Published 01 March 2019
Published 01 December 2018
Bendigo Art Gallery
1 August - 6 November 2011
Published 01 December 2011
Personality psychologist at Macquarie University Doris McIlwain does yoga and throws pots. She writes about new media installation 'The Body is a Big Place' the recent work of Peta Clancy and Helen Pynor which deals with the complexities of organ donation.
Published December 2011
Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.
Curator: Jacqueline Strecker
Art Gallery of New South Wales
6 August - 6 November 2011
National Gallery of Victoria
25 November 2011 - 4 March 2012
Monash University Museum of Art
Executive Director of NAVA Tamara Winikoff missed the voices of artists at the October 2011 World Summit on Arts & Culture in Melbourne.
Museum of Contemporary Art at the National Art School Gallery, Sydney 17 June - 24 August 2011
This year marks the 41st anniversary of the development of ARIs in Australia, and as both a celebration of and an indication of how far national and international ARIs have come, a four-day symposium organised by NAVA and Firstdraft was held in Sydney in September 2011.
'Out of mind' the work by Fiona Hall at the Queensland Brain Institute at the University of Queensland draws together scientific research with art research to demonstrate that both approach the world with wonder and intrigue.
"Hall’s work ... is apt for neuroscientists are indebted to the neural architecture of animals. The brains of insects like fruit flies or honeybees are much smaller and simpler than ours, yet because similar molecular mechanisms underlie their operation, these creatures may very well hold the keys to unlocking the mysteries of autism, schizophrenia, depression and a range of other human disorders."
Contemporary Art Centre of South Australia CACSA
22 July - 28 August 2011
Kirsten Farrell muses on colourphobia through her life, her Phd and her reading of the book Colourphobia (2000) by David Batchelor
South Australian artist Julia Robinson's striking sculpture draws on the darkness in human culture that has often been represented by goats. Made from fibreglass and snugly covered in fabric they assume strange forms and positions that give them a "reverberating energy".