Emerging, educating and unruly: Vivonne Thwaites

Hahndorf Academy Curator Melinda Rankin reflects on the recent work of legendary freelance curator Vivonne Thwaites who introduced Rankin to the deep levels of research, the surprises, the risks and the sheer hard work of being a curator.

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Exit music: a lake and a stand of trees: George Popperwell

exit music: a lake and a stand of trees: George Popperwell Contemporary Art Centre of South Australia (CACSA) 25 July 7 September 2008

Lisa Harms

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Curating paths, musical chairs

Outgoing Director of the Experimental Art Foundation Melentie Pandilovksi spills the beans on the current state of play internationally in terms of powerful independent curators moving into important positions in museums. He puts forward the prevalence of a 'new institutionalism' seeking to redefine contemporary art institutions from within. The EAF is about to release a Futures paper on this topic.

Melentie Pandilovski

Throwing voices

Senior Curator at Christchurch Art Gallery Justin Paton reflects on curating the exhibition that he remembers most fondly and that speaks to him of the magic of curating - the show of wall paintings called Big Talk by US word- artist Kay Rosen in 2004 at the Dunedin Public Art Gallery.

Justin Paton

Places and contexts in two Singapore Biennales: curating courtrooms, containers and camps

Curator of the 2008 Adelaide Biennale Felicity Fenner discriminates between site-specific and site-responsive art practices in an analysis of the last two Singapore Biennales. She suggests that responding to the site may be the best way for a biennale to become more than an expo.

Felicity Fenner

Spatsville: Memoirs of a failed painter: Alasdair Macintyre

Splatsville: Memoirs of a Failed Painter: Alasdair Macintyre Ryan Renshaw, Brisbane 23 September - October 11 2008

Emma Lindsay

Hello Tokyo! Good to see you again

Artspace curator Reuben Keehan reflects on the Australia-Japan Visual Art Forum convened by Asialink in June 2008 as the Biennale of Sydney opened. The thirty delegates concluded the stimulating forum with recommendations about ongoing collaborations between curators using a variety of models, as well as the new ideas to be pursued of audience-in-residence programs and an Asian version of Manifesta.

Reuben Keehan

Right now I am unravelling: notes on the 2008 Next Wave Festival

A lively coverage of the exciting 2008 Next Wave Festival directed by Jeff Khan. Next Wave began 24 years ago and in 2008 presented the work of around 400 artist over 61 projects.

Simon Gregg

Katherine Moline

Katherine Moline Yuill / Crowley, Sydney 10 July 2 August 2008

Sarah Hetherington

Curatorial Asia a twenty year perspective

As Director of Asialink Arts Alison Carroll has had twenty years of experience curating and facilitating the curation of exhibitions in or connected to Asia. Her analysis emphasises the complexity and cultural differences experienced by Asian curators in their home countries and looks forward to a more glocal future as they increase their international presence.

Alison Carroll

What would it mean to win? a film by Zanny Begg and Oliver Ressler

Gerald Raunig

Curating a psycho-geography Campbelltown Arts Centre and the genius of Lisa Havilah

Campbelltown Arts Centre's chief curator and director Lisa Havilah creates challenging and confronting exhibitions like For Matthew and Others (2006), News from Islands (2007) and Ai Weiwei: Under Construction (2008). She believes that: 'contemporary art centres that sit outside of the metropolitan centres provide the highest level of opportunity for the development and application of new forms of curatorial practice.'

Adam Jasper

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