Facets of the Self
Review of the 'About Face' exhibition: Angela Stewart and Jenny Loverock. The last 15 years has seen portraiture rise to particular importance in relation to the politics of representation, particularly self representation by women.
The Face
Narrating a Life: Mary Moore and the Self-Portrait
It goes without saying that for a woman to make a self-portrait, a self-representation, a different world of considerations will be required than if a man entered the same quest. The weight of history, of tradition, the idea of 'truthfulness' and women's unreliability: must I go on?
The Face
National Portrait Gallery
Australia now has an embryonic National Portrait Gallery in five small rooms, one larger room and three corridors in Old Parliament House, Canberra. Photos of the opening and the inaugural exhibition 'About Face'.
The Face
The Fortunes of Anatomy: 1895 - 1995 Venice Biennale
Although the Centenary Venice Biennale has a number of faces, the primary one is to represent the face of contemporary art through international participation of 43 countries at their official pavilions.
The Face
Julie Dowling - Cultural Communication
Historically, depictions of Aboriginal people have their gaze diverted away from the viewer. The work of Julie Dowling confronts the viewer to acknowledge the Aboriginal individual communicating as one human being to another.
The Face
The Mask Behind the Mask
Rei Zunde is a photographer and painter working in Melbourne. His recent photographic work records specific cultural or sub-cultural worlds - rodeos, tattooed men and women, suburban football teams and their supporter and circus workers and their animals.
The Face
The Fated Gathering
The artist talks about his work and responses.
The Face
Image Bank: Portraiture
Artist's statements and images: Kate Butler, Destiny Deacon, Di Barrett, Thomas Hoareau and Anne Zahalka.
The Face
The Terratransformers of Planet Three
Re-creation of a living landscape has to happen in farmyards, back-yards, and city squares, it has to be understood and practised at the small scale as well as the large. The remake the landscape for an ecological future we must make it fit for all living beings.
Culture/Agriculture
Culture/ Agriculture
Story 1: A story about land owners and nomads. Story 2: Never terra nullius. Story 3: Genetic imperialism. Story 4: The politicization of hunger. Story 5: Kunde and the perception of order.
Culture/Agriculture
The use of Aesthetics: Food for Thought
Aesthetic value is determined by commonly held notions of taste, beauty and attractiveness and differs from culture to culture. How does this influence us in our choice of nourishment - our daily bread, fruit or snack food? Why does food today look like it does?
Culture/Agriculture
Living with the Land
If there is a contemporary issue for landscape artist to engage with, it must be the process of developing a relationship with the landscape, even if it is at the level of s sustain[able] failure, a low level antagonism or an uneasy peace. It is as difficult and as complex as any other issue, and it ultimately speaks of the human condition.
Culture/Agriculture
Asian Tucker in the NT - new trend, old ecology
An installation work 'Guarding Civilization's Rim' a collaborative effort by 'The Personal Museum' comprising three Queensland artists opened in Townsville in September 1994. The project has been specifically created for and about northern Australia - the last frontier.
Culture/Agriculture
The Cultural Biography of Plants
The cultural biography of plants provides an extremely fertile field for artists to explore. It also encourages artists, and viewers, to explore the interface between cultures and between culture and agriculture.
Culture/Agriculture
Plant a Yam, Paint a Yam
Explores the relationship between food and its representation in the northeast of Arnhem Land in the Northern Territory. Remember, dangerous themes make dangerous art.
Culture/Agriculture
Harsh Realities: Artists and the Land
Even in the shiny spaces of the big cities, for some the dirt of the paddocks is only just below the surface. Michael Eather talks to three artists who were born and raised in the country, about their current attitudes to the land as a place of production.
Culture/Agriculture
Rice on the Terrace
The artist grew up in Baguio, which looks to be quite close to Ifugao on the map, and although I was taught that the rice terraces of this region of the Philippines were the eighth wonder of the world it was many years before he was able to see them.
Culture/Agriculture
Saved by the Demon - Hemp Lives
Cannibis Sativa as a drug, as uses of hemp - textiles, fabric and paper - as building materials, as oils food and protein, for medical and therapeutic applications, biomass energy... so why is there a prohibition?
