Karin Lettau

Cover of Karin Lettau
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The five phases of Aboriginal art in Australia
Feature
Djon Mundine

 

Published 01 September 2005
0.786
palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
0.786
Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
Artlink Subs Promo
0.786
Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
MGNSW
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

Brief article looking at the art practice of Karin Lettau. Good colour photographs of the work.

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More from this Issue Full Issue Contents

Realising Our Land of Promise
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Sergios Proios

Looks at a number of community arts residencies undertaken in South Australia and the art practices of Andrew Hill and Eugenia Hill.

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Discussion of the artist's practice as an artist from Croatia in Melbourne since 1971 - how is it affected by linguistic and ethnic differences.

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Survey of five Malaysian artists living and working in Melbourne Australia. Great colour photos of their works.

Published June 1991
Mirror in Mirror
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Standing between the mirrors of East and West, my art always gets an inverted image and a double interpretation. This is me.....

Published June 1991
Community Arts in Fairfield and Cabramatta
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The Fairfield Community Arts Network is a community - based organisation which aims to develop cultural awareness in Fairfield with particular emphasis on the multicultural nature of the area.

Published June 1991
A Matter of Representation
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Monica Pellizarri

Since the birth of Australian television, non-anglo Australians have suffered from an acute case of foreign accent syndrome. Unfortunately 35 years on they are still suffering, not only from bad accents usually spoken by Anglo actors playing NESBs, but from the dearth of authentic storylines and subsequently the lack of accurate representation of NESBs on our TV and screens.

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SBS TV Arts
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With the exception of some programming on SBS and the ABC, artists receive very little exposure on television. The limitations of television, the need to maintain a wide audience reach, the difficult question of what is 'good art' in a televisual sense, all may help to explain the absence of living artists from this, the most powerful of all media.

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Other Peoples' Stories, Other Peoples' Voices
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Does anyone have their right to represent stories and cultural background not their own? Does anyone have the responsibility to do so? No, I don't think so.....

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A New Multiculturalism-in-the-Arts Program for South Australia
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Stephanie Britton

In December 1990 the South Australian Government announced a new 'Multiculturalism-in-the-Arts' Program to encourage major arts organisations in receipt of government funding to increase their activities for people from linguistic and culturally diverse backgrounds.

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Gunta Parups: A Latvian in Australia
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Looks at the art practice of Gunta Parups who was and remains a displaced person. The experience of leaving one's homeland as a refugee at the age of thirteen during the war is etched indelibly into her being.

Published June 1991
 
Darwin Aboriginal Art Fair
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NAVA
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