Published 01 September 2019
Bendigo Art Gallery
1 August - 6 November 2011
Published December 2011
Australian Experimental Art Foundation Adelaide
30 September - 29 October 2011
Curator: Jacqueline Strecker
Art Gallery of New South Wales
6 August - 6 November 2011
National Gallery of Victoria
25 November 2011 - 4 March 2012
In an interview format artist and academic Stephen Haley discusses the work of Kate Shaw the artist whose work features on the cover of the Phenomena issue of Artlink.
Shaw talks about the way she uses colour, her techniques and goals from garnering attention to depicting an ambivalent relationship to the natural world.
Artist and curator Una Rey writes about the exhibition 'Speaking in colour' that she curated for the Newcastle Gallery from their collection in March-May 2011. Her experience of working with Indigenous artists in Central Australia coloured her choices and her interpretations of them.
Tate Modern, London 25 May 2011 - 2 January 2012
It’s difficult to know where to begin when it comes to the work of American artist Taryn Simon. The complex, systematic and detailed nature of her practice, as evidenced in her current exhibition at Tate Modern A Living Man Declared Dead and Other Chapters has been described variously as conceptual, scientific and thought-provoking if not profoundly philosophical in its explorations of the interconnectivity of life, fate, family, history and politics.
Kirsten Farrell muses on colourphobia through her life, her Phd and her reading of the book Colourphobia (2000) by David Batchelor
Museum of Brisbane
12 August - 20 November 2011
Writer and academic Juliette Peers remembers Bernard Smith and queries the hagiography that sometimes surrounds him.
In his meditations on the recently published book Insect Media by Jussi Parikka, the New York-based staff writer for Rhizome at the New Museum Jacob Gaboury suggests that the dehumanisation of media technologies may be seen as engaging with the world in a form of non-human affect.
Director of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.
The Museum of Natural Mystery, North Perth
22 - 23 July 2011