The SCIP Project: The Making of Memories in Amnesia Land

Cover of The SCIP Project: The Making of Memories in Amnesia Land
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Crown Resorts
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
ACE Open
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Looks at the Sandgate Town Centre Improvement Project (Suburban Centre Improvement Projects) in South East Queensland.

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More from this Issue Full Issue Contents

Fire Rituals for Multicultural Times
Feature
Stephanie Britton

Describes the public art event for the 1998 opening ceremony of the Adelaide Festival of Arts -- Flamma, Flamma held at the Torrens River, Elder Park Adelaide SA on 27th February 1998.

Published June 1998
Politics/Poetics: Reflections Documenta
Feature
Anne Kirker

'documenta X' curated by Catherine David from France, opened in Kassel Germany on 21 June 1997 and ran for 100 days. This colossal international event could not be simply understood as an art exhibition and it defied many of the expected ingredients of large scale block busters.

Published June 1998
Bridging Art and Ecology
Feature
David Cranswick

Over the past decade there has been a significant increase in the number of public art projects directed at the improvement of the quality of public environments. Looks at two projects 'Restoring the Waters' in Fairfield (NSW) involving the artists Michaelie Crawford and Jennifer Turpin and the East Perth Greenway Project by artist Nola Farman. Both projects involve urban waterways and are to do with connecting people to place.

Published June 1998
The Public Interest: Is There Any?
Feature
Juliette Peers

"Living a few hundred metres away from a community arts project has clarified my doubts about the standard and the value of such projects and what they achieve for their supposed audience." Peers explores the current issues facing the production of community and public art looking at 'The Bridge, Construction in Process' an event and exhibition which took place in Melbourne over March- April 1998.

Published June 1998
Contemporary Art in Asia: Traditions/Tensions
Review
Michael O+Ferrall

Exhibition Review Contemporary Art in Asia: Traditions/Tensions Organised by the Asia Society New York
Art Gallery of Western Australia
6 February - 29 March 1998

Published June 1998
All this and Heaven too
Review
Kevin Murray

Exhibition review All this and Heaven too Curated by Juliana Engberg The Adelaide Biennial of Australian Art
Art Gallery of South Australia
28 February - 13 April 1998

Published June 1998
City Provoked: These Questions and More....
Feature
Virginia Fraser

RMIT project 'City Provoked' asked questions about the nature of public art emphasising 'new genre public art' - flexibility and responsiveness, specificity and topicality, innovation, challenge, engagement, unregulated encounter. collaboration, temporality and process rather than closure.

Published June 1998
How the 'Art in Public Places' Debate Shackles Creative Genius
Feature
David Engwicht

Buckle your seatbelts for a wild, multi-disciplinary ride to explore why all urban space is art... why every individual entering public space is an artist.... how the design of public space either feeds or inhibits this artist.... how professional artists involved in the production of 'public art' should therefore respond.

Published June 1998
Five Hundred Sculptors in Melbourne!
Feature
Ken Scarlett

Whether Melbourne can support 500 or more sculptors is yet to be proven, but the talent is there and architects, developers and city councils seem to be much more receptive to the concept of public art.

Published June 1998
Public Art Practical Guidelines
Book Review
Andra Kins

Book review Public Art Practical Guidelines
Authors Pip Sawyer, Malcolm McGregor, Robyn Taylor
Published by the Ministry for Culture and the Arts
September 1997
$40.00 + $5.00 p&h from the
Artists Foundation of WA

Published June 1998
Good or Bad Idea: The Community as Public Art Practitioner
Feature
Maggie Baxter

If art in community places isn't for the community using those places, then who is it for? Should all art in public places have immediate community appeal, or reflect those communities in some way, or even have community contributions? And if the answer to any of these is yes, need this impinge on the quality of the art?

Published June 1998
Marking the 2000 Moment: Sydney Pulls Out the Stops
Feature
Gene Sherman

Sculpture is often considered a difficult medium. Public art is frequently controversial. Yet, public sculptural art offers the widest possible audience and the greatest opportunity (by far) to experience, within the increasingly intense landscape of our cities, the humanising and deeply satisfying impact of art and culture.

Published June 1998
 
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