Places and contexts in two Singapore Biennales: curating courtrooms, containers and camps

Curator of the 2008 Adelaide Biennale Felicity Fenner discriminates between site-specific and site-responsive art practices in an analysis of the last two Singapore Biennales. She suggests that responding to the site may be the best way for a biennale to become more than an expo.

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Hello Tokyo! Good to see you again

Artspace curator Reuben Keehan reflects on the Australia-Japan Visual Art Forum convened by Asialink in June 2008 as the Biennale of Sydney opened. The thirty delegates concluded the stimulating forum with recommendations about ongoing collaborations between curators using a variety of models, as well as the new ideas to be pursued of audience-in-residence programs and an Asian version of Manifesta.

Reuben Keehan

It's time: Emily Floyd

Its Time : Emily Floyd Australian Print Workshop Gallery, Fitzroy, Melbourne 23 August - 18 October 2008

Anna Zagala

Emerging, educating and unruly: Vivonne Thwaites

Hahndorf Academy Curator Melinda Rankin reflects on the recent work of legendary freelance curator Vivonne Thwaites who introduced Rankin to the deep levels of research, the surprises, the risks and the sheer hard work of being a curator.

Melinda Rankin

I've looked at love from both sides now: reflections on freelance / independent / guest curating

Juliette Peers, art historian and lecturer at RMIT, surveyed a number of freelance curators to find out how they work and why they embrace this insecure, interstitial existence. Hannah Mathews, Elizabeth Gertzakis, Vivonne Thwaites and Anne Kirker are among the freelance curators to whom she spoke.

Juliette Peers

Right now I am unravelling: notes on the 2008 Next Wave Festival

A lively coverage of the exciting 2008 Next Wave Festival directed by Jeff Khan. Next Wave began 24 years ago and in 2008 presented the work of around 400 artist over 61 projects.

Simon Gregg

Ornament: Anne MacDonald

Ornament : Anne MacDonald Carnegie Gallery, Hobart 19 September 26 October 2008

Briony Downes

Warburtonta-latju Warntu Palyaranytja (We are doing Warntu work in Warburton)

Warburtonta-latju Warntu Palyaranytja (We are doing Warntu work in Warburton) Holmes à Court Gallery 1 August 14 September 2008

Holly Story

Manray Hsu taking a political position

Prominent Australian curator Victoria Lynn interviewed Berlin and Taipei-based independent curator Manray Hsu about his notions of decentralised cosmopolitanism and Archipuncture (a sort of acupunture that artists do to cities)..

Victoria Lynn

Back from the brink: culture in Timor-Leste

The Museum and Art Gallery of the Northern Territory (MAGNT)'s Curator of Southeast Asian Art and Material Culture Joanna Barrkman curated Husi Bei Ala Timor Sira Nia Liman /From the Hands of Our Ancestors which is on at MAGNT in Darwin from 21 November 2008 to 12 July 2009. The show celebrates the survival of Timor-Leste's cultural inheritance and asks whether traditional art forms and techniques have a role to play in the formation and assertion of Timor-Leste's national and cultural identity.

Joanna Barrkman

Fremantle Print Award 2008

Fremantle Print Award 2008 Fremantle Arts Centre 23 August - 5 October 2008

Mariyon Slany

25th National and Torres Strait Islander Art Award (NATSIAA)

25th National and Torres Strait Islander Art Award (NATSIAA) Museum and Art Gallery of the Northern Territory (MAGNT) 15 August 26 October 2008

Sarah Scott

To curate or not to curate, 2008 in Europe: urban BB5 and post-industrial Manifesta 7

London-based Macedonian artist and writer Nadja Prlja compares the urban and modern 5th Berlin Biennial BB5: When Things Cast No Shadow (5 April - 15 June 2008) with Manifesta 7 (19 July - 2 November 2008) which occupied the whole arae of Trentoni in Italy. Prlja pays particular attention to the differences in the ways the projects were curated.

Nada Prlja

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