The Substation
Published 15 December 2021
ACE Open, Tarntanya/Adelaide
TarraWarra Museum of Art
Contemporary Art Tasmania
Published 15 November 2021
Maitland Regional Art Gallery
Published 18 October 2021
Samstag Museum of Art
Published 06 September 2021
Sauerbier House, Port Noarlunga, South Australia
Published 25 August 2021
Drill Hall Gallery
Museum of Contemporary Art at the National Art School Gallery, Sydney 17 June - 24 August 2011
New Zealand-based Sara Hughes considers colour has been degraded throughout Western history. She uses coloured vinyl applied to architecture to "articulate social meaning".
Published December 2011
142 Liverpool St, Hobart 26 August 2011 and ongoing
Crikey.com blogger and book designer W.H. Chong describes the paintings of Katherine Hattam that "zing and crackle with edible hues."
'Out of mind' the work by Fiona Hall at the Queensland Brain Institute at the University of Queensland draws together scientific research with art research to demonstrate that both approach the world with wonder and intrigue. "Hall’s work ... is apt for neuroscientists are indebted to the neural architecture of animals. The brains of insects like fruit flies or honeybees are much smaller and simpler than ours, yet because similar molecular mechanisms underlie their operation, these creatures may very well hold the keys to unlocking the mysteries of autism, schizophrenia, depression and a range of other human disorders."
Tarryn Gill & Pilar Mata Dupont Curator: Leigh Robb Perth Institute of Contemporary Arts 3 September - 30 October 2011
Bendigo Art Gallery 1 August - 6 November 2011
South Australian artist Thom Buchanan's most recent drawing adventure was on stage with dancers from the ADT.
A further instalment in the memoirs of Australia's most revered art theorist Donald Brook. Yes, he is still alive.
In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.
Published 01 December 2011
Artist and curator Una Rey writes about the exhibition 'Speaking in colour' that she curated for the Newcastle Gallery from their collection in March-May 2011. Her experience of working with Indigenous artists in Central Australia coloured her choices and her interpretations of them.
