Perth Institute of Contemporary Arts
Published 13 July 2022
Kassel, Germany
Published 11 July 2022
Australian Pavilion, 59th La Biennale di Venezia
Published 15 June 2022
National Gallery of Victoria
Published 30 May 2022
Art Gallery of Western Australia
Published 04 May 2022
Adelaide Railway Station
Monash University Museum of Art
Published 30 March 2022
Edited by Brad Haylock & Megan Patty Sternberg Press, 2021, 288 pages
Museum of Contemporary Art at the National Art School Gallery, Sydney 17 June - 24 August 2011
In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink. Shaw talks about the way she uses colour, her techniques and goals from garnering attention to depicting an ambivalent relationship to the natural world.
Published December 2011
Belgian artist Wim Delvoye is having a retrospective at Hobart's MONA. Stephanie Radok looks at the materials and concepts he uses in a broad context and asks whether his art is critical or spectacle.
In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.
142 Liverpool St, Hobart 26 August 2011 and ongoing
Bendigo Art Gallery 1 August - 6 November 2011
Curator: Jacqueline Strecker Art Gallery of New South Wales 6 August - 6 November 2011 National Gallery of Victoria 25 November 2011 - 4 March 2012
This year marks the 41st anniversary of the development of ARIs in Australia, and as both a celebration of and an indication of how far national and international ARIs have come, a four-day symposium organised by NAVA and Firstdraft was held in Sydney in September 2011.
Australian Experimental Art Foundation Adelaide 30 September - 29 October 2011
Tate Modern, London 25 May 2011 - 2 January 2012 It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.
The Museum of Natural Mystery, North Perth 22 - 23 July 2011
