Published April 2021
Tarryn Gill & Pilar Mata Dupont
Curator: Leigh Robb
Perth Institute of Contemporary Arts
3 September - 30 October 2011
Published 01 December 2011
Antrepo 3 & 5, Meclis-i Mebusan Caddesi, Liman Ísletmeleri Sahas?, Tophane
Curators: Adriano Pedrosa, Jens Hoffmann
17 September - 13 November 2011
Published December 2011
Tate Modern, London 25 May 2011 - 2 January 2012
It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.
This year marks the 41st anniversary of the development of ARIs in Australia, and as both a celebration of and an indication of how far national and international ARIs have come, a four-day symposium organised by NAVA and Firstdraft was held in Sydney in September 2011.
Australian Experimental Art Foundation Adelaide
30 September - 29 October 2011
Curator: Jacqueline Strecker
Art Gallery of New South Wales
6 August - 6 November 2011
National Gallery of Victoria
25 November 2011 - 4 March 2012
Uncontainable Istanbul 14 - 21 September 2011
Personality psychologist at Macquarie University Doris McIlwain does yoga and throws pots. She writes about new media installation 'The Body is a Big Place' the recent work of Peta Clancy and Helen Pynor which deals with the complexities of organ donation.
Land, Sea and Sky: Contemporary Art of the Torres Strait, GOMA
Strait Home, State Library of Queensland
Awakening: Stories from the Torres Strait, Queensland Museum
Belong, Bangarra Dance Theatre, Queensland Performing Arts Centre
Mabo Oration 2011, Follow the Stars: Indigenous culture, knowledge and intellectual property rights
1 July - 23 October 2011
Museum of Brisbane
12 August - 20 November 2011
Belgian artist Wim Delvoye is having a retrospective at Hobart's MONA. Stephanie Radok looks at the materials and concepts he uses in a broad context and asks whether his art is critical or spectacle.