Published 01 September 2020
Published September 2020
Australian Experimental Art Foundation Adelaide
30 September - 29 October 2011
Published 01 December 2011
Published December 2011
South Australian artist Julia Robinson's striking sculpture draws on the darkness in human culture that has often been represented by goats. Made from fibreglass and snugly covered in fabric they assume strange forms and positions that give them a "reverberating energy".
New Zealand-based Sara Hughes considers colour has been degraded throughout Western history. She uses coloured vinyl applied to architecture to "articulate social meaning".
A further instalment in the memoirs of Australia's most revered art theorist Donald Brook. Yes, he is still alive.
Tarryn Gill & Pilar Mata Dupont
Curator: Leigh Robb
Perth Institute of Contemporary Arts
3 September - 30 October 2011
In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.
Belgian artist Wim Delvoye is having a retrospective at Hobart's MONA. Stephanie Radok looks at the materials and concepts he uses in a broad context and asks whether his art is critical or spectacle.
In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink.
Shaw talks about the way she uses colour, her techniques and goals from garnering attention to depicting an ambivalent relationship to the natural world.
Kirsten Farrell muses on colourphobia through her life, her Phd and her reading of the book Colourphobia (2000) by David Batchelor
Curator: Jacqueline Strecker
Art Gallery of New South Wales
6 August - 6 November 2011
National Gallery of Victoria
25 November 2011 - 4 March 2012
Museum of Contemporary Art at the National Art School Gallery, Sydney 17 June - 24 August 2011