Published 01 December 2019
Published 01 March 2019
Illustration of her current art practice. Includes images of her work 'The Boys in the Band' from 1989.
It is fair to say that the development of multicultural arts and the recognition of cultural diversity in Queensland is still in its early stages. Photos (6) of an event at the Cafe Folkloric.
Published June 1991
Exhibition Review: Paula Hart, Paul O'Connor, Sarah Toohey and friends Crafts Council Gallery
Perth Western Australia
February - March 1991
Exhibition Review: Josie Starrs, Margaret Worth, Fay Poole and Barbara Zerbini
Experimental Art Foundation
Adelaide South Australia
June 1990 and touring to regional galleries.
The alphabet was invented, so they say, in Lebanon. To some Lebanese, their country represents an un-broken link with the birth of human history. Non-Aboriginal Australians, by contrast, share stories of interrupted family ties, of exile and forgetting. How then do these Lebanese relate to life in Australia?
"I used to boast about you, my son the painter. You painted trees, now you paint squares to humiliate me." Quote by the artist's father in the early 1970s Melbourne.
The way that I want to convey that meaning [racism] here is to use a small number of relatively random examples of current art/race = art/power debates from around the world. They give a flavour of the issues. They have obvious relevance to Australia's relationship to the rest of the world, as well as to relationships within Australia.
Looks at the art practice of Fiona Foley (Thoorgine Country), Terry Ganadilla (Mewenbi Country) and Dale Yowingbala (Gamerdi Country), three aboriginal artists who worked together on an unusual project in Maningrida during 1991.
Exhibition Review: Tandanya Adelaide South Australia January - June 1991. Interviews with curators Kerry Giles Kurwingie and John Kean. Images of inma at Ernabella included in the article.
Looks at the art practice of four artists in Western Australia - Patrizia Tonello, Alex Spremberg, Cathy Cinanni and Karl Wiebke. Illustrations of their independent works included.
Looks at the art practice of Ginger Riley Munduwalawala, born in 1937 at Ngukurr in the Northern Territory. Good colour photos of the artist and some works.
Colonial Ghettoes: the possibilities and limitations of new identity as vision.
It is evident we are trying to redress an imbalance in the cultural representation of our heritage and arts.