Tell Me Tell Me: Australian and Korean Art 1976 - 2011

Cover of Tell Me Tell Me: Australian and Korean Art 1976 – 2011
1.238
Kulinmaya! Keep Listening Everybody!

Mumu Mike Williams

Review
Kieran Finnane

Published 01 December 2019
1.126
OzAsia 2019

Adelaide Festival Centre and other venues

Review
Anna O'Loughlin

Published 29 November 2019
1.126
Tarnanthi Festival of Contemporary Aboriginal & Torres Strait Islander Art

Art Gallery of South Australia and other venues

Review
Darren Jorgensen

Published 28 November 2019
Artlink Subs Promo
1.126
Weaving the Way

University of Queensland Art Museum

Review
Kay Lawrence

Published 11 October 2019
1.13
Julie Gough: Tense Past

Tasmanian Museum and Art Gallery

Review
Craig Judd

Published 11 October 2019
1.126
Desert Mob 2019

Araluen Arts Centre

Review
Kieran Finnane

Published 07 October 2019
Artlink Promo
1.122
Louise Haselton: like cures like

Samstag Museum of Art

Review
Elle Freak

Published 27 September 2019
1.116
Agatha Gothe-Snape: Trying to find comfort in an uncomfortable chair

Perth Institute of Contemporary Arts

Review
Alana Hunt

Published 15 September 2019

Museum of Contemporary Art at the National Art School Gallery, Sydney 17 June - 24 August 2011

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Kate Shaw: Amping up the Magic Hour
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In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink.
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World Summit on Arts & Culture
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Executive Director of NAVA Tamara Winikoff missed the voices of artists at the October 2011 World Summit on Arts & Culture in Melbourne.

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A Different Temporality: Aspects of Australian Feminist Art Practice 1975 - 1985

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Sympathy for the Devil: the creatures of Julia Robinson
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South Australian artist Julia Robinson's striking sculpture draws on the darkness in human culture that has often been represented by goats. Made from fibreglass and snugly covered in fabric they assume strange forms and positions that give them a "reverberating energy".

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Editorial: Vibrating, buzzing, swarming
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Bridging the brains of humans, bees and flies: Fiona Hall at the QBI
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'Out of mind' the work by Fiona Hall at the Queensland Brain Institute at the University of Queensland draws together scientific research with art research to demonstrate that both approach the world with wonder and intrigue.
"Hall’s work ... is apt for neuroscientists are indebted to the neural architecture of animals. The brains of insects like fruit flies or honeybees are much smaller and simpler than ours, yet because similar molecular mechanisms underlie their operation, these creatures may very well hold the keys to unlocking the mysteries of autism, schizophrenia, depression and a range of other human disorders."

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The Mad Square: modernity in German art 1910 - 37
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Curator: Jacqueline Strecker
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National Gallery of Victoria
25 November 2011 - 4 March 2012

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Transplanting Life: the distributed media of embodied selves. The Body is a big place
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Doris McIlwain

Personality psychologist at Macquarie University Doris McIlwain does yoga and throws pots. She writes about new media installation 'The Body is a Big Place' the recent work of Peta Clancy and Helen Pynor which deals with the complexities of organ donation.

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The Mystery of Shit: Wim Delvoye
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Belgian artist Wim Delvoye is having a retrospective at Hobart's MONA. Stephanie Radok looks at the materials and concepts he uses in a broad context and asks whether his art is critical or spectacle.

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Blakely & Lloyd - Social Documentary Photography
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Ray Harris: Hold me Close and Let me Go
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Australian Experimental Art Foundation Adelaide
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Radical Ethology: Jussi Parikka's Insect Media
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In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.

Published December 2011