Published 01 September 2018
Coby Edgar interviews Warren Roberts, CEO of YARN Australia
Published June 2018
Published 01 June 2018
MOP Projects, Sydney 3 December - 19 December 2010
Curator Susan Gibb interviews Tasmanian artist James Newitt whose 2006 video Altered State involves three Hobart residents, Alfred from Sierra Leone, Aurelia from Sudan and Fabio from Zimbabwe.
Published March 2011
20 November 2010 – 13 February 2011 Araluen Arts Centre, Alice Springs, NT
Curator, artist and doctoral candidate Lisa Harms writes about two artists, Nasim Nasir and Siamak Fallah, both originally from Iran who now live and work in Adelaide and make work that references their homeland.
Freelance writer and doctoral candidate Farid Farid analyses the installations and videos of deep thinker Khaled Sabsabi which use sound and collaboration as a significant part of their presence.
Poet, novelist and broadcaster Cath Kenneally examines the recent work of Stephanie Radok which involves weeds painted on beer coasters and finds tenacity, diversity and survival-skills in it.
Heathcote Museum and Art Gallery, Perth 21 January - 27 February 2011
London-based curator and postgraduate researcher Tania Doropolous discusses 10,000 Lives: the Eighth Gwangju Biennale as well as the curatorial summer school that accompanied it.
This text is my earnest response to the question posed to me: how do artists approach cultural diversity in relation to their work or arts practice?
Curator: Vivien Gaston National Gallery of Victoria
Next Wave Artistic Director Emily Sexton and Next Wave Artistic Program manager Ulanda Blair discuss the waves of Invisible Structures a project curated by Next Wave and supported by Asialink in which Australian artist collectives do exchanges with collectives in Tokyo, Singapore and Yogyakarta.
Director of 4A Centre for Contemporary Asian Art in Sydney Aaron Seeto attends to the artwork of Sumugan Sivanesan, Sangeeta Sandrasegar, Guan Wei and Kaleb Sabsabi to raise questions of experiences of cultural difference and the way they are inadequately critically interrogated in contemporary art practice.
GoMA/QAG, Brisbane 18 December 2010 – 26 April 2011