Culture/Agriculture
Wolseley and Majzner Read the Land
Looks at the recent work of John Wolseley and Victor Majzner.
Culture/Agriculture
The Struggle for LESS Interesting Pictures
Beth Field is a farmer and a photographer in the WA wheatbelt facing a curious loss, one she is happy to accept - the dramatic colours of sunsets reflected in the salt lakes which she used to photograph may soon be hard to find as revegetation reclaims the soil. She recounts the changes she has seen in the last decade.
Culture/Agriculture
Portrait of the Farmer as a Mature Potato
"As with everything else, the country that I have been talking about is frequently regarded as a commodity, be it in relation to yields of primary produce or to spectacles and hypothetical experiences marketed for tourist consumption. Here's the main thing to understand: this commodification is entirely at odds with the appreciation of landscape that I've been trying to tell you about."
Culture/Agriculture
Photographing the Drought
"I used to think there was no link between farming and art...well, most art reflects the environment in which it is produced and the artist who produces it..."
Culture/Agriculture
A Piece of EcoCity
The Halifax EcoCity Project is not just the seed for a future ecological Adelaide; it is the embodiment of a new paradigm that is sweeping the planet.
Culture/Agriculture
Rene Boutin: An Artist and His Garden
New Caledonia has become the first Pacific nation to hold a Biennale of Contemporary Visual Art. Lucienne Fontannaz travelled to Noumea to interview artist Rene Boutin and discovered an artist who takes more than the gallery and his studio as his milieu.
Culture/Agriculture
Husbandry and the Coporate Collection
Making taste? Making money? Melbourne historian Juliet Peers scrutinises a group of books and catalogues on corporate art collections to see whether boardroom fancies and their lavish publications reflect a wider role in shaping popular visions of Australian painting.
Culture/Agriculture
Mourning: Traditions, Symbols and Meaning
Art & Death: Facing Mortality
Grief and the Gay Community
While AIDS does indeed affect everyone in our society, at the moment in Australia we are seeing predominantly a gay and lesbian artistic response to the epidemic.
Art & Death: Facing Mortality
Learning to Understand: Art Helps to Dispel Ignorance
The artist looks at the paintings which were developed for the Health Commission on education, prevention and caring in the AIDS environment. Using an Aboriginal perspective these paintings were produced as a powerful series of posters.
Art & Death: Facing Mortality
Kumantji and the Contemporary Curator
Across much of Aboriginal Australia the announcement of a death is followed by profound communal mourning, the removal or destruction of the deceased's belongings and most significantly a prohibition on the use of the deceased's name.
Art & Death: Facing Mortality
Death's Artefact... Recent Art and War
Art & Death: Facing Mortality
A Cemetery for the Community: Enfield Memorial Park, South Australia
Thus we come full circle to view the cemetery not as a necessary inconvenience to be isolated on the edge of town and visited once every few years but as a resource that can make a positive contribution to the community.
Art & Death: Facing Mortality
Death in Excess: Nuclear Imagery
Nuclear conflagration - whether real or imagined - captivated the post war psyche. Endist images of one form or another were developed in response to what many foresaw as the likely outcome of a third world war.
Art & Death: Facing Mortality
In the Coil of Life's Hunger
Looks at the work of James K Baxter 1926 - 1972 (poet) Colin McCahon 1919 - 1987 (artist) both of whom found in travel through New Zealand recurrent metaphor's for life's journey. The principle referent in their work was death.
Art & Death: Facing Mortality
Animal Death and an Artist's Culture: Brian Blanchflower's Tursiops Installation
Examination of the installation Tursiops by Brian Blanchflower which refers to the brutal heritage of Western Australia's first settlement at Albany which had a large whaling station until the late 1970s.
Art & Death: Facing Mortality
And Love a Fantasy: Breastfeeding our Sexuality
On 17 March 1993, the body of photographer Angelo Campana was discovered in the burnt out remains of the newly opened IEG Waste Recycling Plant in Corrimal. According to the coroner's report, his death had not been caused by this fire, but from fatal head injuries incurred by the deceased's head being repeatedly bashed with a theodolite. This is the immediate crime which is appears to be investigated in Dennis Del Favero's sleuthian compilation of words and images, objects and installations called 'Prima Facie'.
