How to catch a Rooman: Fleur Elise Noble

Cover of How to catch a Rooman: Fleur Elise Noble
1.144
Lipstick and Land Rights: matriarchal sovereign history and the cyber frontier
Feature
Lorna Munro

Published 24 January 2022
0.744
We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
0.75
Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
NAVA
1
Lipstick and Land Rights: A poetic response
Feature
Lorna Munro

Published 15 December 2021
0.8
Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
0.75
Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
Gallipoli Art Prize
0.8
Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
0.8
My Sovereign Mind: A practice in two parts
Feature
Hayley Millar Baker

Published 15 December 2021
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Peter Drew is a contemporary painter and street artist based in Adelaide. He contributes regularly to the Adelaide Review. www.petercharlesdrew.com.au

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