The SCIP Project: The Making of Memories in Amnesia Land

Cover of The SCIP Project: The Making of Memories in Amnesia Land
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Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
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Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

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Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
Desert Mob
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The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
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On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
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Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
MGNSW
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
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Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

Looks at the Sandgate Town Centre Improvement Project (Suburban Centre Improvement Projects) in South East Queensland.

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More from this Issue Full Issue Contents

Fire Rituals for Multicultural Times
Feature
Stephanie Britton

Describes the public art event for the 1998 opening ceremony of the Adelaide Festival of Arts -- Flamma, Flamma held at the Torrens River, Elder Park Adelaide SA on 27th February 1998.

Published June 1998
Coming Round the Mountain: Excursive Sight
Review
David Hansen

Exhibtion Review Coming Round the Mountain: Excursive Sight
Plimsoll Gallery,
Centre for the Arts University of Tasmania Hobart
17 January - 1 February 1998

Published June 1998
Public Art at the Canberra Museum and Gallery
Feature
Jacky Talbot

In a city with so many cultural institutions focused upon the national agenda, the new Canberra Museum and Gallery is a significant symbol of the ACTs (Australian Capital Territory) increasing confidence in a local identity, interdependent with its national role.

Published June 1998
Five Hundred Sculptors in Melbourne!
Feature
Ken Scarlett

Whether Melbourne can support 500 or more sculptors is yet to be proven, but the talent is there and architects, developers and city councils seem to be much more receptive to the concept of public art.

Published June 1998
Visual Arts Program: Festival of Perth
Review
Lavinia S Ryan

Exhibition review Visual Arts Program: Festival of Perth
February 1998

Published June 1998
Entrepreneurs and Public Art: Private Sponsorship for Public Art Begins to Bloom in WA
Feature
Dorothy Erickson

Although the history of the west militated against private sponsorship, it began to blossom in the 1990s. This was assisted by the State Government sponsored Percent for Art Scheme. Looks at various examples of public art in Western Australia.

Published June 1998
Public Art in Sydney - Olympian Heights or More of the Same?
Feature
Courtney Kidd

The Olympic Co-ordination Authority and the Sydney City Council, the two commissioning bodies, have the power to transform the capital with their curated programs of site specific public art, some of which will have a limited life span. Ironically, in these environments where relationship to site is one of the criteria for inclusion, it is left to the artist to reconstruct the histories, to illuminate the voices demolished to make way for Olympic progress.

Published June 1998
The Vision not so Splendid
Feature
Pamela J Zeplin

Prominent gallerist Paul Greenaway and influential educator Pamela J Zeplin speculated recently about the depths to which confidence in the management of Adelaide's Public Domain has sunk. Who is to blame for the rash of mediocrity -- consultants, governments, artists themselves. Interview.

Published June 1998
Putting Art in the Landscape
Feature
Alex Selenitsch

Looks at Herring Island Environmental Sculpture Park, Victoria and the issues which surround putting art into parks and public spaces. Unlike the specialised designs of the contemporary art gallery, the 'environment' is a bundle of concepts distributed across the city and suburbs.

Published June 1998
Public Art can Kill
Feature
Julie Robb

Looks at issues of the law and public art with references to Richard Serra's 'Sculpture No.3' and Christo's 'The Umbrellas: a joing project for Japan and USA'.

Published June 1998
Percent for Art in the West
Feature
Andra Kins

The Percent for Art Scheme in Western Australia uses an allocation of a percentage of the construction cost, usually one percent, of State Capital Works projects to commission artworks. The artist's role is to create works that are integrated with the building or the landscape.

Published June 1998
The Public Interest: Is There Any?
Feature
Juliette Peers

"Living a few hundred metres away from a community arts project has clarified my doubts about the standard and the value of such projects and what they achieve for their supposed audience." Peers explores the current issues facing the production of community and public art looking at 'The Bridge, Construction in Process' an event and exhibition which took place in Melbourne over March- April 1998.

Published June 1998
 
QAGOMA
ACE Open
UNSW
CAT
Guildhouse