A Living Museum at Work in Melbourne's Multicultural West

Cover of A Living Museum at Work in Melbourne's Multicultural West
1.128
Wardlipari Homeriver Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.192
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Claire Milledge
Feature
Amelia Wallin

Published 01 March 2019
NAVA
1.124
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
Japan Foundation
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018

Those who come to know Melbourne's western suburbs find many treasures in the region's history, heritage, environment and contemporary culture.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Julia Ciccarone
Artist Profile
Julia Ciccarone

The artist writes about her art practice, in particular her preoccupation with the Australian landscape and how people perceive it. Two images are included: 'Secret Self' and 'Blanket' both from 1990.

Published June 1991
Art and Racism: Inter-National Issues
Feature
Alison Carroll

The way that I want to convey that meaning [racism] here is to use a small number of relatively random examples of current art/race = art/power debates from around the world. They give a flavour of the issues. They have obvious relevance to Australia's relationship to the rest of the world, as well as to relationships within Australia.

Published June 1991
Festival of Perth Exhibitions
Review
Melissa Harpley

Ehibition Review: Galerie Dusseldorf
Douglas Chambers and The Glick International Collection
Held February - March 1991

Published June 1991
Elizabeth Gertsakis
Artist Profile
Elizabeth Gertsakis

Illustration of her current art practice. Includes images of her work 'The Boys in the Band' from 1989.

Published June 1991
BulaBula: New High Tech Arts Centre, Ramingining
Feature
Steve Bunk

The three storey facility looks incongruous in the ramshackle Aboriginal settlement of Ramingining which crouches along a dirt road in an Arnhem Land eucalypt forest 550 km east of Darwin in the Northern Territory. Photos of people in Ramingining.

Published June 1991
Srecko Radman "... In the 'Start' Position"
Feature
Susan Faine

Discussion of the artist's practice as an artist from Croatia in Melbourne since 1971 - how is it affected by linguistic and ethnic differences.

Published June 1991
Gunta Parups: A Latvian in Australia
Feature
Andra Kins

Looks at the art practice of Gunta Parups who was and remains a displaced person. The experience of leaving one's homeland as a refugee at the age of thirteen during the war is etched indelibly into her being.

Published June 1991
Milan Milojevic
Feature
Milan Milojevic

The artist writes about his art practice. Good colour photographs.

Published June 1991
Sprirituality Aboriginality
Feature
Sylvia Kleinert

An exhibition of contemporary Aboriginal art 'Aboriginal Art and Spirituality' opened at the High Court of Australia in 1991. The exhibition to tour after its opening in Canberra.....All of the works in the exhibition speak quite overtly about the highly problematic intervention of the missions, the politics of racism and the way in which Aboriginal spirituality will always remain linked to the land.

Published June 1991
Performing in Tongues
Feature
Paul Carter

...Underlying this linguistic fertility is a migrant intuition of the relativity of language, of the lightness and mutability of its phonology, inflections and syntax. Less portentously there is no migrant to this country who has not experienced those punning co-incidences, echoic repetitions, mutual misunderstandings and mishearings which are the basis of my scripts. It may be no accident that in 1992 Australian voices evoke first contact with the New World.

Published June 1991
The Plan
Feature
Stephanie Britton

Looks at the 'National Agenda for a Multicultural Australia' launched by the Prime Minister in 1989 which included provision for the development of a plan for collecting institutions such as museums, art museums, libraries and archives to reflect Australia's cultural diversity in their activities and practices.

Published June 1991
National Multicultural Arts Network
Feature
Eugenia Hill

The Network links NESB, ethnic and arts organisations, sets up cross cultural and other training programs for artists, arts organisations and the media and lobbies governments and other funding bodies to reassess their policies and practices.

Published June 1991
 
Artlink Subs Promo
Crown Resorts
Riddoch
Axolotl
AFF