Published 01 September 2019
Bendigo Art Gallery
1 August - 6 November 2011
New Zealand-based Sara Hughes considers colour has been degraded throughout Western history. She uses coloured vinyl applied to architecture to "articulate social meaning".
Published December 2011
Uncontainable Istanbul 14 - 21 September 2011
Tarryn Gill & Pilar Mata Dupont
Curator: Leigh Robb
Perth Institute of Contemporary Arts
3 September - 30 October 2011
Land, Sea and Sky: Contemporary Art of the Torres Strait, GOMA
Strait Home, State Library of Queensland
Awakening: Stories from the Torres Strait, Queensland Museum
Belong, Bangarra Dance Theatre, Queensland Performing Arts Centre
Mabo Oration 2011, Follow the Stars: Indigenous culture, knowledge and intellectual property rights
1 July - 23 October 2011
In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.
'Out of mind' the work by Fiona Hall at the Queensland Brain Institute at the University of Queensland draws together scientific research with art research to demonstrate that both approach the world with wonder and intrigue.
"Hall’s work ... is apt for neuroscientists are indebted to the neural architecture of animals. The brains of insects like fruit flies or honeybees are much smaller and simpler than ours, yet because similar molecular mechanisms underlie their operation, these creatures may very well hold the keys to unlocking the mysteries of autism, schizophrenia, depression and a range of other human disorders."
Personality psychologist at Macquarie University Doris McIlwain does yoga and throws pots. She writes about new media installation 'The Body is a Big Place' the recent work of Peta Clancy and Helen Pynor which deals with the complexities of organ donation.
Kirsten Farrell muses on colourphobia through her life, her Phd and her reading of the book Colourphobia (2000) by David Batchelor
South Australian artist Julia Robinson's striking sculpture draws on the darkness in human culture that has often been represented by goats. Made from fibreglass and snugly covered in fabric they assume strange forms and positions that give them a "reverberating energy".
Tate Modern, London 25 May 2011 - 2 January 2012
It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.
Australian Experimental Art Foundation Adelaide
30 September - 29 October 2011
Devonport Regional Gallery
3 September - 2 October 2011
Cairns Regional Gallery
5 February - 14 March 2010