More from this Issue
Cultural Diversity and Public Galleries
Written with Joseph Eisenberg. The National Association for the Visual Arts [NAVA] is currently sponsoring a project on 'Multiculturalism and the immigrant artist in Australian visual culture'. Part of the study focuses on the role of public galleries in appreciating, exhibiting, and acquiring the work of Australian artists from non- English speaking backgrounds [NESB].
Some Cultural Baggage on the Australian Literary Scene
Above all we need new myths to suit the new Australian culture which is part of the Asia Pacific region. We can't live by Aboriginal myths alone, as some have suggested, in a land so changed by our coming. The unpacking of cultural baggage by writers of all cultural groups, old and new, has to continue until it gives rise to a myth which we all recognise as fitting the Australia to which we have contributed. Wrote David Malouf.
Cultural Iconographies
Cultural Iconographies is an exhibition of work by migrant and refugee artists who have been in Australia for a relatively short time. To take place in the Bondi Pavilion, Sydney during Carnivale October 1991.
Desultory Remarks from a NESB Museologist
It is evident we are trying to redress an imbalance in the cultural representation of our heritage and arts.
People's Cultural Action in Australia: The PACIN Experience
Looks at workshops organised by PACIN - the Philippines-Australia Cultural Interaction Network for Asian and Pacific communities in Sydney.
Mixing it in Broome and Darwin
The Broome Mix is useful to bear in mind when thinking on all things multicultural - cultural diversity. In Broome that's culture - a mix of Aboriginal, Asian and European.
A Letter from Berlin
Hossein Valamanesh writes from Berlin hoping that this issue of Artlink will help in the understanding of the multicultural nature of Australian Culture and not assist in any way in making pigeon holes to safely classify the issue.
Collaborative Impressions
Exhibition review: Works by Nola Routoulas, Helen Karpathakis, Nora Mantzioris and Alexandra Akritidis.
Artzone Gallery, Adelaide South Australia April 1991
A Very Personal View
A very personal view. And finally there is a need for us to allow art and artists to develop from their own roots, regardless of their country or culture of origin.
A Living Museum at Work in Melbourne's Multicultural West
Those who come to know Melbourne's western suburbs find many treasures in the region's history, heritage, environment and contemporary culture.
Arriving at a Sense of Position
At times, life feels like a collection of unrelated events, a necklace without the string. Christl Berg writes of her experiences of leaving Germany when she was 25 and having lived in three different continents with three different cultures at varied stages in her life.