How to catch a Rooman: Fleur Elise Noble

Cover of How to catch a Rooman: Fleur Elise Noble
0.562
Writing through the archive: the art writing marathon
Feature
Jacqueline Millner
0.8
Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Feature
Ian McLean

Published 30 March 2022
0.8
In conversation: Sebastian Goldspink and Una Rey
Feature
Sebastian Goldspink and Una Rey

Published 30 March 2022
Artshub
0.8
The museum fell silent
Feature
Elspeth Pitt

Published 30 March 2022
0.8
Kings of wishful thinking: internet irony and its illusionary critics
Feature
Olivia Bennett

Published 30 March 2022
0.8
Damper is a language word for art
Feature
Dominique Chen

Published 30 March 2022
The David Roche Foundation
0.8
Someone has to be innocent: a reflection on the post-2020 art critic
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John Mateer

Published 30 March 2022
0.8
A case for writing contemporary art history
Feature
Aneta Trajkoski

Published 30 March 2022
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Peter Drew is a contemporary painter and street artist based in Adelaide. He contributes regularly to the Adelaide Review. www.petercharlesdrew.com.au

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