Diorama of the City: Between Site & Space 13 September - 13 October 2008 Tokyo Wonder Site Artists: Alex Gawronski, Gail Priest, Tim Silver, Hiraku Suzuki, exonemo, Paramodel
Juliette Peers, art historian and lecturer at RMIT, surveyed a number of freelance curators to find out how they work and why they embrace this insecure, interstitial existence. Hannah Mathews, Elizabeth Gertzakis, Vivonne Thwaites and Anne Kirker are among the freelance curators to whom she spoke.
A lively coverage of the exciting 2008 Next Wave Festival directed by Jeff Khan. Next Wave began 24 years ago and in 2008 presented the work of around 400 artist over 61 projects.
Curator of the 2008 Adelaide Biennale Felicity Fenner discriminates between site-specific and site-responsive art practices in an analysis of the last two Singapore Biennales. She suggests that responding to the site may be the best way for a biennale to become more than an expo.
Artspace curator Reuben Keehan reflects on the Australia-Japan Visual Art Forum convened by Asialink in June 2008 as the Biennale of Sydney opened. The thirty delegates concluded the stimulating forum with recommendations about ongoing collaborations between curators using a variety of models, as well as the new ideas to be pursued of audience-in-residence programs and an Asian version of Manifesta.
In September 2008 Dylan Rainforth went to both the 7th Shanghai Biennale (Translocalmotion) and the 3rd Guangzhou Triennial (Farewell to Post-Colonialism). While he found mixed messages in Shanghai which was curated by artistic director Zhang Qing assisted by Julian Heynen and Henk Slager, it was Guangzhou curated by Gao Shiming, Sarat Maharaj and Johnson Chang that hit the sweet spot with 'witty, people-powered ways forward.'
Artlink Executive Editor Stephanie Britton 'did' two major art fairs in our region, the first ever in Hong Kong - ART HK08 and the fifth Beijing one - CIGE (China International Gallery Exposition). She found them both fascinating and especially enjoyed the Mapping Asia and Alternative Energy sections of CIGE and the symposium organised by Asia Art Archive at HK08.
Marcus Westbury, former director of Noise, Next Wave, TINA (This Is Not Art) festivals, and writer and presenter of Not Quite Art on ABC TV, writes about the need for art to get away from reflecting too hard on gatekeepers and their requirements. He looks at the Biennale of Sydney at Cockatoo Island, the Next Wave's The Containers Village and the Melbourne Laneways projects as good examples of stepping outside the cube. He concludes that: 'Artists are best to invest their energy in finding their audiences and their communities.'