BulaBula: New High Tech Arts Centre, Ramingining

Cover of BulaBula: New High Tech Arts Centre, Ramingining
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Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
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Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
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Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Dan McCabe
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Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
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Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
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Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
ACE Open
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Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
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Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

The three storey facility looks incongruous in the ramshackle Aboriginal settlement of Ramingining which crouches along a dirt road in an Arnhem Land eucalypt forest 550 km east of Darwin in the Northern Territory. Photos of people in Ramingining.

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More from this Issue Full Issue Contents

Milan Milojevic
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Milan Milojevic

The artist writes about his art practice. Good colour photographs.

Published June 1991
Ngura Kujara - Two Homes
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Felicity Wright

Exhibition Review: Tandanya Adelaide South Australia January - June 1991. Interviews with curators Kerry Giles Kurwingie and John Kean. Images of inma at Ernabella included in the article.

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Diario per una Vita Nuova
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Mark Hinderaker

A multi media installation by Dennis Del Favero.

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Gunta Parups: A Latvian in Australia
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Andra Kins

Looks at the art practice of Gunta Parups who was and remains a displaced person. The experience of leaving one's homeland as a refugee at the age of thirteen during the war is etched indelibly into her being.

Published June 1991
SBS TV Arts
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Geoffrey Dann

With the exception of some programming on SBS and the ABC, artists receive very little exposure on television. The limitations of television, the need to maintain a wide audience reach, the difficult question of what is 'good art' in a televisual sense, all may help to explain the absence of living artists from this, the most powerful of all media.

Published June 1991
A Living Museum at Work in Melbourne's Multicultural West
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Olwen Ford

Those who come to know Melbourne's western suburbs find many treasures in the region's history, heritage, environment and contemporary culture.

Published June 1991
Cultural Diversity and Public Galleries
Feature
Janis Wilton

Written with Joseph Eisenberg. The National Association for the Visual Arts [NAVA] is currently sponsoring a project on 'Multiculturalism and the immigrant artist in Australian visual culture'. Part of the study focuses on the role of public galleries in appreciating, exhibiting, and acquiring the work of Australian artists from non- English speaking backgrounds [NESB].

Published June 1991
As Australian as AMPOL
Feature
Penny Webb

How much marketability is immanent in the artist's cultural background is a matter of delicate negotiation between dealer and client. Just now, it may appear to some artists an unfortunate fact that for them, Aboriginality is not an option.

Published June 1991
The Plan
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Stephanie Britton

Looks at the 'National Agenda for a Multicultural Australia' launched by the Prime Minister in 1989 which included provision for the development of a plan for collecting institutions such as museums, art museums, libraries and archives to reflect Australia's cultural diversity in their activities and practices.

Published June 1991
Sprirituality Aboriginality
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Sylvia Kleinert

An exhibition of contemporary Aboriginal art 'Aboriginal Art and Spirituality' opened at the High Court of Australia in 1991. The exhibition to tour after its opening in Canberra.....All of the works in the exhibition speak quite overtly about the highly problematic intervention of the missions, the politics of racism and the way in which Aboriginal spirituality will always remain linked to the land.

Published June 1991
Accelerate
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Sam Schoenbaum

"I used to boast about you, my son the painter. You painted trees, now you paint squares to humiliate me." Quote by the artist's father in the early 1970s Melbourne.

Published June 1991
Ginger Riley Munduwalawala: Working on a Heroic Scale
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Anthony Knight

Looks at the art practice of Ginger Riley Munduwalawala, born in 1937 at Ngukurr in the Northern Territory. Good colour photos of the artist and some works.

Published June 1991
 
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