Various venues, Mparntwe / Alice Springs
Published 17 August 2022
Perth Institute of Contemporary Arts
Published 13 July 2022
Kassel, Germany
Published 11 July 2022
Australian Pavilion, 59th La Biennale di Venezia
Published 15 June 2022
National Gallery of Victoria
Published 30 May 2022
Art Gallery of Western Australia
Published 04 May 2022
Adelaide Railway Station
Monash University Museum of Art
Published 30 March 2022
Uncontainable Istanbul 14 - 21 September 2011
Published December 2011
Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.
Tate Modern, London 25 May 2011 - 2 January 2012 It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.
In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.
Published 01 December 2011
In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink. Shaw talks about the way she uses colour, her techniques and goals from garnering attention to depicting an ambivalent relationship to the natural world.
Kirsten Farrell muses on colourphobia through her life, her Phd and her reading of the book Colourphobia (2000) by David Batchelor
Bendigo Art Gallery 1 August - 6 November 2011
Artist and curator Una Rey writes about the exhibition 'Speaking in colour' that she curated for the Newcastle Gallery from their collection in March-May 2011. Her experience of working with Indigenous artists in Central Australia coloured her choices and her interpretations of them.
The inaugural Watermark Literary Fellow Carolyn Leach-Paholski describes the black and white photograms of Susan Purdy which were made in the course of a long wet winter.
Antrepo 3 & 5, Meclis-i Mebusan Caddesi, Liman Ísletmeleri Sahas?, Tophane Curators: Adriano Pedrosa, Jens Hoffmann 17 September - 13 November 2011
