Julia Ciccarone

Cover of Julia Ciccarone
1.126
James Turrell: Night life in Brisbane
Artist Profile
Diana Young

Published 01 March 2019
1.012
Jacky Redgate's patch of yellow (and blue)
Artist Profile
Shaune Lakin

Published 01 March 2019
1.132
Jane Skeer: True blue
Artist Profile
Serena Wong and Eve Sullivan

Published 01 March 2019
PICA
1.126
Gerry Wedd: My blue and white china
Artist Profile
Gerry Wedd

Published 01 March 2019
1.126
Vincent Namatjira: Colourful optimism
Artist Profile
Wes Hill

Published 01 March 2019
1.13
Fragmentation and complexity in Crossings by Wei Leng Tay
Artist Profile
Roger Nelson

Published 01 September 2018
ACE Open
1.126
Ryoji Ikeda: The aesthetics of data flow
Artist Profile
Daniel Palmer

Published 01 September 2018
1.12
Juilee Pryor: The Army of Unrequited Dreams
Artist Profile
Ann Finegan

Published 01 September 2018

The artist writes about her art practice, in particular her preoccupation with the Australian landscape and how people perceive it. Two images are included: 'Secret Self' and 'Blanket' both from 1990.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Desultory Remarks from a NESB Museologist
Feature
Amareswar Galla

It is evident we are trying to redress an imbalance in the cultural representation of our heritage and arts.

Published June 1991
The Plan
Feature
Stephanie Britton

Looks at the 'National Agenda for a Multicultural Australia' launched by the Prime Minister in 1989 which included provision for the development of a plan for collecting institutions such as museums, art museums, libraries and archives to reflect Australia's cultural diversity in their activities and practices.

Published June 1991
Multicultural Artworkers: Sacrificial Anodes?
Feature
Helen Andreoni

This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!

Published June 1991
Australian Contemporary Design in Jewish Ceremony
Feature
Helen Light

Ritual and ceremony enrich all aspects of Jewish life, its life cycle events and daily life. Jews give constant thanks for God's munificence - for the first fruits of the season, for the food on the daily table, for new clothing donned. Everything is inbued with significance and for all events there are rituals.

Published June 1991
Are You Being Served? An Open Invitation from MAC
Feature
Charlie Schiavone

Multicultural Artworker's Committee [MAC] aims to provide all citizens with equal opportunity to access and promote art in its various forms.

Published June 1991
Cultural Iconographies
Feature
Stephanie Britton

Cultural Iconographies is an exhibition of work by migrant and refugee artists who have been in Australia for a relatively short time. To take place in the Bondi Pavilion, Sydney during Carnivale October 1991.

Published June 1991
Setting an Agenda for the Arts in Tasmania
Review
Sandi Young

Review: State Arts Conference
Tasmanian Arts Industry Council
April 1991
Photographs of delegates to the conference included.

Published June 1991
Art and Racism: Inter-National Issues
Feature
Alison Carroll

The way that I want to convey that meaning [racism] here is to use a small number of relatively random examples of current art/race = art/power debates from around the world. They give a flavour of the issues. They have obvious relevance to Australia's relationship to the rest of the world, as well as to relationships within Australia.

Published June 1991
Collaborative Impressions
Feature
Nola Routoulas

Exhibition review: Works by Nola Routoulas, Helen Karpathakis, Nora Mantzioris and Alexandra Akritidis.
Artzone Gallery, Adelaide South Australia April 1991

Published June 1991
Festival of Perth Visual Arts Conference
Review
Maggie Baxter

Exhibition Review
The Emperor's New Clothes
March 1-3 1991

Published June 1991
As Australian as AMPOL
Feature
Penny Webb

How much marketability is immanent in the artist's cultural background is a matter of delicate negotiation between dealer and client. Just now, it may appear to some artists an unfortunate fact that for them, Aboriginality is not an option.

Published June 1991
National Multicultural Arts Network
Feature
Eugenia Hill

The Network links NESB, ethnic and arts organisations, sets up cross cultural and other training programs for artists, arts organisations and the media and lobbies governments and other funding bodies to reassess their policies and practices.

Published June 1991
 
Riddoch
NAVA
UTS2
Artlink Subs Promo
Artlink Promo