Art & Death: Facing Mortality
Guide to...Image Bank
Exploration of images and statements by artists on the theme of death. Artists include William Kelly, Ross Moore, Bette Mifsud and Dennis Del Favero.
Art & Death: Facing Mortality
Death, Pleasure and Gender in Film
The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.
Art & Death: Facing Mortality
Cinema, Death and the Abject
Cinema is both dead and deathless. Cinema like this can take us to the great chasm in our lives and hold us over the edge.
Art & Death: Facing Mortality
Death: A Post-Mortem
Looks at the exhibition 'Death' co-curated by Felicity Fenner and Anne Loxley held at the Ivan Dougherty Gallery in April 1993. 'Death' was a mixed media survey covering more than 200 years of Australian art which directly addressed the theme of death.
Art & Death: Facing Mortality
600,000 HOURS (Mortality) Conference Day 21 October 2, 1994
Examination of the issues addressed at the conference which accompanied the exhibition 600,000 hours (mortality).
Art & Death: Facing Mortality
Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation
Images of death explored in the context of the exhibition 600,000 hours (mortality) held at the Experimental Art Foundation, Adelaide South Australia October 1994.
Art & Death: Facing Mortality
Sydney from Afar
For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.
Sydney: The Big Shift
A Series of Close Connections
Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.
Sydney: The Big Shift
Why Criticism?
The most incisive commentary on the visual arts in Sydney usually occurs in private conversations that are not repeated in print for fear of the NSW defamation laws. But there is a great deal published on the visual arts....
Sydney: The Big Shift
Where Would Sydney be Without its Art Prizes?
The hype, the hysteria, the media and the money. Of all Sydney's art prizes it is the Archibald which arouses the greatest public interest...
Sydney: The Big Shift
The Lesser of Two Cities
Sydney thinks of itself as the centre of the country, the only part that matters, but in the lucrative art market, Sydney is subsidiary to the old moneyed city of the south -- Melbourne.
Sydney: The Big Shift
Tim Storrier: Sydney Artist
Interview with Tim Storrier.
Sydney: The Big Shift
Joan Kerr: Sydney Scholar
Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.
Sydney: The Big Shift
Jacques Delaruelle
In recent years there has been a major debate in Sydney on the nature of art education. Both Jacques Delaruelle and Fay Brauer have been active participants. Plants grow in silence but we (in the art world) vegetate noisily. see also article by Fay Brauer (no 665).
Sydney: The Big Shift
Fay Brauer
Response to the article by Jacques Delaruelle (article no 664) on the nature of art education - a debate which has raged in Sydney in recent years.
Sydney: The Big Shift
Here, There Be Dragons
Western Sydney can be seen as another city with another culture. This is not quite accurate, but it is the fasted growing region where the bulk of the younger population of the city live. And it has art.
Sydney: The Big Shift
Contemporary History in the Making - Casula Powerhouse
Reconciliation, redevelopment and community involvement have transformed a Sydney power station into a regional arts centre - Liverpool Power Station.
Sydney: The Big Shift
Seizing Opportunity from Paradox in Western Sydney
Personal zeal combines with State and Federal funding to underpin major developments in Western Sydney.
Sydney: The Big Shift
Postcard from Sydney
Looks at Boomalli Aboriginal Artists Co-operative in Sydney NSW and the role it plays in supporting and marketing indigenous art.
Sydney: The Big Shift
Youth Art and Mobile Galleries
Nowhere is the art of Sydney's youth more obvious than in the public sphere. Discussion with Linda Forrester a researcher of the creative culture of graffiti, street machining and skate boarding.
Sydney: The Big Shift
Breaking the Boundaries - 'Art-elites": Are They an Inevitability?
Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.
Sydney: The Big Shift
Sydney in Focus: Reflections on Marketing in the Visual Arts
Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.
