'...The Divinity of Optimism', Le Thanh Nhon at Acacia Centre

Cover of '...The Divinity of Optimism', Le Thanh Nhon at Acacia Centre
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
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Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Riddoch
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Le Thanh Nhon and the Acacia Indo-Chinese Children's Centre.

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More from this Issue Full Issue Contents

Concept of Country
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Fiona Foley

Looks at the art practice of Fiona Foley (Thoorgine Country), Terry Ganadilla (Mewenbi Country) and Dale Yowingbala (Gamerdi Country), three aboriginal artists who worked together on an unusual project in Maningrida during 1991.

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How Clay Speaks for Neville Assad
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The alphabet was invented, so they say, in Lebanon. To some Lebanese, their country represents an un-broken link with the birth of human history. Non-Aboriginal Australians, by contrast, share stories of interrupted family ties, of exile and forgetting. How then do these Lebanese relate to life in Australia?

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Artists of Malaysian Origin in Melbourne
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Survey of five Malaysian artists living and working in Melbourne Australia. Great colour photos of their works.

Published June 1991
National Multicultural Arts Network
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The Network links NESB, ethnic and arts organisations, sets up cross cultural and other training programs for artists, arts organisations and the media and lobbies governments and other funding bodies to reassess their policies and practices.

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Some Cultural Baggage on the Australian Literary Scene
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Lolo Houbein

Above all we need new myths to suit the new Australian culture which is part of the Asia Pacific region. We can't live by Aboriginal myths alone, as some have suggested, in a land so changed by our coming. The unpacking of cultural baggage by writers of all cultural groups, old and new, has to continue until it gives rise to a myth which we all recognise as fitting the Australia to which we have contributed. Wrote David Malouf.

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Accelerate
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"I used to boast about you, my son the painter. You painted trees, now you paint squares to humiliate me." Quote by the artist's father in the early 1970s Melbourne.

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Cultural Iconographies
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Other Peoples' Stories, Other Peoples' Voices
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Does anyone have their right to represent stories and cultural background not their own? Does anyone have the responsibility to do so? No, I don't think so.....

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Understanding/Misunderstanding
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A reference to Wittgenstein's Zettel.

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