Visibility: a survey of major recent exhibitions and publications on surveillance art

Cover of Visibility: a survey of major recent exhibitions and publications on surveillance art
1.144
Lipstick and Land Rights: matriarchal sovereign history and the cyber frontier
Feature
Lorna Munro

Published 24 January 2022
0.744
We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
0.75
Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
NAVA
1
Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
0.8
Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
0.75
Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
Guildhouse
0.8
Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
0.8
My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Dr Jane Button guest lectures and tutors in the School of Media and Communication at RMIT University. She recently project managed the ARC Grant Discovery Project Genealogies of Digital Light

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Urban Realities: Landscape Urbanism 3 Day Design Challenge
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Art on the run: Ubiquitous mobility and the camera phone
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The way you look at me
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The Sagawa/Hartevelt feedback loop
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A Job for the dogs: The ASIO pictures
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Surreptitious Pictures
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Professor of Art History at Victoria University, Wellington, NZ and author of 'Photography Degree Zero' Geoffrey Batchen writes about the secret history of secret cameras.

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