The SCIP Project: The Making of Memories in Amnesia Land

Cover of The SCIP Project: The Making of Memories in Amnesia Land
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Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
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Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
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Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
Artlink Subs Promo
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A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
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Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
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Fair Share Fare
Feature
Jen Rae

Published 01 December 2019
NAVA
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Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
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Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

Looks at the Sandgate Town Centre Improvement Project (Suburban Centre Improvement Projects) in South East Queensland.

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More from this Issue Full Issue Contents

Not Fence Sitting: The Art on Line Project
Feature
Pat Hoffie

The 'Art on Line' project initially conceived by Craig Walsh, involved the work of three Brisbane based artists - Wendy Mills, Keith Armstrong and Craig Walsh - who are perhaps better known as working along the experimental edge of fine art, rather than as 'community artists'.

Published June 1998
Coming Round the Mountain: Excursive Sight
Review
David Hansen

Exhibtion Review Coming Round the Mountain: Excursive Sight
Plimsoll Gallery,
Centre for the Arts University of Tasmania Hobart
17 January - 1 February 1998

Published June 1998
Public Art in Sydney - Olympian Heights or More of the Same?
Feature
Courtney Kidd

The Olympic Co-ordination Authority and the Sydney City Council, the two commissioning bodies, have the power to transform the capital with their curated programs of site specific public art, some of which will have a limited life span. Ironically, in these environments where relationship to site is one of the criteria for inclusion, it is left to the artist to reconstruct the histories, to illuminate the voices demolished to make way for Olympic progress.

Published June 1998
For Arts Sake a Fair Go
Feature
Sharon Theedar

The status quo of moral rights of artists in Australia today in respect of site specific works.

Published June 1998
Artists' Week... Walk that Walk
Review
Stephanie Radok

Review of Artists week for the Adelaide Festival of Arts
1998

Published June 1998
Percent for Art in the West
Feature
Andra Kins

The Percent for Art Scheme in Western Australia uses an allocation of a percentage of the construction cost, usually one percent, of State Capital Works projects to commission artworks. The artist's role is to create works that are integrated with the building or the landscape.

Published June 1998
Need an Artist? Call ArtSource
Feature
Helena Spedding

ArtsWA created 'ArtSource' as an artist's and art consultants register as a means of facilitating best practice in project development and management.

Published June 1998
Five Hundred Sculptors in Melbourne!
Feature
Ken Scarlett

Whether Melbourne can support 500 or more sculptors is yet to be proven, but the talent is there and architects, developers and city councils seem to be much more receptive to the concept of public art.

Published June 1998
Visual Arts Program: Festival of Perth
Review
Lavinia S Ryan

Exhibition review Visual Arts Program: Festival of Perth
February 1998

Published June 1998
How the 'Art in Public Places' Debate Shackles Creative Genius
Feature
David Engwicht

Buckle your seatbelts for a wild, multi-disciplinary ride to explore why all urban space is art... why every individual entering public space is an artist.... how the design of public space either feeds or inhibits this artist.... how professional artists involved in the production of 'public art' should therefore respond.

Published June 1998
Specific Times and Particular Places: Recent Public Art in Tasmania
Feature
Mary Knights

Recently there has been a surge of vigorous and challenging public art produced in Tasmania. As well as creating their own opportunities, Tasmanian artists have participated in a wide range of projects facilitated by local and State Governments, festival organisers, corporate entities and private benefactors...engaging with diverse audiences, specific times and particular places.

Published June 1998
What do THEY make of it?
Feature
Tamara Winikoff

Jenny Holzer shared some thoughts with Tamara Winikoff during Artist's Week in Adelaide in March 1998 about her relationship with the public, who over the years and in various countries, has been the audience for her artworks in the public arena.

Published June 1998