New Zealand-based Sara Hughes considers colour has been degraded throughout Western history. She uses coloured vinyl applied to architecture to "articulate social meaning".
Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.
Land, Sea and Sky: Contemporary Art of the Torres Strait, GOMA Strait Home, State Library of Queensland Awakening: Stories from the Torres Strait, Queensland Museum Belong, Bangarra Dance Theatre, Queensland Performing Arts Centre Mabo Oration 2011, Follow the Stars: Indigenous culture, knowledge and intellectual property rights 1 July - 23 October 2011
Belgian artist Wim Delvoye is having a retrospective at Hobart's MONA. Stephanie Radok looks at the materials and concepts he uses in a broad context and asks whether his art is critical or spectacle.
In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.
In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink. Shaw talks about the way she uses colour, her techniques and goals from garnering attention to depicting an ambivalent relationship to the natural world.