Interview with James Mollison

Cover of Interview with James Mollison
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Braddon Snape: Internal pressures
Feature
Faye Neilson

Published 01 December 2020
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Looking on, listening in: Wendelien van Oldenborgh's Bete & Deise
Feature
John Mateer

Published 01 December 2020
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Butcher Joe's multiple world Stephen Muecke
Feature
Stephen Muecke

Published 01 December 2020
UTS
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Archie Barry: Entangled listening
Feature
Jacqui Shelton

Published 01 December 2020
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Meg Porteous: Dissociative bodies
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Amy Weng

Published 01 December 2020
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Adam Cullen: Acute misanthropy
Feature
Wes Hill

Published 01 December 2020
PICA
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James Newitt: Working with the trouble
Feature
Sasha Grbich

Published 01 December 2020
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Hayley Millar-Baker: I will survive
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Claire G. Coleman

Published 01 December 2020

The Office of Multicultural Affairs talks for Artlink with James Mollison, Director of the National Gallery of Victoria March 1991.

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More from this Issue Full Issue Contents

Are You Being Served? An Open Invitation from MAC
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Charlie Schiavone

Multicultural Artworker's Committee [MAC] aims to provide all citizens with equal opportunity to access and promote art in its various forms.

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Other Peoples' Stories, Other Peoples' Voices
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Does anyone have their right to represent stories and cultural background not their own? Does anyone have the responsibility to do so? No, I don't think so.....

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Festival of Perth Exhibitions
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Ehibition Review: Galerie Dusseldorf
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Held February - March 1991

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New Artist's Group: Dihedron
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Anthony Gall

The tendency to pigeon hole 'ethnic' art as a second class art practised by minority groups is common in Australia too... Dihedron is a group of artists and supporters operating in Brisbane who share the common goal of helping artists in socio-cultural isolation.

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Australian Contemporary Design in Jewish Ceremony
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Helen Light

Ritual and ceremony enrich all aspects of Jewish life, its life cycle events and daily life. Jews give constant thanks for God's munificence - for the first fruits of the season, for the food on the daily table, for new clothing donned. Everything is inbued with significance and for all events there are rituals.

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Under the Southern Cross
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Anita Aarons

Exhibition Review Under the Southern Cross (survey of Aboriginal Art) Noosa Regional Gallery December - January 1991

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A Very Personal View
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Myk Mykyta

A very personal view. And finally there is a need for us to allow art and artists to develop from their own roots, regardless of their country or culture of origin.

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Theatre Oneiron Crosses Cultural Bridges
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Fotis Kapetopoulos

Theatro Oneiron (Theatre of Dreams) a Greek Australian performance ensemble established in Adelaide in the mid 1980s is the result of dedication and vision. Photo from production of 'The Courtyard of Miracles' 1991 included in the article.

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Multicultural, Aboriginal or Just Plain Australian
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James Jupp

A great deal of agonising has gone on since the 1988 Bicentenary about the nature of Australian identity and therefore the nature of our distinctive culture.

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Bring Your Own and After...Migrant Publishing
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It is the responsibility of Australian Collections to preserve this material - correspondence and manuscripts as well as printed texts - in many languages, not as exotic flowers of 'accented' literature, but as integral parts of the history and literature of multicultural Australia.

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Janusz Kozak
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Looks at the art practice of Januzs Kozak, a painter who was born in Poland and who now works and lives in Wollongong.

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Visions in the South Pacific: The Immigrant Artist: A Twice Told Tale
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Colonial Ghettoes: the possibilities and limitations of new identity as vision.

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