The SCIP Project: The Making of Memories in Amnesia Land

Cover of The SCIP Project: The Making of Memories in Amnesia Land
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
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1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.124
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Axolotl
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Looks at the Sandgate Town Centre Improvement Project (Suburban Centre Improvement Projects) in South East Queensland.

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More from this Issue Full Issue Contents

Commissioning Public Art: A Consultant Speaks
Feature
Merily Oppermann

"I am looking at the final design and thought 'what went wrong?' Weeks earlier the Arts Committee had selected an exciting concept design. Why did the artist change the concept design so dramatically?"

Published June 1998
Fire Rituals for Multicultural Times
Feature
Stephanie Britton

Describes the public art event for the 1998 opening ceremony of the Adelaide Festival of Arts -- Flamma, Flamma held at the Torrens River, Elder Park Adelaide SA on 27th February 1998.

Published June 1998
All this and Heaven too
Review
Kevin Murray

Exhibition review All this and Heaven too Curated by Juliana Engberg The Adelaide Biennial of Australian Art
Art Gallery of South Australia
28 February - 13 April 1998

Published June 1998
Shelf life, Use by Date and Other Related Issues
Feature
Robyn Taylor

Isn't it about time we showed artists and our public artworks a little more respect? We coaxed artists out of their studios to put their creative souls on public display, and now many of those life enhancing objects are looking unloved, forlorn and neglected.

Published June 1998
The Vision not so Splendid
Feature
Pamela J Zeplin

Prominent gallerist Paul Greenaway and influential educator Pamela J Zeplin speculated recently about the depths to which confidence in the management of Adelaide's Public Domain has sunk. Who is to blame for the rash of mediocrity -- consultants, governments, artists themselves. Interview.

Published June 1998
Five Hundred Sculptors in Melbourne!
Feature
Ken Scarlett

Whether Melbourne can support 500 or more sculptors is yet to be proven, but the talent is there and architects, developers and city councils seem to be much more receptive to the concept of public art.

Published June 1998
Percent for Art in the West
Feature
Andra Kins

The Percent for Art Scheme in Western Australia uses an allocation of a percentage of the construction cost, usually one percent, of State Capital Works projects to commission artworks. The artist's role is to create works that are integrated with the building or the landscape.

Published June 1998
For Arts Sake a Fair Go
Feature
Sharon Theedar

The status quo of moral rights of artists in Australia today in respect of site specific works.

Published June 1998
What do THEY make of it?
Feature
Tamara Winikoff

Jenny Holzer shared some thoughts with Tamara Winikoff during Artist's Week in Adelaide in March 1998 about her relationship with the public, who over the years and in various countries, has been the audience for her artworks in the public arena.

Published June 1998
Contemporary Art in Asia: Traditions/Tensions
Review
Michael O+Ferrall

Exhibition Review Contemporary Art in Asia: Traditions/Tensions Organised by the Asia Society New York
Art Gallery of Western Australia
6 February - 29 March 1998

Published June 1998
Pillow Songs: Poonkhin Khut
Review
Mary Knights

Exhibition Review Pillow Songs: Poonkhin Khut
Sidespace Gallery
Salamanca Arts Centre Hobart Tasmania
January 1 - 30 1998

Published June 1998
Not Fence Sitting: The Art on Line Project
Feature
Pat Hoffie

The 'Art on Line' project initially conceived by Craig Walsh, involved the work of three Brisbane based artists - Wendy Mills, Keith Armstrong and Craig Walsh - who are perhaps better known as working along the experimental edge of fine art, rather than as 'community artists'.

Published June 1998
 
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