Published 01 June 2020
Interview with First Nations curators Kathleen Ash‐Milby (Portland Art Museum), Maia Nuku (Metropolitan Museum of Art) and Nigel Borell (Auckland Art Gallery Toi o Tāmaki).
142 Liverpool St, Hobart
26 August 2011 and ongoing
New Zealand-based Sara Hughes considers colour has been degraded throughout Western history. She uses coloured vinyl applied to architecture to "articulate social meaning".
Published December 2011
Belgian artist Wim Delvoye is having a retrospective at Hobart's MONA. Stephanie Radok looks at the materials and concepts he uses in a broad context and asks whether his art is critical or spectacle.
The Museum of Natural Mystery, North Perth
22 - 23 July 2011
South Australian artist Julia Robinson's striking sculpture draws on the darkness in human culture that has often been represented by goats. Made from fibreglass and snugly covered in fabric they assume strange forms and positions that give them a "reverberating energy".
Kirsten Farrell muses on colourphobia through her life, her Phd and her reading of the book Colourphobia (2000) by David Batchelor
Monash University Museum of Art
Executive Director of NAVA Tamara Winikoff missed the voices of artists at the October 2011 World Summit on Arts & Culture in Melbourne.
Crikey.com blogger and book designer W.H. Chong describes the paintings of Katherine Hattam that "zing and crackle with edible hues."
Museum of Brisbane
12 August - 20 November 2011
Artist and curator Una Rey writes about the exhibition 'Speaking in colour' that she curated for the Newcastle Gallery from their collection in March-May 2011. Her experience of working with Indigenous artists in Central Australia coloured her choices and her interpretations of them.
Tarryn Gill & Pilar Mata Dupont
Curator: Leigh Robb
Perth Institute of Contemporary Arts
3 September - 30 October 2011