ACE Open
Published 10 May 2021
Santos Museum of Economic Botany and The Deadhouse (Mortuary Building), Botanic Gardens of South Australia
Art Gallery of South Australia
Plimsoll Gallery, UTAS, Hobart
Published 14 April 2021
Samstag Museum of Art
National Gallery of Australia, Canberra
Published April 2021
Wagga Wagga Art Gallery
Published 12 March 2021
McClelland Gallery, Langwarrin
Ehibition Review: Galerie Dusseldorf Douglas Chambers and The Glick International Collection Held February - March 1991
Palimpsest...Vision of a multicultural Australia. An exhibition co-ordinated by the Multicultural Arts Trust of South Australia, December 1990 Chesser Gallery Adelaide. Great colour photos.
Published June 1991
During the process of producing his artworks, George looks for ways of translating different philosophical ideas into marks and images.
The ceramic work of Silvia Stansfield draws on the cultural legacy of South America. Discussion of the work of this artist with good colour photographs.
Zofrea wrote "I want my work to sing forever."
I migrated to Australia from China in March 1983 with nothing but 60 kg of books and manuscripts plus a big cultural bundle - all the things; the Classical Literature, the History and the Philosophy that I had been taught over the last 24 years....
In December 1990 the South Australian Government announced a new 'Multiculturalism-in-the-Arts' Program to encourage major arts organisations in receipt of government funding to increase their activities for people from linguistic and culturally diverse backgrounds.
Looks at the ceramic works of Zsuzsa Kollo which refer to Pre-historic, Eastern, and Christian works. includes b/w photo.
How much marketability is immanent in the artist's cultural background is a matter of delicate negotiation between dealer and client. Just now, it may appear to some artists an unfortunate fact that for them, Aboriginality is not an option.
Review: State Arts Conference Tasmanian Arts Industry Council April 1991 Photographs of delegates to the conference included.
Hossein Valamanesh writes from Berlin hoping that this issue of Artlink will help in the understanding of the multicultural nature of Australian Culture and not assist in any way in making pigeon holes to safely classify the issue.
Looks at the art practice of Januzs Kozak, a painter who was born in Poland and who now works and lives in Wollongong.
...Underlying this linguistic fertility is a migrant intuition of the relativity of language, of the lightness and mutability of its phonology, inflections and syntax. Less portentously there is no migrant to this country who has not experienced those punning co-incidences, echoic repetitions, mutual misunderstandings and mishearings which are the basis of my scripts. It may be no accident that in 1992 Australian voices evoke first contact with the New World.
