The Studio in Deer Park

Cover of The Studio in Deer Park
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
Art Nocturne
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
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1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Paul Borg, an artist of Maltese origin, speaks of his unusual working arrangements.

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More from this Issue Full Issue Contents

Festival of Perth Exhibitions
Review
Melissa Harpley

Ehibition Review: Galerie Dusseldorf
Douglas Chambers and The Glick International Collection
Held February - March 1991

Published June 1991
Multicultural Artworkers: Sacrificial Anodes?
Feature
Helen Andreoni

This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!

Published June 1991
Ginger Riley Munduwalawala: Working on a Heroic Scale
Feature
Anthony Knight

Looks at the art practice of Ginger Riley Munduwalawala, born in 1937 at Ngukurr in the Northern Territory. Good colour photos of the artist and some works.

Published June 1991
Arriving at a Sense of Position
Feature
Christl Berg

At times, life feels like a collection of unrelated events, a necklace without the string. Christl Berg writes of her experiences of leaving Germany when she was 25 and having lived in three different continents with three different cultures at varied stages in her life.

Published June 1991
Observations of a Chinese Painter
Feature
Tang Qizhong

Tang Qizhong is a painter and Fine Arts educator from China. He writes about his art practice and the relationship between art practices and institutions in China and Australia.

Published June 1991
Failsafe Opera
Review
Mary-Anne Haddad

Exhibition Review: Performance Installation by Andrew Petrusevics and Chris Gaston
Adelaide Univsersity Union Art Gallery
7 - 21 March 1991

Published June 1991
Under the Southern Cross
Feature
Anita Aarons

Exhibition Review Under the Southern Cross (survey of Aboriginal Art) Noosa Regional Gallery December - January 1991

Published June 1991
Crossing Cultures in Dance
Feature
Stephanie Britton

Looks at the dance practice of the Bharatam Dance Company from Melbourne and at that stage in its 5th year of operation. Photos of the dancers in production included.

Published June 1991
Community Arts in Fairfield and Cabramatta
Feature
Meg Simpson

The Fairfield Community Arts Network is a community - based organisation which aims to develop cultural awareness in Fairfield with particular emphasis on the multicultural nature of the area.

Published June 1991
The Odyssey of Salvatore Zofrea
Feature
Joseph Eisenberg

Zofrea wrote "I want my work to sing forever."

Published June 1991
Art and Racism: Inter-National Issues
Feature
Alison Carroll

The way that I want to convey that meaning [racism] here is to use a small number of relatively random examples of current art/race = art/power debates from around the world. They give a flavour of the issues. They have obvious relevance to Australia's relationship to the rest of the world, as well as to relationships within Australia.

Published June 1991
Accelerate
Feature
Sam Schoenbaum

"I used to boast about you, my son the painter. You painted trees, now you paint squares to humiliate me." Quote by the artist's father in the early 1970s Melbourne.

Published June 1991
 
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