Published April 2021
South Australian artist Thom Buchanan's most recent drawing adventure was on stage with dancers from the ADT.
New Zealand-based Sara Hughes considers colour has been degraded throughout Western history. She uses coloured vinyl applied to architecture to "articulate social meaning".
Published December 2011
The inaugural Watermark Literary Fellow Carolyn Leach-Paholski describes the black and white photograms of Susan Purdy which were made in the course of a long wet winter.
Crikey.com blogger and book designer W.H. Chong describes the paintings of Katherine Hattam that "zing and crackle with edible hues."
Personality psychologist at Macquarie University Doris McIlwain does yoga and throws pots. She writes about new media installation 'The Body is a Big Place' the recent work of Peta Clancy and Helen Pynor which deals with the complexities of organ donation.
Writer and academic Juliette Peers remembers Bernard Smith and queries the hagiography that sometimes surrounds him.
Published 01 December 2011
Belgian artist Wim Delvoye is having a retrospective at Hobart's MONA. Stephanie Radok looks at the materials and concepts he uses in a broad context and asks whether his art is critical or spectacle.
Curator: Jacqueline Strecker Art Gallery of New South Wales 6 August - 6 November 2011 National Gallery of Victoria 25 November 2011 - 4 March 2012
Australian Experimental Art Foundation Adelaide 30 September - 29 October 2011
Artist and curator Una Rey writes about the exhibition 'Speaking in colour' that she curated for the Newcastle Gallery from their collection in March-May 2011. Her experience of working with Indigenous artists in Central Australia coloured her choices and her interpretations of them.
