'...The Divinity of Optimism', Le Thanh Nhon at Acacia Centre

Cover of '...The Divinity of Optimism', Le Thanh Nhon at Acacia Centre
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Reading the entrails: Digesting posthuman entanglement
Feature
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Published 01 December 2019
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Published 01 December 2019
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Shared food conversations: Jason Phu and Nagesh Seethiah
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Published 01 December 2019
Artlink Subs Promo
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A good dinner party: Food as a medium for social change
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Courtney Coombs

Published 01 December 2019
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Eat the problem: MONA's carnivalesque of cuisine
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Published 01 December 2019
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Fair Share Fare: Recipe for Disaster
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NAVA
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Violent dreams of development: A food bowl in the north‑west of Australia?
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Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

Le Thanh Nhon and the Acacia Indo-Chinese Children's Centre.

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Reflecting the Mix - Insights: Visual Resource Guide to Film and Video
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If mainstream television is not our main source of accurate images, how do people gain access to programs which reflect our society in realistic and creative ways?

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Some Cultural Baggage on the Australian Literary Scene
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Multicultural Artworkers: Sacrificial Anodes?
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This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!

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Milan Milojevic
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Mixing it in Broome and Darwin
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A Letter from Berlin
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