Tom Freeman: 18th and 19th Century Prisoner art

Cover of Tom Freeman: 18th and 19th Century Prisoner art
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Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
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Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

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Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
ACE Open
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The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
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On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
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Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
Amended 2020
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
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Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

The Museum of Natural Mystery, North Perth 22 - 23 July 2011

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Tarryn Gill & Pilar Mata Dupont
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Remembering Bernard Smith
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Writer and academic Juliette Peers remembers Bernard Smith and queries the hagiography that sometimes surrounds him.

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Good enough to eat: Katherine Hattam's paintings
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Sympathy for the Devil: the creatures of Julia Robinson
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South Australian artist Julia Robinson's striking sculpture draws on the darkness in human culture that has often been represented by goats. Made from fibreglass and snugly covered in fabric they assume strange forms and positions that give them a "reverberating energy".

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Untitled - 12th Istanbul Biennial
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Eva Franzidis

Antrepo 3 & 5, Meclis-i Mebusan Caddesi, Liman Ísletmeleri Sahas?, Tophane
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17 September - 13 November 2011

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Insects as art lovers: Bees for Van Gogh
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Taryn Simon: A Living Man Declared Dead and Other Chapters
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Jo Higgins

Tate Modern, London 25 May 2011 - 2 January 2012
It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.

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The Hammer and the Screw: Thom Buchanan's drawings
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The Torres Strait Islands: A Celebration
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Carol Schwarzman

Land, Sea and Sky: Contemporary Art of the Torres Strait, GOMA
Strait Home, State Library of Queensland
Awakening: Stories from the Torres Strait, Queensland Museum
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