Sydney: The Big Shift
In the Air, on the Ground (and Water too) - Public Art in Sydney
In the air, on the ground ( and water too). Sydney is undergoing an unprecedented interest in public art. Artists, curators, academics, contemporary art spaces, museums. commercial galleries, architects, urban designers, town planners, local government, arts councils and ministries - all are involved in varying degrees in making, discussing, supporting or promoting public art. Major fold out of William Yang's photographs.
Sydney: The Big Shift
The End of an Era? Artists' Week 1994 Adelaide Festival
Artists were left out in the cold at the 1994 Festival of Arts. Examines issues facing organisers of events such as Artist's week in the context of the Adelaide Festival of Arts.
The Art of Survival
Surviving the Recession
How do artists survive when they are not able to sell work in galleries -- sales are at a record low and many galleries have folded-- or get commissions through State agencies -- because these are few and far between?
The Art of Survival
Living Off Your Art: New Figures on Artists' Income
Artists are particularly vulnerable to economic downturn for two main reasons...the business cycle and the role of other jobs in a tight employment market.
The Art of Survival
Dial Up for Rewards
Article written with Phillip Bannigan and Sue Harris. Transactions, enterprise training, curating, industry, art in public, trainees, cashflow.
The Art of Survival
Multiples for Sale
Written with Shiralee Saul and Susan Fereday. How does an art object differ from a manufactured 'designer' commodity? Is the traditional status of the work of art undermined by repetition, reproduction and affordability? Are the qualities of fetish, uniqueness and authorial presence removed from or reinstated in the art multiple.
The Art of Survival
Thinking Wholesale
At the Jam Factory in Adelaide, Rolf Bartz, David Archer and Lorry Wedding-Marchiaro are three of the SA designer makers who have entered into a marketing agreement which may be the way of the future for many more.
The Art of Survival
Futurama: Art and Technology Expo
Article written with collaborator Shiralee Saul. Discusses the planned Futurama which was slated to start in 1996 as a 4-5 day event in Melbourne Victoria - organised by Installation Publication a partnership of 2 artist administrators.
The Art of Survival
Artists -- From Garret to Office
The Premier of Victoria may claim that his government has opened Victoria for business, but it is the important role of local government and the Federal Government in developing arts training and facilities that is really making the running. Artists are no longer in their garrets but in front of pcs in their offices.
The Art of Survival
Self-Starting Sculpture
The artist describes her attempts to sell her sculpture and the need to take other work. How has this impacted on her artistic approach?
The Art of Survival
Showing Art On Your Terms
Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.
The Art of Survival
Shedding the Bark
Bark painters of Arnhem Land are experimenting with a new medium - canvas- and in so doing both increasing their output and responding to market forces.
The Art of Survival
Drawing Wages
Looks at the Studio School of Painting and Drawing in South Australia. It is essentially a working artist's studio which has admitted students.
The Art of Survival
Strategies for Debunking the Myth of Artist as Wanker
or what I learned at school... the artist Malcolm McKinnon examines his training through the art school in Melbourne in the 1980s.
The Art of Survival
Income, Outcome? Hard Times for Artists + Industry
As an organisation, Arts + Industry is fundamentally concerned with economics and income generation. Assisting artists and designers to either find employment with industry or create opportunities as self-employed designer/makers is integral to their goals.
The Art of Survival
Furniture, Ceramics: What the Hell, Let's Do It
Examines the Centre for Furniture Design, the Centre for the Arts in Tasmania and the Atlantis Studio in Townsville Queensland.
The Art of Survival
Pity the Poor Director: Priorities Askew in Low Budget Film and Video
Operating both as an industry training ground and as a space for creative experimentation, low budget film and video production must be thought of as an economic and a cultural investment.
The Art of Survival
Artists as Soul Agents in WA
During the 1990s a number of initiatives have been undertaken in Western Australia which aim to improve the lot of the State's artists. The article examines three particular initiatives.
The Art of Survival
Whitechapel Meets Eastenders
Museums and larger arts spaces are increasingly looking at ways to improve access to their exhibitions for a wider range of people. Contemporary art spaces face a more difficult battle than museums in trying to become more relevant to their diverse communities.
