Published 01 March 2019
Published 01 December 2018
South Australian artist Thom Buchanan's most recent drawing adventure was on stage with dancers from the ADT.
Personality psychologist at Macquarie University Doris McIlwain does yoga and throws pots. She writes about new media installation 'The Body is a Big Place' the recent work of Peta Clancy and Helen Pynor which deals with the complexities of organ donation.
Published December 2011
Uncontainable Istanbul 14 - 21 September 2011
Installation artist Julian Walker and insect scientist Lars Chittka collaborated on an experiment to see if bees were art critics, distinguishing between yellows, flowers and artists.
'Out of mind' the work by Fiona Hall at the Queensland Brain Institute at the University of Queensland draws together scientific research with art research to demonstrate that both approach the world with wonder and intrigue.
"Hall’s work ... is apt for neuroscientists are indebted to the neural architecture of animals. The brains of insects like fruit flies or honeybees are much smaller and simpler than ours, yet because similar molecular mechanisms underlie their operation, these creatures may very well hold the keys to unlocking the mysteries of autism, schizophrenia, depression and a range of other human disorders."
A further instalment in the memoirs of Australia's most revered art theorist Donald Brook. Yes, he is still alive.
Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.
Bendigo Art Gallery
1 August - 6 November 2011
In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.
In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink.
Shaw talks about the way she uses colour, her techniques and goals from garnering attention to depicting an ambivalent relationship to the natural world.