Published 01 December 2019
Published 01 March 2020
Published 01 January 2020
The Mildura Sculpture Triennials directed by Tom McCullough seemed the liveliest and most ennjoyable art events held anywhere in Australia...
Looks at three locations Grizedale Forest (UK) Yorkshire Sculpture Park (UK) Rijksmuseum Kroller-Muller of Otterlo (Netherlands) where one can experience sculpture within the landscape.
Published June 1993
Review of new series of critical monographs
Edited by Christopher Allen
Australian Artists Series
Oliver Freeman Editions 1992
Conference review Pacific Arts Association
5th International Symposium
University of South Australia
Aboriginal and Torres Strait and Pacific Islander Visual Arts Week - Tandanya Aboriginal Cultural Centre
12 -17 April 1993
Extensive examination of the women's ground painting created at Tandanya (National Aboriginal Cultural Centre) for the Adelaide Festival in 1990.
With commissions over the past year at Southgate, the Great Southern Stand at the Melbourne Cricket Ground, the Swanston Walk and others, Melbourne's image is undergoing change. Renowned for its Victorian buildings and innumerable memorial sculptures of kings, queens, politicians and military leaders, Melbourne is now seeing contemporary sculpture in unexpected places. (Ken Scarlett)
Tony Bond, artistic director of the recent Sydney Biennale suggests that since the staging of the first Biennale in 1973 sculpture and other three dimensional art have been actively promoted in Sydney.
...It was therefore inevitable that by 1975 Tom McCullough's Mildura Sculpturescape would attract an increasing number of artists doing installation, process, earth and other forms of art that emerged when sculpture, as it were, left the pedestal, moved around the room and went outside.
Written with Vincent Megaw Visual Arts Exhibitions and the Fifth Pacific Arts Association Symposium Great colour photos of works by indigenous Australians.
Re-evaluation of the current position of artworks from Papua New Guinea looking particularly at sculpture.
Exhibition Review Scratch Works
By Gerry Wedd
Jam Factory Centre of Art and Design
Exhibition review Possible Clouds: Bronwyn Platten and Cecelia Clarke Experimental Art Foundation
Adelaide South Australia
12 February - 14 March 1993
Book Review Craft in Society: An Anthology of Perspectives Noris Ioannou (ed.)
Fremantle Arts Centre Press, 1992
312 pp, RRP $24.95