The SCIP Project: The Making of Memories in Amnesia Land

Cover of The SCIP Project: The Making of Memories in Amnesia Land
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Hazelhurst
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
PICA 2
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Looks at the Sandgate Town Centre Improvement Project (Suburban Centre Improvement Projects) in South East Queensland.

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More from this Issue Full Issue Contents

Public Art in Sydney - Olympian Heights or More of the Same?
Feature
Courtney Kidd

The Olympic Co-ordination Authority and the Sydney City Council, the two commissioning bodies, have the power to transform the capital with their curated programs of site specific public art, some of which will have a limited life span. Ironically, in these environments where relationship to site is one of the criteria for inclusion, it is left to the artist to reconstruct the histories, to illuminate the voices demolished to make way for Olympic progress.

Published June 1998
The Enduring Moment
Feature
Catherine Murphy

It is arguable that temporary public art is a more valid response to the transitory, dynamic and complex nature of the city and public life, more available to be critical and exploratory, than its permanent counterpart.

Published June 1998
City Provoked: These Questions and More....
Feature
Virginia Fraser

RMIT project 'City Provoked' asked questions about the nature of public art emphasising 'new genre public art' - flexibility and responsiveness, specificity and topicality, innovation, challenge, engagement, unregulated encounter. collaboration, temporality and process rather than closure.

Published June 1998
Against the
Feature
Peter Anderson

There's something about public art projects that seems to either bring out the best or the worst in artists. Looks at the 'loo with a view' on the beach front at Mooloolaba on the Sunshine Coast in Queensland. The project has not been without its tensions......

Published June 1998
Coming Round the Mountain: Excursive Sight
Review
David Hansen

Exhibtion Review Coming Round the Mountain: Excursive Sight
Plimsoll Gallery,
Centre for the Arts University of Tasmania Hobart
17 January - 1 February 1998

Published June 1998
Getting up to Speed in Queensland: The Learning Curve Levels Off
Feature
Ian Friend

The Queenslanders Art Alliance was established in 1986, maintaining an artist register as well as project management programs collaborating with the Queensland government in the 'Designing Environments' strategy which is intended to consolidate the quality of the collaborative process in public art projects. Looks at the Kangaroo Cliffs Boardwalk project.

Published June 1998
Pillow Songs: Poonkhin Khut
Review
Mary Knights

Exhibition Review Pillow Songs: Poonkhin Khut
Sidespace Gallery
Salamanca Arts Centre Hobart Tasmania
January 1 - 30 1998

Published June 1998
The Vision not so Splendid
Feature
Pamela J Zeplin

Prominent gallerist Paul Greenaway and influential educator Pamela J Zeplin speculated recently about the depths to which confidence in the management of Adelaide's Public Domain has sunk. Who is to blame for the rash of mediocrity -- consultants, governments, artists themselves. Interview.

Published June 1998
Artists' Week... Walk that Walk
Review
Stephanie Radok

Review of Artists week for the Adelaide Festival of Arts
1998

Published June 1998
Marking the 2000 Moment: Sydney Pulls Out the Stops
Feature
Gene Sherman

Sculpture is often considered a difficult medium. Public art is frequently controversial. Yet, public sculptural art offers the widest possible audience and the greatest opportunity (by far) to experience, within the increasingly intense landscape of our cities, the humanising and deeply satisfying impact of art and culture.

Published June 1998
A Moment of Reflection
Feature
Janice Lally

Public Art, the Art for Public Places (APP) program, models for commissions and the matter of percent for art in South Australia. "Processes of development can be as important as the final products when trying to stimulate the field of public art."

Published June 1998
Bridging Art and Ecology
Feature
David Cranswick

Over the past decade there has been a significant increase in the number of public art projects directed at the improvement of the quality of public environments. Looks at two projects 'Restoring the Waters' in Fairfield (NSW) involving the artists Michaelie Crawford and Jennifer Turpin and the East Perth Greenway Project by artist Nola Farman. Both projects involve urban waterways and are to do with connecting people to place.

Published June 1998
 
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