The Art of Survival
The Jeweller's Apprentice
"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."
The Art of Survival
Things I've Seen a Little Different Along the Way - Stories from Up North
"If you are real lucky you got CDEP or your are making it selling your art and then you got a good art centre too, maybe. If you are real lucky just when you turn up with a couple of week's art production, maybe yours, maybe the families, the centre's got cash, no one's a bastard, everyone's happy, the store has even got some decent food, even new bikes, toy guns, tape decks and a few tins of Log Cabin. Shit, life's good - sometimes anyway." A personal view of art making in indigenous communities.
The Art of Survival
The Spirit of Collectivism: A Brief Guide to Melbourne's Artist-run Galleries
A brief guide to Melbourne's artist run galleries: Ether Ohnetitel, The Women's Gallery, Gallery Gecko, The COOP, A For Art Space, Making Sense Contemporary Art Space, The Basement Project, Argyle Street Studios, West Space, Arts Post, RedPlanet, Another Planet Posters, Red Letter Community Workshop, A.R.T. (artaroundtown), First Floor, Store 5, Room 4, ROAR Studio, Temple 29 and 41 Gold Street.
The Art of Survival
No Vacancy: The Art of 400 Artists
Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.
The Art of Survival
Brisbane Offers Plenty of Space
Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.
The Art of Survival
Showing and Working Together in WA
To survive financially and professionally a large number of artists in WA have formed themselves into co-operatives.
The Art of Survival
Critical Mass/ City Art/ Artists' Initiatives
A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.
The Art of Survival
Looking at the Billboard
Written with Lee Salomone exploring the utilisation of prominent billboards on the tram track in Adelaide for the term of one year at no cost for them to be used as public art spaces.
The Art of Survival
Powerful Alternatives - Sydney
They may not have been characterised as 'artist run initiatives' but exhibition spaces run by artists have been around, in one form, or another for a long time.
The Art of Survival
Non-Metro Spaces
Artists collectives and access galleries do not just exist in big capital cities. It seems that wherever there is a community of artists and Artist Run Initiative will happen.
The Art of Survival
(L)earning Curves on the Streets of Melbourne
The transforming role of local government. More enlightened attitudes towards art making are coming from all levels of government and from property developers and others - often at the urging of those various levels of government.
The Art of Survival
Roads, Rates and Renaissance
Looks at the Melbourne inner city initiatives commissioned by the local governments to enhance public works.
The Art of Survival
Artists Pave the Way
One outcome of the recent spate of local urban design projects and processes has been employment for artists.
The Art of Survival
Liverpool Links: Industry and Art
The Cultural Services Unit of the Liverpool City Council has increased substantially over the last 2 years as has the number of artists employed by them.
The Art of Survival
Artists' Park Blooms Again
Box Hill known in the art world for its connection to the Heidelberg School of Painting has maintained its commitment to the arts.
The Art of Survival
Migrant Artists and the Mysteries of Australian Culture
The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.
The Art of Survival
Tickling the Senses in Brunswick St
Located in Melbourne Victoria, the City of Fitzroy was given $1m by the federal government in 1992 for capital works. One project funded was the commissioning of 16 pieces of public art from 11 artists to build on that heart of cafe culture Brunswick St.
The Art of Survival
Focusing on the River
Every State has one - a local council that is outstanding in its commitment to the arts and in Western Australia, the credit for innovation and energy goes to the City of Gosnells, who have arguably led the pack for the last 5 years in interesting community arts projects...
The Art of Survival
Arts Employment Through Small Business
...So in effect, what we have in Australia is a separation of public and commercial by governments arts departments that unfortunately does not take into account the fact that the arts industry operates on a continuum...
The Art of Survival
Good Spot for a Pot Shot
The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.
The Art of Survival
Sophistication in the Country
Shire of Eltham on the outskirts of Melbourne Victoria and its commitment to the arts.
The Art of Survival
Noarlunga: Backwater No Longer
The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.
The Art of Survival
1 ... 12 13 14 15 16 17 18 19 20 21 ... 23