For Arts Sake a Fair Go

Cover of For Arts Sake a Fair Go
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Artlink Subs Promo
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

The status quo of moral rights of artists in Australia today in respect of site specific works.

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More from this Issue Full Issue Contents

Putting Art in the Landscape
Feature
Alex Selenitsch

Looks at Herring Island Environmental Sculpture Park, Victoria and the issues which surround putting art into parks and public spaces. Unlike the specialised designs of the contemporary art gallery, the 'environment' is a bundle of concepts distributed across the city and suburbs.

Published June 1998
Marking the 2000 Moment: Sydney Pulls Out the Stops
Feature
Gene Sherman

Sculpture is often considered a difficult medium. Public art is frequently controversial. Yet, public sculptural art offers the widest possible audience and the greatest opportunity (by far) to experience, within the increasingly intense landscape of our cities, the humanising and deeply satisfying impact of art and culture.

Published June 1998
Visual Arts Program: Festival of Perth
Review
Lavinia S Ryan

Exhibition review Visual Arts Program: Festival of Perth
February 1998

Published June 1998
Shelf life, Use by Date and Other Related Issues
Feature
Robyn Taylor

Isn't it about time we showed artists and our public artworks a little more respect? We coaxed artists out of their studios to put their creative souls on public display, and now many of those life enhancing objects are looking unloved, forlorn and neglected.

Published June 1998
Not Fence Sitting: The Art on Line Project
Feature
Pat Hoffie

The 'Art on Line' project initially conceived by Craig Walsh, involved the work of three Brisbane based artists - Wendy Mills, Keith Armstrong and Craig Walsh - who are perhaps better known as working along the experimental edge of fine art, rather than as 'community artists'.

Published June 1998
A Moment of Reflection
Feature
Janice Lally

Public Art, the Art for Public Places (APP) program, models for commissions and the matter of percent for art in South Australia. "Processes of development can be as important as the final products when trying to stimulate the field of public art."

Published June 1998
What do THEY make of it?
Feature
Tamara Winikoff

Jenny Holzer shared some thoughts with Tamara Winikoff during Artist's Week in Adelaide in March 1998 about her relationship with the public, who over the years and in various countries, has been the audience for her artworks in the public arena.

Published June 1998
Fire Rituals for Multicultural Times
Feature
Stephanie Britton

Describes the public art event for the 1998 opening ceremony of the Adelaide Festival of Arts -- Flamma, Flamma held at the Torrens River, Elder Park Adelaide SA on 27th February 1998.

Published June 1998
The SCIP Project: The Making of Memories in Amnesia Land
Feature
Pat Hoffie

Looks at the Sandgate Town Centre Improvement Project (Suburban Centre Improvement Projects) in South East Queensland.

Published June 1998
Against the
Feature
Peter Anderson

There's something about public art projects that seems to either bring out the best or the worst in artists. Looks at the 'loo with a view' on the beach front at Mooloolaba on the Sunshine Coast in Queensland. The project has not been without its tensions......

Published June 1998
All this and Heaven too
Review
Kevin Murray

Exhibition review All this and Heaven too Curated by Juliana Engberg The Adelaide Biennial of Australian Art
Art Gallery of South Australia
28 February - 13 April 1998

Published June 1998
An Artist Speaks Out
Feature
Greg Johns

Challenging work, work that made some form of investigative observation about where we stand at this point in time was virtually not appearing anymore....In Adelaide and other cities, decorative design work, which is often very literal and subservient to conservative briefs, commercial interests, political agendas and restrictive models has appeared everywhere under the name of sculpture.

Published June 1998
 
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