Published 01 June 2020
Interview with First Nations curators Kathleen Ash-Milby (Portland Art Museum), Maia Nuku (Metropolitan Museum of Art) and Nigel Borell (Auckland Art Gallery Toi o Tāmaki).
It is evident we are trying to redress an imbalance in the cultural representation of our heritage and arts.
Looks at a number of community arts residencies undertaken in South Australia and the art practices of Andrew Hill and Eugenia Hill.
Published June 1991
A multi media installation by Dennis Del Favero.
Does anyone have their right to represent stories and cultural background not their own? Does anyone have the responsibility to do so? No, I don't think so.....
Exhibition Review: Performance Installation by Andrew Petrusevics and Chris Gaston
Adelaide Univsersity Union Art Gallery
7 - 21 March 1991
Looks at the ceramic works of Zsuzsa Kollo which refer to Pre-historic, Eastern, and Christian works. includes b/w photo.
Fortunately the artists are capable of overturning all the newly acceptable conceits about them, and they might deny most of the assumptions that multicultural academics make about them, whilst still giving a new window on our world, as indeed, all good art from anywhere will.
Illustration of her current art practice. Includes images of her work 'The Boys in the Band' from 1989.
Looks at the art practice of Januzs Kozak, a painter who was born in Poland and who now works and lives in Wollongong.
The ceramic work of Silvia Stansfield draws on the cultural legacy of South America. Discussion of the work of this artist with good colour photographs.
Looks at the art practice of Fiona Foley (Thoorgine Country), Terry Ganadilla (Mewenbi Country) and Dale Yowingbala (Gamerdi Country), three aboriginal artists who worked together on an unusual project in Maningrida during 1991.
Ritual and ceremony enrich all aspects of Jewish life, its life cycle events and daily life. Jews give constant thanks for God's munificence - for the first fruits of the season, for the food on the daily table, for new clothing donned. Everything is inbued with significance and for all events there are rituals.
The artist writes about her art practice, in particular her preoccupation with the Australian landscape and how people perceive it. Two images are included: 'Secret Self' and 'Blanket' both from 1990.