Ray Harris: Hold me Close and Let me Go

Cover of Ray Harris: Hold me Close and Let me Go
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The five phases of Aboriginal art
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
NAVA
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
Darwin Aboriginal Art Fair
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

Australian Experimental Art Foundation Adelaide 30 September - 29 October 2011

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More from this Issue Full Issue Contents

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Julie Gough: Rivers Run
Feature
Jane Stewart

Devonport Regional Gallery
3 September - 2 October 2011
Cairns Regional Gallery
5 February - 14 March 2010

Published December 2011
1.25
Flight of the Cicada: Susan Purdy's insect photograms
Feature
Carolyn Leach-Paholski

The inaugural Watermark Literary Fellow Carolyn Leach-Paholski describes the black and white photograms of Susan Purdy which were made in the course of a long wet winter.

Published December 2011
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The Digital attribution of Colour
Feature
Deborah Turnbull

Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.

Published December 2011
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Radical Ethology: Jussi Parikka's Insect Media
Feature
Jacob Gaboury

In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.

Published December 2011
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Editorial: Vibrating, buzzing, swarming
Editorial
Stephanie Britton

Published December 2011
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Chromophobes, Xenophones and Lots of Textas
Feature
Kirsten Farrell

Kirsten Farrell muses on colourphobia through her life, her Phd and her reading of the book Colourphobia (2000) by David Batchelor

Published December 2011
0.666
Transplanting Life: the distributed media of embodied selves. The Body is a big place
Feature
Doris McIlwain

Personality psychologist at Macquarie University Doris McIlwain does yoga and throws pots. She writes about new media installation 'The Body is a Big Place' the recent work of Peta Clancy and Helen Pynor which deals with the complexities of organ donation.

Published December 2011
1.39
Caterpillar Country
Feature
Kieran Finnane

Alice Springs-based writer Kieran Finnane describes the caterpillar dreaming in the Alice Springs area. She draws attention to changing attitudes over the years towards traditional custodians and the places they care for.

Published December 2011
1.28
The Torres Strait Islands: A Celebration
Feature
Carol Schwarzman

Land, Sea and Sky: Contemporary Art of the Torres Strait, GOMA
Strait Home, State Library of Queensland
Awakening: Stories from the Torres Strait, Queensland Museum
Belong, Bangarra Dance Theatre, Queensland Performing Arts Centre
Mabo Oration 2011, Follow the Stars: Indigenous culture, knowledge and intellectual property rights
1 July - 23 October 2011

Published December 2011
1.099125364431
The Mad Square: modernity in German art 1910 - 37
Feature
Joanna Mendelssohn

Curator: Jacqueline Strecker
Art Gallery of New South Wales
6 August - 6 November 2011

National Gallery of Victoria
25 November 2011 - 4 March 2012

Published December 2011
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Sara Hughes: Colour coded to quicken the heart
Feature
Sarah Hughes

New Zealand-based Sara Hughes considers colour has been degraded throughout Western history. She uses coloured vinyl applied to architecture to "articulate social meaning".

Published December 2011
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Taryn Simon: A Living Man Declared Dead and Other Chapters
Review
Jo Higgins

Tate Modern, London 25 May 2011 - 2 January 2012
It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.

Published December 2011
 
MGNSW
The Torch
SALA
CIAF
Curiocity Brisbane (Mulberry Seed Comms)