Tom Freeman: 18th and 19th Century Prisoner art

Cover of Tom Freeman: 18th and 19th Century Prisoner art
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
NAVA
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Joondalup
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

The Museum of Natural Mystery, North Perth 22 - 23 July 2011

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Taryn Simon: A Living Man Declared Dead and Other Chapters
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Tate Modern, London 25 May 2011 - 2 January 2012
It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.

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Transplanting Life: the distributed media of embodied selves. The Body is a big place
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Personality psychologist at Macquarie University Doris McIlwain does yoga and throws pots. She writes about new media installation 'The Body is a Big Place' the recent work of Peta Clancy and Helen Pynor which deals with the complexities of organ donation.

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Speaking in Colour
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Artist and curator Una Rey writes about the exhibition 'Speaking in colour' that she curated for the Newcastle Gallery from their collection in March-May 2011. Her experience of working with Indigenous artists in Central Australia coloured her choices and her interpretations of them.

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Untitled - 12th Istanbul Biennial
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Ray Harris: Hold me Close and Let me Go
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Published December 2011
Memoir Series: Elnathan Mews
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Cephalopods: Colour on demand
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As Denis Baylor points out in his 1995 book 'Colour: Art and Science': "The rich colours that we see are inventions of the nervous system rather than properties of light itself."

Published December 2011
World Summit on Arts & Culture
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Executive Director of NAVA Tamara Winikoff missed the voices of artists at the October 2011 World Summit on Arts & Culture in Melbourne.

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Sara Hughes: Colour coded to quicken the heart
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Axolotl
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