Julia Ciccarone

Cover of Julia Ciccarone
1.126
James Turrell: Night life in Brisbane
Artist Profile
Diana Young

Published 01 March 2019
1.012
Jacky Redgate's patch of yellow (and blue)
Artist Profile
Shaune Lakin

Published 01 March 2019
1.132
Jane Skeer: True blue
Artist Profile
Serena Wong and Eve Sullivan

Published 01 March 2019
UTS
1.126
Gerry Wedd: My blue and white china
Artist Profile
Gerry Wedd

Published 01 March 2019
1.126
Vincent Namatjira: Colourful optimism
Artist Profile
Wes Hill

Published 01 March 2019
1.13
Fragmentation and complexity in Crossings by Wei Leng Tay
Artist Profile
Roger Nelson

Published 01 September 2018
Art Nocturne
1.126
Ryoji Ikeda: The aesthetics of data flow
Artist Profile
Daniel Palmer

Published 01 September 2018
1.12
Juilee Pryor: The Army of Unrequited Dreams
Artist Profile
Ann Finegan

Published 01 September 2018

The artist writes about her art practice, in particular her preoccupation with the Australian landscape and how people perceive it. Two images are included: 'Secret Self' and 'Blanket' both from 1990.

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More from this Issue Full Issue Contents

Unpacking My Cultural Bundle
Feature
Xiao-xiong Zhang

I migrated to Australia from China in March 1983 with nothing but 60 kg of books and manuscripts plus a big cultural bundle - all the things; the Classical Literature, the History and the Philosophy that I had been taught over the last 24 years....

Published June 1991
A New Multiculturalism-in-the-Arts Program for South Australia
Feature
Stephanie Britton

In December 1990 the South Australian Government announced a new 'Multiculturalism-in-the-Arts' Program to encourage major arts organisations in receipt of government funding to increase their activities for people from linguistic and culturally diverse backgrounds.

Published June 1991
Milan Milojevic
Feature
Milan Milojevic

The artist writes about his art practice. Good colour photographs.

Published June 1991
Multicultural Artworkers: Sacrificial Anodes?
Feature
Helen Andreoni

This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!

Published June 1991
Performing in Tongues
Feature
Paul Carter

...Underlying this linguistic fertility is a migrant intuition of the relativity of language, of the lightness and mutability of its phonology, inflections and syntax. Less portentously there is no migrant to this country who has not experienced those punning co-incidences, echoic repetitions, mutual misunderstandings and mishearings which are the basis of my scripts. It may be no accident that in 1992 Australian voices evoke first contact with the New World.

Published June 1991
How Clay Speaks for Neville Assad
Feature
Kevin Murray

The alphabet was invented, so they say, in Lebanon. To some Lebanese, their country represents an un-broken link with the birth of human history. Non-Aboriginal Australians, by contrast, share stories of interrupted family ties, of exile and forgetting. How then do these Lebanese relate to life in Australia?

Published June 1991
Interview with James Mollison
Feature
Meredith Smith

The Office of Multicultural Affairs talks for Artlink with James Mollison, Director of the National Gallery of Victoria March 1991.

Published June 1991
A Very Personal View
Feature
Myk Mykyta

A very personal view. And finally there is a need for us to allow art and artists to develop from their own roots, regardless of their country or culture of origin.

Published June 1991
Karin Lettau
Feature
Jane Deeth

Brief article looking at the art practice of Karin Lettau. Good colour photographs of the work.

Published June 1991
Multicultural, Aboriginal or Just Plain Australian
Feature
James Jupp

A great deal of agonising has gone on since the 1988 Bicentenary about the nature of Australian identity and therefore the nature of our distinctive culture.

Published June 1991
List of Resource Material for the Arts in Multicultural Australia
Feature
Helen Andreoni

A great starting point for more research in this area. List prepared by Dr Helen Andreoni, of the School of Aboriginal and Multicultural Studies, University of New England.

Published June 1991
Alike/Unalike: Cultural Diversity in Australian Independent Film
Feature
Bill Mousoulis

Cultural diversity is crucial. Film makers may be unlike (in terms of cultural background) but they are also alike (in terms of their value.) In the area of independent film, there are a number of films which deal with multicultural themes and/or give non Anglo film-makers the opportunity to express themselves. One hopes that mainstream film can take up on this lead, because, from all apparent evidence, it remains sorely imbalanced.

Published June 1991
 
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