Julia Ciccarone

Cover of Julia Ciccarone
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Sovereign Acts: In the wake
Artist Profile
Ali Gumillya Baker, Faye Rosas Blanch, Natalie Harkin and Simone Ulalka Tur with Uncle Lewis Yarluburka O’Brien (The Unbound Collective)

Published 01 June 2020
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A conversation with Perisak Juuso
Artist Profile
Irene Snarby

Published 01 June 2020
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Jack Anselmi and Cynthia Hardie: Midden
Artist Profile
Belinda Briggs

Published 01 June 2020
PICA
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qšiqšimuʔ, many stars, many olivella
Artist Profile
Sarah Biscarra Dilley

Published 01 June 2020
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Jeremy Dutcher: Wolastoqiyik futurities
Artist Profile
rudi aker

Published 01 June 2020
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Punāʻoa Resources
Artist Profile
Léuli Eshraghi

Published 01 June 2020
Guildhouse
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Brendan Kennedy: Dindi Thangi Wudungi
Artist Profile
Brendan Kennedy

Published 01 June 2020
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Yuki Kihara: New guises
Artist Profile
Ioana Gordon-Smith

Published 01 June 2020

The artist writes about her art practice, in particular her preoccupation with the Australian landscape and how people perceive it. Two images are included: 'Secret Self' and 'Blanket' both from 1990.

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Film Makers Davor Dirlic and Laszlo Dudas
Feature
Anna Epstein

Fortunately the artists are capable of overturning all the newly acceptable conceits about them, and they might deny most of the assumptions that multicultural academics make about them, whilst still giving a new window on our world, as indeed, all good art from anywhere will.

Published June 1991
Luk Luk Gen!
Review
Barry Craig

Exhibition Review: Tandanya National Aboriginal Cultural Institute Adelaide South Australia
November 1990 - June 1991

Published June 1991
Bring Your Own and After...Migrant Publishing
Feature
Andras Dezsery

It is the responsibility of Australian Collections to preserve this material - correspondence and manuscripts as well as printed texts - in many languages, not as exotic flowers of 'accented' literature, but as integral parts of the history and literature of multicultural Australia.

Published June 1991
Reflecting the Mix - Insights: Visual Resource Guide to Film and Video
Feature
Patricia Kelly

If mainstream television is not our main source of accurate images, how do people gain access to programs which reflect our society in realistic and creative ways?

Published June 1991
Zsuzsa Kollo
Artist Profile
Jane Deeth

Looks at the ceramic works of Zsuzsa Kollo which refer to Pre-historic, Eastern, and Christian works. includes b/w photo.

Published June 1991
Mirror in Mirror
Feature
Xiaolin Xue

Standing between the mirrors of East and West, my art always gets an inverted image and a double interpretation. This is me.....

Published June 1991
Understanding/Misunderstanding
Feature
Jenny Zimmer

A reference to Wittgenstein's Zettel.

Published June 1991
Visions in the South Pacific: The Immigrant Artist: A Twice Told Tale
Feature
Elizabeth Gertsakis

Colonial Ghettoes: the possibilities and limitations of new identity as vision.

Published June 1991
Multicultural Artworkers: Sacrificial Anodes?
Feature
Helen Andreoni

This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!

Published June 1991
Observations of a Chinese Painter
Feature
Tang Qizhong

Tang Qizhong is a painter and Fine Arts educator from China. He writes about his art practice and the relationship between art practices and institutions in China and Australia.

Published June 1991
Sprirituality Aboriginality
Feature
Sylvia Kleinert

An exhibition of contemporary Aboriginal art 'Aboriginal Art and Spirituality' opened at the High Court of Australia in 1991. The exhibition to tour after its opening in Canberra.....All of the works in the exhibition speak quite overtly about the highly problematic intervention of the missions, the politics of racism and the way in which Aboriginal spirituality will always remain linked to the land.

Published June 1991
Multicultural Arts: Development and Change in Brisbane
Feature
Christopher Bowen

It is fair to say that the development of multicultural arts and the recognition of cultural diversity in Queensland is still in its early stages. Photos (6) of an event at the Cafe Folkloric.

Published June 1991
 
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