Desultory Remarks from a NESB Museologist

Cover of Desultory Remarks from a NESB Museologist
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
Churchie
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Art Nocturne
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

It is evident we are trying to redress an imbalance in the cultural representation of our heritage and arts.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Julia Ciccarone
Artist Profile
Julia Ciccarone

The artist writes about her art practice, in particular her preoccupation with the Australian landscape and how people perceive it. Two images are included: 'Secret Self' and 'Blanket' both from 1990.

Published June 1991
Ginger Riley Munduwalawala: Working on a Heroic Scale
Feature
Anthony Knight

Looks at the art practice of Ginger Riley Munduwalawala, born in 1937 at Ngukurr in the Northern Territory. Good colour photos of the artist and some works.

Published June 1991
Ethnicity and Excellence in the Arts
Feature
Sneja Gunew

One of the leading debates in Cultural Studies around the world deals with the issues of cultural difference or ethnicity in relation to concepts of a national culture.

Published June 1991
Reflecting the Mix - Insights: Visual Resource Guide to Film and Video
Feature
Patricia Kelly

If mainstream television is not our main source of accurate images, how do people gain access to programs which reflect our society in realistic and creative ways?

Published June 1991
Beginning in the Middle
Feature
Evangelos Sakaris

Reflections on an exhibition of abstract art at Linden Gallery St Kilda, Melbourne March 1991. An emigrant artists once said to me "I can never abandon the figure and make purely abstract art, after all I am Greek".

Published June 1991
Observations of a Chinese Painter
Feature
Tang Qizhong

Tang Qizhong is a painter and Fine Arts educator from China. He writes about his art practice and the relationship between art practices and institutions in China and Australia.

Published June 1991
Setting an Agenda for the Arts in Tasmania
Review
Sandi Young

Review: State Arts Conference
Tasmanian Arts Industry Council
April 1991
Photographs of delegates to the conference included.

Published June 1991
Under the Southern Cross
Feature
Anita Aarons

Exhibition Review Under the Southern Cross (survey of Aboriginal Art) Noosa Regional Gallery December - January 1991

Published June 1991
Emoh Ruo: Homage to the Art of the Home
Review
Andra Kins

Exhibition Review: Paula Hart, Paul O'Connor, Sarah Toohey and friends Crafts Council Gallery
Perth Western Australia
February - March 1991

Published June 1991
National Multicultural Arts Network
Feature
Eugenia Hill

The Network links NESB, ethnic and arts organisations, sets up cross cultural and other training programs for artists, arts organisations and the media and lobbies governments and other funding bodies to reassess their policies and practices.

Published June 1991
Multicultural Artworkers: Sacrificial Anodes?
Feature
Helen Andreoni

This is a new notion for me. I'm sure it is a term familiar to most readers. However, just in case, this is my version of what it means. To understand it you need to appreciate that there is an hierarchical order of metals determined by their 'nobility'. A sacrifical anode is less a noble metal which is used to attract impurities away from more noble metals that you do not wish to be eroded. Thus if you wish to avoid erosion in your copper boiler, you can put a sacrificial anode in the water which will attract the impurities in the water and keep them away from your noble boiler. The link between multicultural artworkers and sacrificial anodes is entirely my own!

Published June 1991
Realising Our Land of Promise
Feature
Sergios Proios

Looks at a number of community arts residencies undertaken in South Australia and the art practices of Andrew Hill and Eugenia Hill.

Published June 1991
 
Artlink Promo
Riddoch
ACE Open
UTS
Artlink Subs Promo