The SCIP Project: The Making of Memories in Amnesia Land

Cover of The SCIP Project: The Making of Memories in Amnesia Land
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Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
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imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
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Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
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Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
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Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
UTS
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Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Looks at the Sandgate Town Centre Improvement Project (Suburban Centre Improvement Projects) in South East Queensland.

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More from this Issue Full Issue Contents

For Arts Sake a Fair Go
Feature
Sharon Theedar

The status quo of moral rights of artists in Australia today in respect of site specific works.

Published June 1998
Public Art in Sydney - Olympian Heights or More of the Same?
Feature
Courtney Kidd

The Olympic Co-ordination Authority and the Sydney City Council, the two commissioning bodies, have the power to transform the capital with their curated programs of site specific public art, some of which will have a limited life span. Ironically, in these environments where relationship to site is one of the criteria for inclusion, it is left to the artist to reconstruct the histories, to illuminate the voices demolished to make way for Olympic progress.

Published June 1998
Putting Art in the Landscape
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Alex Selenitsch

Looks at Herring Island Environmental Sculpture Park, Victoria and the issues which surround putting art into parks and public spaces. Unlike the specialised designs of the contemporary art gallery, the 'environment' is a bundle of concepts distributed across the city and suburbs.

Published June 1998
A Moment of Reflection
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Janice Lally

Public Art, the Art for Public Places (APP) program, models for commissions and the matter of percent for art in South Australia. "Processes of development can be as important as the final products when trying to stimulate the field of public art."

Published June 1998
Need an Artist? Call ArtSource
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Helena Spedding

ArtsWA created 'ArtSource' as an artist's and art consultants register as a means of facilitating best practice in project development and management.

Published June 1998
Not Fence Sitting: The Art on Line Project
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Pat Hoffie

The 'Art on Line' project initially conceived by Craig Walsh, involved the work of three Brisbane based artists - Wendy Mills, Keith Armstrong and Craig Walsh - who are perhaps better known as working along the experimental edge of fine art, rather than as 'community artists'.

Published June 1998
Entrepreneurs and Public Art: Private Sponsorship for Public Art Begins to Bloom in WA
Feature
Dorothy Erickson

Although the history of the west militated against private sponsorship, it began to blossom in the 1990s. This was assisted by the State Government sponsored Percent for Art Scheme. Looks at various examples of public art in Western Australia.

Published June 1998
Public Art Practical Guidelines
Book Review
Andra Kins

Book review Public Art Practical Guidelines
Authors Pip Sawyer, Malcolm McGregor, Robyn Taylor
Published by the Ministry for Culture and the Arts
September 1997
$40.00 + $5.00 p&h from the
Artists Foundation of WA

Published June 1998
Politics/Poetics: Reflections Documenta
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Anne Kirker

'documenta X' curated by Catherine David from France, opened in Kassel Germany on 21 June 1997 and ran for 100 days. This colossal international event could not be simply understood as an art exhibition and it defied many of the expected ingredients of large scale block busters.

Published June 1998
The Vision not so Splendid
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Pamela J Zeplin

Prominent gallerist Paul Greenaway and influential educator Pamela J Zeplin speculated recently about the depths to which confidence in the management of Adelaide's Public Domain has sunk. Who is to blame for the rash of mediocrity -- consultants, governments, artists themselves. Interview.

Published June 1998
1998 Adelaide Festival Visual Arts Program
Review
Cath Kenneally

Review of the 1998 Adelaide Festival Visual Arts Program
February - March 1998

Published June 1998
The Enduring Moment
Feature
Catherine Murphy

It is arguable that temporary public art is a more valid response to the transitory, dynamic and complex nature of the city and public life, more available to be critical and exploratory, than its permanent counterpart.

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