The Digital attribution of Colour
Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.
More from this Issue
Reflections of the Soul - Chinese Contemporary Ink Wash Painting
Geelong Art Gallery 15 July - 9 September 2011
Stadium
Tarryn Gill & Pilar Mata Dupont Curator: Leigh Robb Perth Institute of Contemporary Arts 3 September - 30 October 2011
Taryn Simon: A Living Man Declared Dead and Other Chapters
Tate Modern, London 25 May 2011 - 2 January 2012
Sympathy for the Devil: the creatures of Julia Robinson
South Australian artist Julia Robinson's striking sculpture draws on the darkness in human culture that has often been represented by goats. Made from fibreglass and snugly covered in fabric they assume strange forms and positions that give them a "reverberating energy".
The White Wedding Dress: 200 years of Wedding Fashions
Bendigo Art Gallery 1 August - 6 November 2011
Julie Gough: Rivers Run
Devonport Regional Gallery 3 September - 2 October 2011 Cairns Regional Gallery 5 February - 14 March 2010
Good enough to eat: Katherine Hattam's paintings
Crikey.com blogger and book designer W.H. Chong describes the paintings of Katherine Hattam that "zing and crackle with edible hues."
Radical Ethology: Jussi Parikka's Insect Media
In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.
Tell Me Tell Me: Australian and Korean Art 1976 – 2011
Museum of Contemporary Art at the National Art School Gallery, Sydney 17 June - 24 August 2011