Tom Freeman: 18th and 19th Century Prisoner art

Cover of Tom Freeman: 18th and 19th Century Prisoner art
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Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
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Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
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Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
NAVA
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A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
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Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
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Fair Share Fare
Feature
Jen Rae

Published 01 December 2019
Artlink Subs Promo
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Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

The Museum of Natural Mystery, North Perth 22 - 23 July 2011

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Speaking in Colour
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Artist and curator Una Rey writes about the exhibition 'Speaking in colour' that she curated for the Newcastle Gallery from their collection in March-May 2011. Her experience of working with Indigenous artists in Central Australia coloured her choices and her interpretations of them.

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Blakely & Lloyd - Social Documentary Photography
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The Mystery of Shit: Wim Delvoye
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Remembering Bernard Smith
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Writer and academic Juliette Peers remembers Bernard Smith and queries the hagiography that sometimes surrounds him.

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We Are Here: the International Symposium for Artist Run Initiatives
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This year marks the 41st anniversary of the development of ARIs in Australia, and as both a celebration of and an indication of how far national and international ARIs have come, a four-day symposium organised by NAVA and Firstdraft was held in Sydney in September 2011.

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Cephalopods: Colour on demand
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Taryn Simon: A Living Man Declared Dead and Other Chapters
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Tate Modern, London 25 May 2011 - 2 January 2012
It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.

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The Torres Strait Islands: A Celebration
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Land, Sea and Sky: Contemporary Art of the Torres Strait, GOMA
Strait Home, State Library of Queensland
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Louise Haselton: Errand Workshop
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The Swamp
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