Published 01 March 2018
The artist writes about his art practice. Good colour photographs.
Standing between the mirrors of East and West, my art always gets an inverted image and a double interpretation. This is me.....
Published June 1991
Exhibition Review: Tandanya National Aboriginal Cultural Institute Adelaide South Australia
November 1990 - June 1991
Making a TV documentary about indigenous people's television in Australia. Photographs on location at Ernabella in the Pitjantjatjara lands of far north west South Australia.
An exhibition of contemporary Aboriginal art 'Aboriginal Art and Spirituality' opened at the High Court of Australia in 1991. The exhibition to tour after its opening in Canberra.....All of the works in the exhibition speak quite overtly about the highly problematic intervention of the missions, the politics of racism and the way in which Aboriginal spirituality will always remain linked to the land.
The Fairfield Community Arts Network is a community - based organisation which aims to develop cultural awareness in Fairfield with particular emphasis on the multicultural nature of the area.
Exhibition Review: Paula Hart, Paul O'Connor, Sarah Toohey and friends Crafts Council Gallery
Perth Western Australia
February - March 1991
A great deal of agonising has gone on since the 1988 Bicentenary about the nature of Australian identity and therefore the nature of our distinctive culture.
Review: State Arts Conference
Tasmanian Arts Industry Council
Photographs of delegates to the conference included.
Theatro Oneiron (Theatre of Dreams) a Greek Australian performance ensemble established in Adelaide in the mid 1980s is the result of dedication and vision. Photo from production of 'The Courtyard of Miracles' 1991 included in the article.
Questions of memory, history and identity in the work of Leandro Salomone.
Discussion of the artist's practice as an artist from Croatia in Melbourne since 1971 - how is it affected by linguistic and ethnic differences.
Tang Qizhong is a painter and Fine Arts educator from China. He writes about his art practice and the relationship between art practices and institutions in China and Australia.