stars: Indigenous culture, knowledge and intellectual property rights 1 July - 23 October 2011
Taryn Simon: A Living Man Declared Dead and Other Chapters
Tate Modern, London 25 May 2011 - 2 January 2012
The Digital attribution of Colour
Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.
Kate Shaw: Amping up the Magic Hour
In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink. Shaw talks about the way she uses colour, her techniques and goals from garnering attention to depicting an ambivalent relationship to the natural world.
