Good enough to eat: Katherine Hattam's paintings

Cover of Good enough to eat: Katherine Hattam's paintings
1.126
Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
1.088
Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
1.126
Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
Metro Tunnel (Vic Gov)
1.126
A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
1.126
Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
1.126
Fair Share Fare: Recipe for Disaster
Feature
Jen Rae

Published 01 December 2019
Artlink Promo
1.126
Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

Crikey.com blogger and book designer W.H. Chong describes the paintings of Katherine Hattam that "zing and crackle with edible hues."

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

1
Isea 2011
Review
Mitchell Whitelaw

Uncontainable Istanbul 14 - 21 September 2011

Published December 2011
0.667226890756
The Swamp
Feature
Andrew Harper

142 Liverpool St, Hobart
26 August 2011 and ongoing

Published December 2011
Remembering Bernard Smith
Obituary
Juliette Peers

Writer and academic Juliette Peers remembers Bernard Smith and queries the hagiography that sometimes surrounds him.

Published December 2011
1.28
The Torres Strait Islands: A Celebration
Feature
Carol Schwarzman

Land, Sea and Sky: Contemporary Art of the Torres Strait, GOMA
Strait Home, State Library of Queensland
Awakening: Stories from the Torres Strait, Queensland Museum
Belong, Bangarra Dance Theatre, Queensland Performing Arts Centre
Mabo Oration 2011, Follow the Stars: Indigenous culture, knowledge and intellectual property rights
1 July - 23 October 2011

Published December 2011
0.664
The Digital attribution of Colour
Feature
Deborah Turnbull

Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.

Published December 2011
0.6675
Stadium
Feature
Gemma Weston

Tarryn Gill & Pilar Mata Dupont
Curator: Leigh Robb
Perth Institute of Contemporary Arts
3 September - 30 October 2011

Published December 2011
1.332155477032
Ray Harris: Hold me Close and Let me Go
Feature
Sera Waters

Australian Experimental Art Foundation Adelaide
30 September - 29 October 2011

Published December 2011
0.781666666667
Bridging the brains of humans, bees and flies: Fiona Hall at the QBI
Feature
Denise Cullen

'Out of mind' the work by Fiona Hall at the Queensland Brain Institute at the University of Queensland draws together scientific research with art research to demonstrate that both approach the world with wonder and intrigue.
"Hall’s work ... is apt for neuroscientists are indebted to the neural architecture of animals. The brains of insects like fruit flies or honeybees are much smaller and simpler than ours, yet because similar molecular mechanisms underlie their operation, these creatures may very well hold the keys to unlocking the mysteries of autism, schizophrenia, depression and a range of other human disorders."

Published December 2011
0.667469879518
Tom Freeman: 18th and 19th Century Prisoner art
Feature
Andrew Purvis

The Museum of Natural Mystery, North Perth
22 - 23 July 2011

Published December 2011
0.308008213552
Taryn Simon: A Living Man Declared Dead and Other Chapters
Review
Jo Higgins

Tate Modern, London 25 May 2011 - 2 January 2012
It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.

Published December 2011
1.444444444444
A Different Temporality: Aspects of Australian Feminist Art Practice 1975 - 1985

Monash University Museum of Art

Review
Caroline Phillips

Published December 2011
1.333333333333
Chromophobes, Xenophones and Lots of Textas
Feature
Kirsten Farrell

Kirsten Farrell muses on colourphobia through her life, her Phd and her reading of the book Colourphobia (2000) by David Batchelor

Published December 2011