Untitled - 12th Istanbul Biennial

Cover of Untitled - 12th Istanbul Biennial
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
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Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
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Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Axolotl
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Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
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The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
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Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Hazelhurst
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The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
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Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Antrepo 3 & 5, Meclis-i Mebusan Caddesi, Liman Ísletmeleri Sahas?, Tophane Curators: Adriano Pedrosa, Jens Hoffmann 17 September - 13 November 2011

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Taryn Simon: A Living Man Declared Dead and Other Chapters
Review
Jo Higgins

Tate Modern, London 25 May 2011 - 2 January 2012
It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.

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Sympathy for the Devil: the creatures of Julia Robinson
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Jennifer Kalionis

South Australian artist Julia Robinson's striking sculpture draws on the darkness in human culture that has often been represented by goats. Made from fibreglass and snugly covered in fabric they assume strange forms and positions that give them a "reverberating energy".

Published December 2011
Impending Encounter
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Sarah Scott

Published December 2011
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The Mystery of Shit: Wim Delvoye
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Stephanie Radok

Belgian artist Wim Delvoye is having a retrospective at Hobart's MONA. Stephanie Radok looks at the materials and concepts he uses in a broad context and asks whether his art is critical or spectacle.

Published December 2011
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We Are Here: the International Symposium for Artist Run Initiatives
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Amy Griffiths

This year marks the 41st anniversary of the development of ARIs in Australia, and as both a celebration of and an indication of how far national and international ARIs have come, a four-day symposium organised by NAVA and Firstdraft was held in Sydney in September 2011.

Published December 2011
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Transplanting Life: the distributed media of embodied selves. The Body is a big place
Feature
Doris McIlwain

Personality psychologist at Macquarie University Doris McIlwain does yoga and throws pots. She writes about new media installation 'The Body is a Big Place' the recent work of Peta Clancy and Helen Pynor which deals with the complexities of organ donation.

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Exhibitions to Watch
Stephanie Radok

Published December 2011
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Tell Me Tell Me: Australian and Korean Art 1976 - 2011
Review
Michael Baldwin

Museum of Contemporary Art at the National Art School Gallery, Sydney 17 June - 24 August 2011

Published December 2011
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Reflections of the Soul - Chinese Contemporary Ink Wash Painting
Feature
Alison Carroll

Geelong Art Gallery
15 July - 9 September 2011

Published December 2011
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Ray Harris: Hold me Close and Let me Go
Feature
Sera Waters

Australian Experimental Art Foundation Adelaide
30 September - 29 October 2011

Published December 2011
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Blakely & Lloyd - Social Documentary Photography
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Peter Milne

Museum of Brisbane
12 August - 20 November 2011

Published December 2011
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