The SCIP Project: The Making of Memories in Amnesia Land

Cover of The SCIP Project: The Making of Memories in Amnesia Land
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Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
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MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
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Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Artlink Promo
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Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
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Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
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Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
Desert Mob
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Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
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Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Looks at the Sandgate Town Centre Improvement Project (Suburban Centre Improvement Projects) in South East Queensland.

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More from this Issue Full Issue Contents

How the 'Art in Public Places' Debate Shackles Creative Genius
Feature
David Engwicht

Buckle your seatbelts for a wild, multi-disciplinary ride to explore why all urban space is art... why every individual entering public space is an artist.... how the design of public space either feeds or inhibits this artist.... how professional artists involved in the production of 'public art' should therefore respond.

Published June 1998
Public Art in Sydney - Olympian Heights or More of the Same?
Feature
Courtney Kidd

The Olympic Co-ordination Authority and the Sydney City Council, the two commissioning bodies, have the power to transform the capital with their curated programs of site specific public art, some of which will have a limited life span. Ironically, in these environments where relationship to site is one of the criteria for inclusion, it is left to the artist to reconstruct the histories, to illuminate the voices demolished to make way for Olympic progress.

Published June 1998
Pillow Songs: Poonkhin Khut
Review
Mary Knights

Exhibition Review Pillow Songs: Poonkhin Khut
Sidespace Gallery
Salamanca Arts Centre Hobart Tasmania
January 1 - 30 1998

Published June 1998
All this and Heaven too
Review
Kevin Murray

Exhibition review All this and Heaven too Curated by Juliana Engberg The Adelaide Biennial of Australian Art
Art Gallery of South Australia
28 February - 13 April 1998

Published June 1998
Visual Arts Program: Festival of Perth
Review
Lavinia S Ryan

Exhibition review Visual Arts Program: Festival of Perth
February 1998

Published June 1998
Coming Round the Mountain: Excursive Sight
Review
David Hansen

Exhibtion Review Coming Round the Mountain: Excursive Sight
Plimsoll Gallery,
Centre for the Arts University of Tasmania Hobart
17 January - 1 February 1998

Published June 1998
Against the
Feature
Peter Anderson

There's something about public art projects that seems to either bring out the best or the worst in artists. Looks at the 'loo with a view' on the beach front at Mooloolaba on the Sunshine Coast in Queensland. The project has not been without its tensions......

Published June 1998
1998 Adelaide Festival Visual Arts Program
Review
Cath Kenneally

Review of the 1998 Adelaide Festival Visual Arts Program
February - March 1998

Published June 1998
Local Government and Public Art
Feature
Jacke Ohlin

Increasingly, local governments at the cutting edge are recognising the need to carefully define their role in public art and more broadly cultural development.

Published June 1998
The Enduring Moment
Feature
Catherine Murphy

It is arguable that temporary public art is a more valid response to the transitory, dynamic and complex nature of the city and public life, more available to be critical and exploratory, than its permanent counterpart.

Published June 1998
Percent for Art in the West
Feature
Andra Kins

The Percent for Art Scheme in Western Australia uses an allocation of a percentage of the construction cost, usually one percent, of State Capital Works projects to commission artworks. The artist's role is to create works that are integrated with the building or the landscape.

Published June 1998
Commissioning Public Art: A Consultant Speaks
Feature
Merily Oppermann

"I am looking at the final design and thought 'what went wrong?' Weeks earlier the Arts Committee had selected an exciting concept design. Why did the artist change the concept design so dramatically?"

Published June 1998
 
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