Tell Me Tell Me: Australian and Korean Art 1976 - 2011

Cover of Tell Me Tell Me: Australian and Korean Art 1976 – 2011
1.126
Noriko Nakamura: The force that the warrior adopts during the evolution of the pale pink rose

CAVES

Review
Amelia Wallin

Published 11 July 2019
1.324
The Hidden Garden: Travis de Vries

Gallery Lane Cove

Review
Djon Mundine

Published 03 July 2019
1
Virginia Cuppaidge: The Nature of Abstraction

Newcastle Art Gallery

Review
Una Rey

Published 01 July 2019
NAVA
1.124
58th International Art Exhibition

La Biennale di Venezia

Review
Marco Marcon

Published 26 June 2019
1.126
From the Inside [Tokuremoar]

Praxis Artspace

Review
Chris Reid

Published 05 June 2019
1.126
Tom Nicholson: Public Meeting

Australian Centre for Contemporary Art

Review
Ian McLean

Published 05 June 2019
Artlink Subs Promo
1.22
Quilty

Art Gallery of South Australia

Review
Rebecca Freezer

Published 16 May 2019
1.124
The National 2019: New Australian Art
Review
Craig Judd

Published 15 May 2019

Museum of Contemporary Art at the National Art School Gallery, Sydney 17 June - 24 August 2011

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A Different Temporality: Aspects of Australian Feminist Art Practice 1975 - 1985

Monash University Museum of Art

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New Zealand-based Sara Hughes considers colour has been degraded throughout Western history. She uses coloured vinyl applied to architecture to "articulate social meaning".

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We Are Here: the International Symposium for Artist Run Initiatives
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This year marks the 41st anniversary of the development of ARIs in Australia, and as both a celebration of and an indication of how far national and international ARIs have come, a four-day symposium organised by NAVA and Firstdraft was held in Sydney in September 2011.

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Louise Haselton: Errand Workshop
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Cephalopods: Colour on demand
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Radical Ethology: Jussi Parikka's Insect Media
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In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.

Published December 2011
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Transplanting Life: the distributed media of embodied selves. The Body is a big place
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Personality psychologist at Macquarie University Doris McIlwain does yoga and throws pots. She writes about new media installation 'The Body is a Big Place' the recent work of Peta Clancy and Helen Pynor which deals with the complexities of organ donation.

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The Mystery of Shit: Wim Delvoye
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Belgian artist Wim Delvoye is having a retrospective at Hobart's MONA. Stephanie Radok looks at the materials and concepts he uses in a broad context and asks whether his art is critical or spectacle.

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Kate Shaw: Amping up the Magic Hour
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In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink.
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The Hammer and the Screw: Thom Buchanan's drawings
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Flight of the Cicada: Susan Purdy's insect photograms
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The inaugural Watermark Literary Fellow Carolyn Leach-Paholski describes the black and white photograms of Susan Purdy which were made in the course of a long wet winter.

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