Interview with James Mollison

Cover of Interview with James Mollison
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Crown Resorts
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

The Office of Multicultural Affairs talks for Artlink with James Mollison, Director of the National Gallery of Victoria March 1991.

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More from this Issue Full Issue Contents

Multicultural, Aboriginal or Just Plain Australian
Feature
James Jupp

A great deal of agonising has gone on since the 1988 Bicentenary about the nature of Australian identity and therefore the nature of our distinctive culture.

Published June 1991
Backyard Culture
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Gail Higginbottom

Questions of memory, history and identity in the work of Leandro Salomone.

Published June 1991
Some Cultural Baggage on the Australian Literary Scene
Feature
Lolo Houbein

Above all we need new myths to suit the new Australian culture which is part of the Asia Pacific region. We can't live by Aboriginal myths alone, as some have suggested, in a land so changed by our coming. The unpacking of cultural baggage by writers of all cultural groups, old and new, has to continue until it gives rise to a myth which we all recognise as fitting the Australia to which we have contributed. Wrote David Malouf.

Published June 1991
Collaborative Impressions
Feature
Nola Routoulas

Exhibition review: Works by Nola Routoulas, Helen Karpathakis, Nora Mantzioris and Alexandra Akritidis.
Artzone Gallery, Adelaide South Australia April 1991

Published June 1991
Festival of Perth Exhibitions
Review
Melissa Harpley

Ehibition Review: Galerie Dusseldorf
Douglas Chambers and The Glick International Collection
Held February - March 1991

Published June 1991
Multicultural Arts: Development and Change in Brisbane
Feature
Christopher Bowen

It is fair to say that the development of multicultural arts and the recognition of cultural diversity in Queensland is still in its early stages. Photos (6) of an event at the Cafe Folkloric.

Published June 1991
'...The Divinity of Optimism', Le Thanh Nhon at Acacia Centre
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May Lam

Le Thanh Nhon and the Acacia Indo-Chinese Children's Centre.

Published June 1991
A New Multiculturalism-in-the-Arts Program for South Australia
Feature
Stephanie Britton

In December 1990 the South Australian Government announced a new 'Multiculturalism-in-the-Arts' Program to encourage major arts organisations in receipt of government funding to increase their activities for people from linguistic and culturally diverse backgrounds.

Published June 1991
SBS TV Arts
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Geoffrey Dann

With the exception of some programming on SBS and the ABC, artists receive very little exposure on television. The limitations of television, the need to maintain a wide audience reach, the difficult question of what is 'good art' in a televisual sense, all may help to explain the absence of living artists from this, the most powerful of all media.

Published June 1991
Milan Milojevic
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Milan Milojevic

The artist writes about his art practice. Good colour photographs.

Published June 1991
Desultory Remarks from a NESB Museologist
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Amareswar Galla

It is evident we are trying to redress an imbalance in the cultural representation of our heritage and arts.

Published June 1991
Art and Racism: Inter-National Issues
Feature
Alison Carroll

The way that I want to convey that meaning [racism] here is to use a small number of relatively random examples of current art/race = art/power debates from around the world. They give a flavour of the issues. They have obvious relevance to Australia's relationship to the rest of the world, as well as to relationships within Australia.

Published June 1991
 
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