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Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

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1 September 2000
Issue 20:3
Reflection: 20th Anniversary Issue
Opinion
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From the archive
Friends of the Art Gallery of South Australia: Planning or politics? Contemporary Art Society: Artist' pub wanted Protest for a representative press The Hostile Campus: Cannibalising Griffith University Art Museum
ANAT Sydney Contemporary Bendigo Art Gallery Perks

Letters to the Editor

Dear Hannah Fink,

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Vis.Arts.Online
Kim Machan
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Rosemary Laing: Gradience and Flight Research
Australian Centre for Photography 27 May - 25 June 2000 flight research Gitte Weise Gallery 25 May - 17 June 2000
Tanya Peterson
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Artlink - The Second Decade 1991-2000
Britton recaps on the decade that was and discusses some of the significant challenges she and her team at Artlink faced such as marketing, distributing, staffing, staying solvent and avoiding terminal burnout. Also looks at some of Artlinks major achievement over the past ten years.
Stephanie Britton
0.8
Place and Identity: Contemporary South Australian Ceramicists
University of SA Art Collection University of South Australia Art Museum 3 August - 9 September 2000
Vivonne Thwaites
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Taking the Pulse / Inserting the Probe
Stephanie Radok
1.71
Culture Without Limits: a reflection of art, politics, and shabby nationalism
In this article Kapetopoulos reflects on the watersheds which reinforce her attachment to multiculturalism. The watersheds are the works of certain artists involved with Multicultural Arts Victoria (MAV) and the rise of One Nation. The artists Kapetopoulos writes about are: Yumi Umiumare, Tina Yong and Sung Ping; Charito Saldana; Renato Cuocolo and his innovative theatre company IRAA; Emmanuel Santos and Sandor Matos.
Fotis Kapetopoulos
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Art for Social Change: Footsteps from the Past to the Future
We have arrived at a point where we are constantly experimenting with and experiencing a new understanding of diversity in Australia. Art discovers new directions through the development of strategies that enable it to penetrate and interpret the unknown other in a more profound way. This sets up the topical discussion for this article with references to exhibitions Boghcheh (Bundle), Defiling the Object, Embellishing the Family Photograph and The City which showed at the Gabriel Gallery in 2000. Featured artists include Karen Lunn, Mehmet Adil, Peter Bok, Alan Cruickshank, Helen Fuller, Catherine K, Pramod Kumar, Michelle Nikou, Deborah Paauwe, Bronwyn Platten, Hossein Valamanesh, Zita Weelius, Mei Wong, Anthony Figallo, Fassih Keiso, Samia Mikhail, Yatzek Szmuc and John Tsiavis.
Carmen Grostal
1.002
Australian Aboriginal Cultures Gallery
The new Australian Aboriginal Cultures Gallery, the spearhead of the new and improved South Australian Museum development program, set out to unlocked one of the great ethnographic collections of the world and give insight into one of the worlds oldest, most continuous living cultures. Some of the artefacts on display included totem poles from Elcho Island, headdresses from Central Australia, Darwin area and Mornington Island and wooden shields from across Australia.
David Kerr
1.09
Artrave
and Belinda Daw
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The 12th Biennale of Sydney 2000
AGNSW, MCA, Artspace and satellite venues 26 May - 30 July
Joanna Mendelssohn
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Artists in Focus - Iconography: Traditions and Influence
Holmes à Court Gallery East Perth 9 June - 16 July 2000
Robyn Taylor
1.024
Donald Brook's Art Theory
This text is a dedication to Donald Brooks literary contributions to Artlink magazine over the years. Different from his specifically theoretical writings on art, those featured in Artlink focus on temporal and local issues, and are often written in a wittily ironic style that leaves readers unsure whether they have understood his position.
Alan Lee
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Connecting contemporary art, ideas and people.

Artlink
Tarntanya / Adelaide
PO Box 182
FULLARTON SA 5063

Artlink acknowledges the law, customs and culture of Kaurna People, the traditional owners of Tarntanya / Adelaide, and extends this respect to all Indigenous peoples across Australia.

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