Published 01 September 2018
Coby Edgar interviews Warren Roberts, CEO of YARN Australia
Published June 2018
Published 01 June 2018
Museum of Brisbane 12 August - 20 November 2011
The inaugural Watermark Literary Fellow Carolyn Leach-Paholski describes the black and white photograms of Susan Purdy which were made in the course of a long wet winter.
Published December 2011
Museum of Contemporary Art at the National Art School Gallery, Sydney 17 June - 24 August 2011
Monash University Museum of Art
This year marks the 41st anniversary of the development of ARIs in Australia, and as both a celebration of and an indication of how far national and international ARIs have come, a four-day symposium organised by NAVA and Firstdraft was held in Sydney in September 2011.
Geelong Art Gallery 15 July - 9 September 2011
Antrepo 3 & 5, Meclis-i Mebusan Caddesi, Liman Ísletmeleri Sahas?, Tophane Curators: Adriano Pedrosa, Jens Hoffmann 17 September - 13 November 2011
Alice Springs-based writer Kieran Finnane describes the caterpillar dreaming in the Alice Springs area. She draws attention to changing attitudes over the years towards traditional custodians and the places they care for.
New Zealand-based Sara Hughes considers colour has been degraded throughout Western history. She uses coloured vinyl applied to architecture to "articulate social meaning".
In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink. Shaw talks about the way she uses colour, her techniques and goals from garnering attention to depicting an ambivalent relationship to the natural world.
Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.
Artist and curator Una Rey writes about the exhibition 'Speaking in colour' that she curated for the Newcastle Gallery from their collection in March-May 2011. Her experience of working with Indigenous artists in Central Australia coloured her choices and her interpretations of them.
