'...The Divinity of Optimism', Le Thanh Nhon at Acacia Centre

Cover of '...The Divinity of Optimism', Le Thanh Nhon at Acacia Centre
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
Artlink Promo
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Art Nocturne
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Le Thanh Nhon and the Acacia Indo-Chinese Children's Centre.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

As Australian as AMPOL
Feature
Penny Webb

How much marketability is immanent in the artist's cultural background is a matter of delicate negotiation between dealer and client. Just now, it may appear to some artists an unfortunate fact that for them, Aboriginality is not an option.

Published June 1991
Juggling the Roles
Review
Jude Adams

Exhibition Review: An Art and Working Life Project
Hosted by the Working Women's Centre Prospect Gallery
South Australia
March 1991

Published June 1991
Mirror in Mirror
Feature
Xiaolin Xue

Standing between the mirrors of East and West, my art always gets an inverted image and a double interpretation. This is me.....

Published June 1991
How Clay Speaks for Neville Assad
Feature
Kevin Murray

The alphabet was invented, so they say, in Lebanon. To some Lebanese, their country represents an un-broken link with the birth of human history. Non-Aboriginal Australians, by contrast, share stories of interrupted family ties, of exile and forgetting. How then do these Lebanese relate to life in Australia?

Published June 1991
National Multicultural Arts Network
Feature
Eugenia Hill

The Network links NESB, ethnic and arts organisations, sets up cross cultural and other training programs for artists, arts organisations and the media and lobbies governments and other funding bodies to reassess their policies and practices.

Published June 1991
Mixing it in Broome and Darwin
Feature
Kerry Davies

The Broome Mix is useful to bear in mind when thinking on all things multicultural - cultural diversity. In Broome that's culture - a mix of Aboriginal, Asian and European.

Published June 1991
Observations of a Chinese Painter
Feature
Tang Qizhong

Tang Qizhong is a painter and Fine Arts educator from China. He writes about his art practice and the relationship between art practices and institutions in China and Australia.

Published June 1991
Emoh Ruo: Homage to the Art of the Home
Review
Andra Kins

Exhibition Review: Paula Hart, Paul O'Connor, Sarah Toohey and friends Crafts Council Gallery
Perth Western Australia
February - March 1991

Published June 1991
The Studio in Deer Park
Feature
Paul Borg

Paul Borg, an artist of Maltese origin, speaks of his unusual working arrangements.

Published June 1991
Elizabeth Gertsakis
Artist Profile
Elizabeth Gertsakis

Illustration of her current art practice. Includes images of her work 'The Boys in the Band' from 1989.

Published June 1991
Images from the Esperanto Suite
Feature
Phillip George

During the process of producing his artworks, George looks for ways of translating different philosophical ideas into marks and images.

Published June 1991
Performing in Tongues
Feature
Paul Carter

...Underlying this linguistic fertility is a migrant intuition of the relativity of language, of the lightness and mutability of its phonology, inflections and syntax. Less portentously there is no migrant to this country who has not experienced those punning co-incidences, echoic repetitions, mutual misunderstandings and mishearings which are the basis of my scripts. It may be no accident that in 1992 Australian voices evoke first contact with the New World.

Published June 1991
 
ACE Open
UTS
PICA
Artlink Subs Promo
NAVA