Elizabeth Gertsakis

Cover of Elizabeth Gertsakis
1.126
James Turrell: Night life in Brisbane
Artist Profile
Diana Young

Published 01 March 2019
1.012
Jacky Redgate's patch of yellow (and blue)
Artist Profile
Shaune Lakin

Published 01 March 2019
1.132
Jane Skeer: True blue
Artist Profile
Serena Wong and Eve Sullivan

Published 01 March 2019
NAVA
1.126
Gerry Wedd: My blue and white china
Artist Profile
Gerry Wedd

Published 01 March 2019
1.126
Vincent Namatjira: Colourful optimism
Artist Profile
Wes Hill

Published 01 March 2019
1.13
Fragmentation and complexity in Crossings by Wei Leng Tay
Artist Profile
Roger Nelson

Published 01 September 2018
Adelaide Festival Centre
1.126
Ryoji Ikeda: The aesthetics of data flow
Artist Profile
Daniel Palmer

Published 01 September 2018
1.12
Juilee Pryor: The Army of Unrequited Dreams
Artist Profile
Ann Finegan

Published 01 September 2018

Illustration of her current art practice. Includes images of her work 'The Boys in the Band' from 1989.

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More from this Issue Full Issue Contents

Backyard Culture
Feature
Gail Higginbottom

Questions of memory, history and identity in the work of Leandro Salomone.

Published June 1991
List of Resource Material for the Arts in Multicultural Australia
Feature
Helen Andreoni

A great starting point for more research in this area. List prepared by Dr Helen Andreoni, of the School of Aboriginal and Multicultural Studies, University of New England.

Published June 1991
'...The Divinity of Optimism', Le Thanh Nhon at Acacia Centre
Feature
May Lam

Le Thanh Nhon and the Acacia Indo-Chinese Children's Centre.

Published June 1991
Film Makers Davor Dirlic and Laszlo Dudas
Feature
Anna Epstein

Fortunately the artists are capable of overturning all the newly acceptable conceits about them, and they might deny most of the assumptions that multicultural academics make about them, whilst still giving a new window on our world, as indeed, all good art from anywhere will.

Published June 1991
Performing in Tongues
Feature
Paul Carter

...Underlying this linguistic fertility is a migrant intuition of the relativity of language, of the lightness and mutability of its phonology, inflections and syntax. Less portentously there is no migrant to this country who has not experienced those punning co-incidences, echoic repetitions, mutual misunderstandings and mishearings which are the basis of my scripts. It may be no accident that in 1992 Australian voices evoke first contact with the New World.

Published June 1991
A Very Personal View
Feature
Myk Mykyta

A very personal view. And finally there is a need for us to allow art and artists to develop from their own roots, regardless of their country or culture of origin.

Published June 1991
As Australian as AMPOL
Feature
Penny Webb

How much marketability is immanent in the artist's cultural background is a matter of delicate negotiation between dealer and client. Just now, it may appear to some artists an unfortunate fact that for them, Aboriginality is not an option.

Published June 1991
Archetypal Strategies
Review
Susan Sheridan

Exhibition Review: Josie Starrs, Margaret Worth, Fay Poole and Barbara Zerbini
Experimental Art Foundation
Adelaide South Australia
June 1990 and touring to regional galleries.

Published June 1991
Theatre Oneiron Crosses Cultural Bridges
Feature
Fotis Kapetopoulos

Theatro Oneiron (Theatre of Dreams) a Greek Australian performance ensemble established in Adelaide in the mid 1980s is the result of dedication and vision. Photo from production of 'The Courtyard of Miracles' 1991 included in the article.

Published June 1991
Zsuzsa Kollo
Artist Profile
Jane Deeth

Looks at the ceramic works of Zsuzsa Kollo which refer to Pre-historic, Eastern, and Christian works. includes b/w photo.

Published June 1991
Failsafe Opera
Review
Mary-Anne Haddad

Exhibition Review: Performance Installation by Andrew Petrusevics and Chris Gaston
Adelaide Univsersity Union Art Gallery
7 - 21 March 1991

Published June 1991
Desultory Remarks from a NESB Museologist
Feature
Amareswar Galla

It is evident we are trying to redress an imbalance in the cultural representation of our heritage and arts.

Published June 1991
 
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