Published 01 September 2020
Published September 2020
The Museum of Natural Mystery, North Perth
22 - 23 July 2011
South Australian artist Thom Buchanan's most recent drawing adventure was on stage with dancers from the ADT.
Published December 2011
South Australian artist Julia Robinson's striking sculpture draws on the darkness in human culture that has often been represented by goats. Made from fibreglass and snugly covered in fabric they assume strange forms and positions that give them a "reverberating energy".
Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.
Antrepo 3 & 5, Meclis-i Mebusan Caddesi, Liman Ísletmeleri Sahas?, Tophane
Curators: Adriano Pedrosa, Jens Hoffmann
17 September - 13 November 2011
Tate Modern, London 25 May 2011 - 2 January 2012
It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.
Tarryn Gill & Pilar Mata Dupont
Curator: Leigh Robb
Perth Institute of Contemporary Arts
3 September - 30 October 2011
This year marks the 41st anniversary of the development of ARIs in Australia, and as both a celebration of and an indication of how far national and international ARIs have come, a four-day symposium organised by NAVA and Firstdraft was held in Sydney in September 2011.
Contemporary Art Centre of South Australia CACSA
22 July - 28 August 2011
The inaugural Watermark Literary Fellow Carolyn Leach-Paholski describes the black and white photograms of Susan Purdy which were made in the course of a long wet winter.
In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.