Other Peoples' Stories, Other Peoples' Voices

Cover of Other Peoples' Stories, Other Peoples' Voices
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Joondalup
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Does anyone have their right to represent stories and cultural background not their own? Does anyone have the responsibility to do so? No, I don't think so.....

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More from this Issue Full Issue Contents

Luk Luk Gen!
Review
Barry Craig

Exhibition Review: Tandanya National Aboriginal Cultural Institute Adelaide South Australia
November 1990 - June 1991

Published June 1991
Theatre Oneiron Crosses Cultural Bridges
Feature
Fotis Kapetopoulos

Theatro Oneiron (Theatre of Dreams) a Greek Australian performance ensemble established in Adelaide in the mid 1980s is the result of dedication and vision. Photo from production of 'The Courtyard of Miracles' 1991 included in the article.

Published June 1991
'...The Divinity of Optimism', Le Thanh Nhon at Acacia Centre
Feature
May Lam

Le Thanh Nhon and the Acacia Indo-Chinese Children's Centre.

Published June 1991
Elizabeth Gertsakis
Artist Profile
Elizabeth Gertsakis

Illustration of her current art practice. Includes images of her work 'The Boys in the Band' from 1989.

Published June 1991
Understanding/Misunderstanding
Feature
Jenny Zimmer

A reference to Wittgenstein's Zettel.

Published June 1991
Janusz Kozak
Artist Profile
Helen Haralambous

Looks at the art practice of Januzs Kozak, a painter who was born in Poland and who now works and lives in Wollongong.

Published June 1991
Performing in Tongues
Feature
Paul Carter

...Underlying this linguistic fertility is a migrant intuition of the relativity of language, of the lightness and mutability of its phonology, inflections and syntax. Less portentously there is no migrant to this country who has not experienced those punning co-incidences, echoic repetitions, mutual misunderstandings and mishearings which are the basis of my scripts. It may be no accident that in 1992 Australian voices evoke first contact with the New World.

Published June 1991
4 Artists from WA
Feature
Julian Goddard

Looks at the art practice of four artists in Western Australia - Patrizia Tonello, Alex Spremberg, Cathy Cinanni and Karl Wiebke. Illustrations of their independent works included.

Published June 1991
Under the Southern Cross
Feature
Anita Aarons

Exhibition Review Under the Southern Cross (survey of Aboriginal Art) Noosa Regional Gallery December - January 1991

Published June 1991
The Odyssey of Salvatore Zofrea
Feature
Joseph Eisenberg

Zofrea wrote "I want my work to sing forever."

Published June 1991
Ginger Riley Munduwalawala: Working on a Heroic Scale
Feature
Anthony Knight

Looks at the art practice of Ginger Riley Munduwalawala, born in 1937 at Ngukurr in the Northern Territory. Good colour photos of the artist and some works.

Published June 1991
Multicultural Artworkers: Sacrificial Anodes?
Feature
Helen Andreoni

This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!

Published June 1991
 
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