The SCIP Project: The Making of Memories in Amnesia Land

Cover of The SCIP Project: The Making of Memories in Amnesia Land
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The five phases of Aboriginal art
Feature
Djon Mundine

 

Published 01 September 2005
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palawa kani: Expressing the power of language in art and the museum context
Feature
Zoe Rimmer and Theresa Sainty

Published 01 June 2020
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Reconnecting the Yaghan community to cultural belongings 90 years on
Feature
Rebecca Carland

Published 01 June 2020
The Torch
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Looking for murnong
Feature
Lou Bennett and Romaine Moreton

Published 01 June 2020
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Kin‑dling and other radical relationalities
Feature
Emily Johnson and Karyn Recollet

Published 01 June 2020
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Making Inuit art in the moment
Feature
asinnajaq

Published 01 June 2020
MGNSW
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Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea
Feature
Drew Kahuaina Broderick and Josh Tengan

Published 01 June 2020
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Weaving memory, living embodiment
Feature
Freja Carmichael

Published 01 June 2020

Looks at the Sandgate Town Centre Improvement Project (Suburban Centre Improvement Projects) in South East Queensland.

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More from this Issue Full Issue Contents

Visual Arts Program: Festival of Perth
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Lavinia S Ryan

Exhibition review Visual Arts Program: Festival of Perth
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Published June 1998
Percent for Art in the West
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Andra Kins

The Percent for Art Scheme in Western Australia uses an allocation of a percentage of the construction cost, usually one percent, of State Capital Works projects to commission artworks. The artist's role is to create works that are integrated with the building or the landscape.

Published June 1998
Need an Artist? Call ArtSource
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Helena Spedding

ArtsWA created 'ArtSource' as an artist's and art consultants register as a means of facilitating best practice in project development and management.

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Local Government and Public Art
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Jacke Ohlin

Increasingly, local governments at the cutting edge are recognising the need to carefully define their role in public art and more broadly cultural development.

Published June 1998
1998 Adelaide Festival Visual Arts Program
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Cath Kenneally

Review of the 1998 Adelaide Festival Visual Arts Program
February - March 1998

Published June 1998
Public Art can Kill
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Julie Robb

Looks at issues of the law and public art with references to Richard Serra's 'Sculpture No.3' and Christo's 'The Umbrellas: a joing project for Japan and USA'.

Published June 1998
Shelf life, Use by Date and Other Related Issues
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Robyn Taylor

Isn't it about time we showed artists and our public artworks a little more respect? We coaxed artists out of their studios to put their creative souls on public display, and now many of those life enhancing objects are looking unloved, forlorn and neglected.

Published June 1998
A Moment of Reflection
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Janice Lally

Public Art, the Art for Public Places (APP) program, models for commissions and the matter of percent for art in South Australia. "Processes of development can be as important as the final products when trying to stimulate the field of public art."

Published June 1998
The Vision not so Splendid
Feature
Pamela J Zeplin

Prominent gallerist Paul Greenaway and influential educator Pamela J Zeplin speculated recently about the depths to which confidence in the management of Adelaide's Public Domain has sunk. Who is to blame for the rash of mediocrity -- consultants, governments, artists themselves. Interview.

Published June 1998
Entrepreneurs and Public Art: Private Sponsorship for Public Art Begins to Bloom in WA
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Dorothy Erickson

Although the history of the west militated against private sponsorship, it began to blossom in the 1990s. This was assisted by the State Government sponsored Percent for Art Scheme. Looks at various examples of public art in Western Australia.

Published June 1998
Contemporary Art in Asia: Traditions/Tensions
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Michael O+Ferrall

Exhibition Review Contemporary Art in Asia: Traditions/Tensions Organised by the Asia Society New York
Art Gallery of Western Australia
6 February - 29 March 1998

Published June 1998
Five Hundred Sculptors in Melbourne!
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Ken Scarlett

Whether Melbourne can support 500 or more sculptors is yet to be proven, but the talent is there and architects, developers and city councils seem to be much more receptive to the concept of public art.

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